RADIOHEAD Kid A 2x10" EMI 2000 EUR orig+foc+inners 7243 5 27753 1 6 THOM YORKE

	£		38
	$		50

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One of the great bands of the '90s and 2000s, a restless, experimental guitar band 

who incorporated adventurous electronic elements into their smart alternative rock

"KID A"

2000       2 x 10", Album     EMI RECORDS     7243 5 27753 1 6  

MADE IN EUROPE   ORIGINAL PRESSING

Comes in a matte gatefold sleeve with printed inner sleeves     

Barcode and Other Identifiers

Barcode: (text) 7 24352 77531 6

LABEL: EMI - BLACK LABEL w/RED DESIGN - WHITE TEXT

Label Code: LC0299

Distribution Code: F: PM262

Catalog on cover: (rear) 7243 5 27753 1 6 

Catalog on labels: 

DISC ONE: 5284821-A / 5284821-B

DISC TWO: 5284831-C / 5284831-D

Matrix / Runout (Side A, Stamped):5277531 A-1-1-1 (crossed out, Etched):  ?F?A?E?R?O?E?S?F?A?I?R?I?S?L?E?H?E?B?R?I?D?E?S?  

Matrix / Runout (Side B,  Stamped):5277531 B-1-1-1 (crossed out, Etched):  ?S?H?A?N?N?O?N?S?O?L?E?R?O?C?K?A?L?L?M?A?L?I?N?

Matrix / Runout (Side C,  Stamped):5277531 C-1-1-1 (crossed out, Etched):  ?L?U?N?D?I?F?A?S?T?N?E?T?I?R?I?S?H?S?E?A? 

Matrix / Runout (Side D,  Stamped):5277531 D-2-1-1 (crossed out, Etched): D?O?G?G?E?R?F?I?S?H?E?R?G?E?R?A?N?B?I?G?H?T

On labels: Trade ? Mark Parlophone

(Side A & C): ? 2000 The Copyright in this sound recording is owned by EMI Records Ltd. © 2000 EMI........

This Label copy information is owned by EMI Records Ltd. All rights reserved © 2000 EMI.........Made in EU LC0299

(Side B & D): All rights of the producer and of the owner..............of this record prohibited.

On Inner (C&D): credits (for details see pictures)

On Back Cover: Printed in EU

Place of manufacture as stated on label.

Marketed and Distributed by EMI

tracklisting

Side ALPHA: EVERYTHING IN ITS RIGHT PLACE - KID A

Side BETA: THE NATIONAL ANTHEM - HOW TO DISAPPEAR COMPLETELY - TREEFINGERS

Side GAMMA: OPTIMISTIC - IN LIMBO

Side DELTA: IDIOTEQUE - MORNING BELL - MOTION PICTURE SOUNDTRACK - UNTITLED

grading

RECORDS EX but (please, read above description)

SLEEVE NEAR EX but (please, see pictures and read above description)

In the wake of OK Computer, it became taken for granted among serious rock fans of all ages that Radiohead not only saved rock from itself, but paved the way toward the future. High praise, but given the static nature of rock in the last half of the '90s, it was easy to see why fans and critics eagerly harnessed their hopes to the one great rock band that wanted to push the limits of its creativity, without grandstanding or pandering. Daunting expectations for anyone, even for a band eager to meet them, so it's little wonder that Kid A was so difficult to complete. Radiohead’s creative breakthrough arrived when the band embraced electronica -- which was nearly a cliché by the end of the '90s, when everyone from U2 to Rickie Lee Jones dabbled in trip-hop or techno. The difference is that the wholehearted conversion on Kid A fits, since OK Computer had already flirted with electronica and its chilly feel. Plus, instead of simply adding club beats or sonic collage techniques, Radiohead strove for the unsettling "intelligent techno" sound of Autechre and Aphex Twin, with skittering beats and stylishly dark sonic surfaces. To their immense credit, Radiohead don't sound like carpetbaggers, because they share the same post-post-modern vantage point as their inspirations...(AllMusic)