Q 65 Revolution LP DECCA RECORDS 1966 HOLL orig+mono QL 625 363 RARE Q65 Q '65
£
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Q 65Based on sheer musical ability, the Q 65 deserved to be at least as well known
as the Pretty Things or the Yardbirds. Indeed, the Dutch quintet could have
held their own with either of those groups or the Animals without breaking a sweat,
based on the recorded evidence, and they also had room for some of the more
countrified blues evident in the work of the Downliners Sect. Yet the Q 65 have
remained one of Europe's best-kept star-caliber musical secrets for more than 30 years.
The Q 65 were Frank Nuyens (guitar, vocals, sax, flute, harmonica), Willem Bieler (vocals, harmonica),
Peter Vink (bass), Joop Roelofs (guitar), and Jay Baar (drums), first got together in 1965, in the Hague.
The city was known as "the Liverpool of the Netherlands," with a music scene
that had been thriving since the end of the '50s
"REVOLUTION"
1966 LP DECCA RECORDS MONO QL 625 363
MADE IN HOLLAND ORIGINAL PRESSING
This version: single sleeve with flipback on rear and without photo on back.
On cover <Q 65>, on labels <Q 65'>.
Barcode and Other Identifiers
Barcode: none
LABEL: DECCA - BLUE/GRAY LABEL with UNBOXED DECCA LOGO - SILVER TEXT
Catalog on cover: (front & rear) QL 625 363
Catalog on labels: QL 625 363 (625 363.1 L) / QL 625 363 (625 363.2 L)
Matrix / Runout (A Side, Stamped): AA 625 363 1L 1 670 1 1 5
Matrix / Runout (B Side, Stamped): AA 625 363 2L 1 670 1 1 4
On labels: rim text reads "All Rights....Prohibited"
TRUE HIGH ffrr FIDELITY (circled, at noon)
DECCA REGd
MONO ?
B.I.E.M. (boxed)
Made in Holland
On back cover: Notes by Willem De Ridder and Q'65
Sound: Jan Audier Producer: Hans van Hemert
Coverpicture: Herman Baaren
Printed by: Nederlandse Normaal Drukkerij N.V., Baarn
tracklisting
Side A: THE LIFE I LIVE - I GOT NIGHTMARES - JUST WHO'S IN SIGHT
MR. PITIFUL - I'M A MAN - MIDDLE AGE TALK
SUMMERTHOUGHTS IN A FIELD OF WEED - DOWN AT THE BOTTOM
Side B: GET OUT OF MY LIFE, WOMAN - SPOONFUL
SOUR WINE - BRING IT ON HOME
grading
RECORD VG(+) but (please, read above description)
SLEEVE VG(+) but (please, see pictures and read above description)
This album found Q 65 at their peak.
Q 65 were among only a handful of non-English speaking bands of the mid-'60s
whose talent rivaled second-tier groups such as the Pretty Things in the search
for a rock-oriented update of Chicago blues. What set them apart, and what makes
Revolution very reminiscent of Back Door Men by the Shadows of Knight, is the
broad range of music performed above and beyond the basic R&B.
The band played acoustic as well as hard psych numbers along with the standards,
and experimented with harmonium and other instruments to make Revolution
more interesting than the average garage release. Despite the eclecticism,
their blues interpretations work best, from the nice take of "Spoonful" to the
groundbreaking 13-minute cover of "Bring It on Home," the real missing link between
the rave-ups of the Yardbirds and the post-Cream jam bands of the late-'60s...(AllMusic)