RADIOHEAD "PABLO HONEY" FIRST PRESS 1993 DEBUT ALBUM UK PARLOPHONE PCS 7360 - EX
£
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Description
ARTIST - RADIOHEAD - DEBUT ALBUM
TITLE - "PABLO HONEY"
LABEL - UK PARLOPHONE
RECORD NO. - PCS 7360
YEAR - FIRST PRESS 1993
SLEEVE - EX
VINYL - EX
MATRIX -
STAMPED - SIDE ONE - PCS 7360 A-1-1-1 D - A-side hand-etched -"COME to FLORIDA"
STAMPED - SIDE TWO - PCS 7360 B-02-01-1 D
TRACK LISTING........
A1 You A2 Creep A3 How Do You? A4 Stop Whispering A5 Thinking About You A6 Anyone Can Play Guitar B1 Ripcord B2 Vegetable B3 Prove Yourself B4 I Can't B5 Lurgee B6 Blow OutCompanies, etc.
- Phonographic Copyright (p) – EMI Records Ltd.
- Copyright (c) – EMI Records Ltd.
- Recorded At – Chipping Norton Recording Studios
- Recorded At – Courtyard Studio
- Mixed At – Fort Apache
- Mastered At – Abbey Road Studios
- Manufactured By – EMI Records Ltd.
- Manufactured By – EMI
- Distributed By – EMI
- Published By – Warner Chappell Music Ltd.
Credits
- A&R, Coordinator [Co-Ordination] – Keith Wozencroft
- Bass – Colin Greenwood
- Crew [Road Crew] – Jim Warren, Nigel Powell, Tim Greaves (2)
- Design – Icon (21)
- Drums – Phil Selway
- Guitar, Vocals – Ed O'Brien
- Lead Guitar, Piano, Organ – Jon Greenwood*
- Lyrics By – Thom Yorke
- Management – Bryce Edge, Chris Hufford
- Management [Agent (At Abs)] – Charlie Myatt
- Mastered By – Chris Blair
- Music By – Radiohead
- Other [We Would Like To Thank The People That Have Helped Us, Especially] – All At Parlophone, Anthony, Caffy, Clive Black, Jeremy Plumb, Jon Statham, Mac, Mandy Humpleman, Nick, Nobby, O. J. Kilkenn's, Philip Hall, Roman, SAS
- Painting [Paintings] – Lisa Bunny Jones
- Photography By – Tom Sheehan (3)
- Producer, Engineer [Engineered By] – Chris Hufford (tracks: B4, B5)
- Producer, Engineer [Engineered By], Mixed By – Paul Q. Kolderie (tracks: A1 to A6, B2 to B3, B6),Sean Slade (tracks: A1 to A6, B2 to B3, B6)
- Vocals, Guitar – Thom Yorke
Notes
© 1993 EMI Records Ltd.Recorded at Chipping Norton Studio, Oxon except track B4 & B5 recorded at Courtyard Studio, Oxon.
Mixed at Fort Apache, Roxbury, Mass.
Mastered at Abbey Road.
Published by Warner Chappell Music Ltd.
''DECIPHERING THE UNIVERSAL PRODUCT CODE
0 7777 81409 1 7
UK: PCS 7360
PLACE OF MANUFACTURE AS STATED ON THE LABEL
MANUFACTURED AND DISTRIBUTED BY EMI
PRINTED IN UK''
"0777 7 814091 7" appears on the back cover, on the inner sleeve and on the spine; also as the barcode number. "7814091" appears in small print on the labels. "PCS 7360" appears prominently on the labels.
Comes with a semi-glossy printed colour inner sleeve.
Semi-glossy cover.
Barcode and Other Identifiers
- Matrix / Runout (Run-out area A-side ''machine stamped''): PCS 7360 A-1-1-1 D
- Matrix / Runout (Run-out area A-side ''hand-etched''): " COME to FLORIDA"
- Matrix / Runout (Run-out area B-side ''machine stamped''): PCS 7360 B-02-01-1 D
- Barcode: 0777 7 814091 7
SIX LPs CAN BE MAILED FOR SAME PRICE AS ONE SECOND CLASS ONLY **( UK ONLY ) ** DOUBLE ALBUM = 2 x LPs.
PLEASE WAIT FOR COMBINED INVOICE
There may be slight paper scuffs or hairlines - if you require further condition reports please just ask.
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GRADING: All records are graded using the standard UK Record Collector Grading system as follows:
- MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
- EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
- VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
- GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
- FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
- POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
- BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.
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