RADIOHEAD The Bends LP PARLOPHONE 1995 UK orig+inner 7243 8 29626 1 8 THOM YORKE
£
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RADIOHEADOne of the great bands of the '90s and 2000s, a restless, experimental guitar band who incorporated adventurous electronic elements into their smart alternative rock
"THE BENDS"
tracklist Side A: PLANET TELEX - THE BENDS - HIGH AND DRY FAKE PLASTIC TREES - BONES - (NICE DREAM) Side B: JUST - MY IRON LUNG - BULLET PROOF..I WISH I WAS BLACK STAR - SULK - STREET SPIRIT (FADE OUT)
1995 LP PARLOPHONE RECORDS 7243 8 29626 1 8 (PCS 7372)
MADE IN ENGLAND ORIGINAL FIRST PRESSING [1st UK pressing. This version has a red pound symbol in the black circle on labels (on left, between TRADE and MARK) No Large pixelated 0% in lower left corner of b/w side of inner sleeve Matrix number stampings end in -1 Matrix numbers stamped except the text in capital letters which is etched Includes printed inner sleeve with artwork, credits and lyrics]
SINGLE COVER + INNER SLEEVE
Barcode and Other Identifiers
Barcode: 7 2438 29626 1 8
LABEL: PARLOPHONE - WHITE LABEL w/LOGO at LEFT - BLACK TEXT
Catalog on cover: (spine) 7243 8 29626 1 8 (rear) 7243 8 29626 1 8 UK: PCS 7372
Catalog on labels: PCS 7372-A (8296261) / PCS 7372-B (8296261)
Matrix / Runout (Side A, Stamped & Etched):PCS 7372 A-01-01-1 SHE'S OUT WITH HER ANSWERPHONE D
Matrix / Runout (Side B, Stamped & Etched): PCS 7372 B-01-01-1 (NICE DREAM) D
On labels: rim text reads "All rights.........EMI Records Limited"
Trade ? Mark Parlophone
Trks.....Produced by John Lockie.....The copyright in this sound recording is owned by EMI Records Ltd. © 1995 EMI Records Ltd.
On Inner: credits + lyrics
On Back Cover: ? 1995 except side 2, track 2 ? 1994
The copyright in this sound recording is owned by EMI Records Ltd. © 1995 EMI Records Ltd.
grading
RECORD EX but (please, read above description)
SLEEVE NEAR EX but (please, see pictures and read above description)
Pablo Honey in no way was adequate preparation for its epic, sprawling follow-up, The Bends. Building from the sweeping, three-guitar attack
that punctuated the best moments of Pablo Honey, Radiohead create a grand and forceful sound that nevertheless resonates with
anguish and despair -- it's cerebral anthemic rock. Occasionally, the album displays its influences, whether it's U2, Pink Floyd, R.E.M.,
or the Pixies, but Radiohead turn clichés inside out, making each song sound bracingly fresh. Thom Yorke's tortured lyrics give
the album a melancholy undercurrent, as does the surging, textured music. But what makes The Bends so remarkable is
that it marries such ambitious, and often challenging, instrumental soundscapes to songs that are at their cores hauntingly melodic
and accessible. It makes the record compelling upon first listen, but it reveals new details with each listen,
and soon it becomes apparent that with The Bends, Radiohead have reinvented anthemic rock...(AllMusic)
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