RARE 1970 UK Orig THIRD WORLD WAR 1st LP = HARD HEAVY CHAINSAW ROCK prog, STONES
  $   73

 


$ 73 Sold For
Nov 5, 2023 Sold Date
Oct 29, 2023 Start Date
11   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

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    •  BRITISH 1970 ORIGINAL FIRST PRESS

    • UK UNDERGROUND ROCK ARTIFACT!
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  • THIRD WORLD WAR
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  • "Made In England" - FLY RECORDS - (Fly 4)
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HARD TO FIND seldom seen ...Original 1970 BRITISH-only first pressing featuring a tough rebel crew with plenty of grit and fire-power, just looking for a rumble with establishment values.
Both JIM PRICE & BOBBY KEYS from the ROLLING STONES "Sticky Fingers" and "Exile On Main Street" era are in THIRD WORLD WAR   ........................................................................... Includes the scarce (if not interesting) lyrics insert.... ...........................................................................
Terry Stamp and Jim Avery hold the distinction of forming THIRD WORLD WAR probably Englands first, for real, “aggrressive and argumentative" underground band, on par with say, the MC5's '68 view, in rising-up against government supression. ....................................................................

Formed in London in 1970, Third World War released two gritty underground hardrock albums (Fly Records and Track Records) in the very early 70s.

Third World War featured an aggression unheard of at that time. With Terry Stamp’s explosive vocals, lyrics, chopper guitar style and Jim Avery’s West London, hardnut, two fisted, riff and chord approach proved unbeatable, (even fifty+ years on). Their socio-political agenda and angry guitar style prefigured the emergence of UK “working-class” bands by some 5 years.
The contemporary illusion of glazed hippy inertia in the face of imminent social breakdown and rampant urban motorway-construction doesn’t hold water when the hard-nut lyrics of
Third World War, another associate of the Semtex-and-spliffs crashpad of early-1970s Notting Hill, are considered. A “political underground” act, they were able to write excellent, sensitive melodies, but in general their music and lyrics were ugly and real – like life itself. On “MI5’s Alive” they bemoaned “kissing the monarch’s ass…letting the bad air out”. These august commentators shared bills at free festivals with proto-crust pioneers Pink Fairies and East of Eden, but most notably featured at the Police Ball benefit for Oz magazine with Arthur Brown, Viv Stanshall, the Pink Fairies, Egg, Roy Harper and Gnidrolog. ...............................................................................

The record begins with “Ascension Day” - and that's “ascension” as in “rise up, revolt.” It's a power-to-the-people song, unspecific in everything but the stated methods: “Waiting on the rooftops, looking for a sign / Pull your hand-grenade pin, I’ll pull mine / Power to the people, when we rise / Power to the poor, when we rise… There’s people out of work here / There could be a riot here / Very soon, you know, there could be a riot everywhere.”

Terry Stamp is described as playing something called “chopper guitar” and that's how it sounds. On “Ascension Day” his guitar is a chainsaw, hacking up the chords and spitting them out with out with an uncompromising position. This is the most powerful track, a magnificent piece of rock music, perfectly balancing its inner intensity with an outward nonchalance.

The other musicians, Avery on bass and Mick Lieber on lead guitar and Fred Smith on drums, have just enough competence to mirror their desires. Terry Stamp’s voice drawls, leers, snarls, and grunts in the very loosest approximation of “singing” but his intentions are beyond question.

Ascension Day
MI5s Alive

Teddy Teeth Goes Sailing
Working Class Man
Shepherds Bush Cowboy
Stardom Road Part 1
Stardom Road Part 2
Get Out Of Bed You Dirty Red
Preaching Violence

  CONDITION:
  • good luck finding a better 1970 original UK pressing !
  • The cover: Rated: Strong "EX" (excellent) clean and solid, the fragile UK first press is nicely laminated. The item appears only lightly handled - 53 years onward ... has very little lamination crinkles (most originals & UK/European 60's originals are by far and away in lesser condition; no split seams, no writing and in generally fine order ...

      • The vinyl: Rated: M-  NICE over both sides, the best part being plays clean over both sides ! U.K. "FLY" labels are CLEAN ....
A cool addition to anyone's music library! 
SEE: SELLERS OTHER ITEMS (((similar grooves for "head" people...)))

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All imperfections are noted both cover & record
  GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M    Completely clean, no marks, plays clean
M-   Carefully used, looks clean, plays clean, shiny gloss, plays clean
EX   Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, enjoyable
VG+ a bit more scuff or marks still plays well with very minimal surface at worse VG   more marks/scratches only minor, nothing deep, no loud clicks or pops         this grade is abused by many, VG here does not mean "trashed" VG-  surface noise present, will not have skips or jumps     ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END   BIDDERS PLEASE = Do Not Bid If You Are Not Serious About  Following Through The Transaction!   ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!


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