RARE Claude Frank -- Beethoven/The 32 Piano Sonatas RCA VICS-9000 12 LPs EX/EX

$

79

This boxed set is from the earliest known (runout code Z, 1970) pressings of Claude Frank's famous cycle through all 32 Beethoven Sonatas.
This box has the early artwork and the complete, excellent liner notes by Michael Steinberg.  Even today these STILL the highest rated recordings of the complete Sonatas on Amazon.  While you are checking out the glowing reviews there, you can also listen to samples as Amazon offers this set in streaming and MP3 format.  
This is my personally owned and very lightly played set -- I've played these through maybe a total of 8-10 times since new.  They have always been expertly handled, have never been stacked on a changer and have been in temperature and humidity controlled storage since they were new.
Praise for Claude Frank's "32 Sonatas":

"Among the great individual musical accomplishments of the last decade." ­ Esquire
"A splendidly executed, masterfully interpreted accomplishment." ­ High Fidelity
"The most poetic series of performances to be recorded." ­ Saturday Review

From Music and Arts dot com:
"Acclaimed by TIME magazine and all major trade journals when first released, this set was recently reviewed by Jed Distler in Gramophone,. "Claude Frank's Beethoven cycle originally appeared on RCA's budget Victrola label in 1970, to mark the composer's bicentennial. Frank, who studied with Artur Schnabel and Rudolf Serkin, shares his teachers' concern with both the music's architecture and passion, yet brings his own brand of stylish exuberance to the mix. The early sonatas particularly rock with rhythmic brio, zesty accentuation, and characterful wit. Interestingly, they contrast to Frank's genial, slightly sedate readings of the Op. 31 group. As the cycle progresses chronologically, Frank's intelligent flexibility asserts itself with telling results. In addition to his superb, exultant Appasionata, Les Adieux, and last three sonatas, Frank finds more melodic appeal than usual beneath Op. 101 and 106's gnarly bushes. In short, this is one of the more stimulating Beethoven sonata cycles around, and I'm glad to make its reacquaintance after so many years."
Donald Manildi in American Record Guide:
"Frank studied with Artur Schnabel for nearly ten years, and his mentor's influence is strongly felt in the unmistakable analytical awareness, structural planning, and attention to textural detail that these performances disclose. There is also a vigor and robustness to Frank's playing that eliminates any trace of pedantry or dryness. In short, Frank retains all the positive elements of Schnabel's distinctive approach but without the latter's occasional descents into metrical or technical slovenliness. The authentic Beethovenian spririt of Frank's interpretations is perhaps best defined by listing the pitfalls he adeptly manages to avoid: he does not veer into Mozartean formality, relaxed Schubertian lyricism, Chopinesque rubato, or Lisztian bravura, nor into Teutonic heavy-handedness that crops up too often in other performances."