QUADRAPHONIC ALTERNATE LP BECK BOGERT APPICE Hard psych
  $   26

 


$ 26 Sold For
Jul 9, 2011 Sold Date
Jul 4, 2011 Start Date
$   10 Start price
4   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

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RARE EARLY 70's QUADRAPHONIC ORIGINAL 4 CHANNEL

           DIFFERENT SONG MIXES!!

                                     

                              

     BECK, BOGERT AND APPICE

                           

            

\                              USA - EPIC RECORDS - EQ 32140 (((QUADROPHONIC))) 

 

TOP COPY! STILL IN ORIGINAL FACTORY SHRINK WRAPPER and...MINT!

 

SCARCE 1973 "QUADRAPHONIC" with different song mixes from the 'regular' 1973 issue...

The Quadraphonic issue uses a then, specially designed SQ decoder permiting the a 4 channel sound separation (as opposed to the regular 2 channel) when playback is through the quad system or even surround sound receiver, resulting in completely different song mixes that can be detected even on the 'normal' stereo system. The record company changed around the song mixes (sounding like things were added) to enhance the quadraphonic 4-channel listening experience....

Includes the original printed SQ inner sleeve with photos of vintage Quadraphonic equipment as well as, on reverse side, the collectors guide to quadraphonic sound overview for consumer understanding...

After a mid-summer gig in 1969, just before Beck disbanded his group with Rod Stewart – his escape option to refuse an invitation to play Woodstock, and which in the light of what happened to the other band on that same gig, Ten Years After, after their climaxing rendition at the festival , seems in hindsight a wisely premonitory decision -, the rhythm section of the gig’s headliners Vanilla Fudge (who were also about to split up) approached him with the suggestion to form a new band; had Beck accepted Tim Bogart and Carmine Appice’s offer, and they’d have filled in the vacant slot left by the demise of Cream, Blind Faith or Hendrix’s Experience and the trio would have been hailed as the ‘new supergroup’; several factors such as the almost fatal car-crash that threw Beck into an hospital bed deterred its birth, and the already chosen Cactus moniker would be used for a project that was destined to be a marginal foot-note in Rock’s History.

Three years of elusive commercial success would pass by before the cyclically frustrated Beck would reconvene with the coincidentally similarly a frustrated Bogart and Appice - who after several reincarnations of Cactus felt the group was heading to a dead end – and the trio finally decided to join forces; many circumstances apparently presaged this was a winning reunion, from the extrovert personality of the drummer - capable of easily pulling the guitarist out of the depressive moods that still manifested themselves as resilient side-effects of his car-crash -,to their mutual obsession for speed, hot-rods and motorcycles, and a shared passion for Soul, Funk and R&Blues.

Impaired by feeble vocal abilities that were no match to their impressive instrumental skills, this is nevertheless a great album, one that exudes a vital and raw energy; but although its power derives from an undisguised, intrinsic and spontaneous excitement, their talent and professionalism never lets the performances fall on pure exhibitionism or messed-up cacophony.The stone cold "Black Cat Moan" opens the effort with a heavy blues lean, while Lady showcases Beck's deft frenzy-fretboard skills. The first mellow song from the recording is "Oh to Love You", which features ex-Cactus member Duane Hitchings contributing with keys and mellotron arrangements. Side one is jammed-out with a rousing take of "Superstition".

Despite the light vibe of "Sweet Sweet Surrender", Beck lets loose as the ballad is brought to a big finish. "Why Should I Care" sounds like an upbeat pop rock cut, while the funky groove of "Lose Myself With You", with Beck adding pure seventies's wah-wah work, is one of the prime songs from the album. "Livin' Alone" is a four-minute roadhouse blues roller, which gives way to the laid back take on "I'm So Proud".

KNOCK IT BACK!

 

A: Black Cat Moan 3:50 Lady 5:33 Oh to Love You 4:06 Superstition 4:19 B:    Sweet Sweet Surrender 4:02 Why Should I Care 3:34 Lose Myself With You 3:21 Livin' Alone 4:12 I'm So Proud 4:12

 

CONDITION: The Cover: top clean MINT in original factory shrink wrapper ... having 4 sharp corners, no bends, no split seams and no writing....a TOP COPY =

The Vinyl: Both sides are clean and smooth M- looks and plays TOP LEVEL ... with clean QUAD labels

       

      A cool addition to anyone's music library!

 

SEE: SELLERS OTher items for similar cool sounds for "head" people...

 

EFFICIENT/CAREFUL GRADING

All imperfections are noted both cover & record

  NOTE: All Items backed by  money back guarantee! IF you have a problem PLEASE let us solve for you BEFORE leaving ANY negative feedback. Thanks!   GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M    Completely clean, no marks M-   Carefully used, looks clean, plays clean, shiny gloss, no marks EX   Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, clean VG+ a bit more scuff or markls still plays well with very minimal surface at worse VG   more marks/scratches only minor, nothing deep, no loud clicks or pops         this grade is abused by many, VG here does not mean "trashed" VG-  surface noise present, will not have skips or jumps     ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END   BIDDERS PLEASE = Do Not Bid If You Are Not Serious About  Following Through The Transaction!   ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!

 




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