QUILL RARE ORIG 1969 COTILLION PSYCH ROCK LP NEAR MINT VINYL BOSSTOWN SOUND
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Description
QUILL~RARE ORIG 1969 COTILLION~PSYCH ROCK LP~NEAR MINT VINYL~BOSSTOWN SOUND
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QUILL "QUILL" COTILLION SD 9017
VERY RARE 1969 ISSUE BY THE BAND THAT WOODSTOCK FORGOT. OPENING THE SHOW BEFORE SANTANA HIT THE STAGE, THE FILM FOOTAGE WAS UNUSABLE AND, HENCE, QUILL'S PERFORMANCE WAS LOST TO HISTORY. GREAT, UNSUNG PSYCH LP BY THIS BOSTON BAND. COVER IS EXCELLENT WITH SOME WEAR TO THE EDGES. VINYL IS EX/NM AND SHOWS LITTLE OR NO WEAR.
Quill opened up the Saturday festivities at Woodstock in 1969, though some may say the real claim to fame for Jo Unk Khol (aka John Cole) is the sound effects he makes (uncredited) at the beginning of Andy Pratt's 1973 classic "Avenging Annie." The group's self-produced album is one of the better offerings from "The Bosstown Sound," as was Pratt's 1971 Polydor release Records Are Like Life. Perhaps it is no coincidence that both were recorded by the mysterious Boston-area engineer who went by one name, Aengus. Steven McDonald originally wrote in AMG that "Quill came and went in 1970, leaving a single album behind as evidence of their existence. The band hurtled into the depths of psychedelia with results that are both painful and entertaining." McDonald went on to call the music "a self-indulgent mess with some promise and much racket." Actually, the six compositions by John and Dan Cole, along with N. "Red Rocket" Rogers' "Too Late," deserve to be remembered a little bit better than that. Perhaps the entire album was too far out to include "I Had Too Much to Dream Last Night" or "Journey to the Center of the Mind," titles like "Thumbnail Screwdriver" and "Tube Exuding" giving the impression that these were bad Ultimate Spinach or Eden's Children outtakes. That's far from reality. The music is more toward the entertaining than the painful end of McDonald's spectrum. And though they, like Sweetwater, failed to catch on as other acts from the Woodstock festival did (unlike Ten Wheel Drive, who were said to have turned the gig down to settle in near obscurity), there is something special in these grooves and the pastel/half-psychedelic cover with esoteric lyrics spread across the inside of the Unipak gatefold. Despite the zany pseudonyms the bandmembers embraced, this record has more smarts than anything Zager & Evans ever put to plastic. There are jazzy overtones mixed in with the mayhem and experimentation far beyond anything Ultimate Spinach, the dreadful Eden's Children, and even the beloved the Beacon Street Union from that "Bosstown Sound" era attempted to create. Maybe it was the marketing, maybe it was the damage caused by Eden's Children, there's no doubt Quill deserved a better fate. If only Cotillion, the label that released the Woodstock triple and double LPs, had put this and other groups out as part of a "Woodstock" series.
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MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
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Shipping and handling fees are non-refundable.
PLEASE NOTE: We have set our shipping prices to cover costs on an average basis. You may be charged slightly more - or less - than the actual cost of postage; Priority postage varies according to destination, records and jackets vary in weight, all of which makes it impossible to set an exact "correct" price for all customers, especially internationally. We ship all LP's in new (unused) custom LP mailers. We pack records with filler pads, placing the disc in an inner sleeve outside the cover to prevent seam splitting in transit. Part of our postage fee covers the cost of the mailer and pads (which currently costs us up to a dollar per).
BY BIDDING ON AN ITEM, YOU ARE AGREEING TO IN YOUR EAR'S POLICIES.
YES, we ship to Japan!
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