(RARE) Henry Red Allen - Quartet "Live" ***NEAR MINT***
  $   50

 


$ 50 Sold For
Oct 27, 2008 Sold Date
Oct 20, 2008 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

HENRY RED ALLEN

"Quartet "Live""

Serial# 24-124       Fanfare Records

Released in 1978             Recorded in Stereo

Record is NEAR MINT, Cover is in VG+ Condition. There is some wear on back cover.

Recorded September 15 & 22, 1961, at the London House Chicago.

RARE, OUT OF PRINT

MANUFACTURED IN OPA LOCKA, FLORIDA

 

Henry "Red" Allen (January 7, 1906 or 1908 (see talk) – April 17, 1967) was a jazz trumpeter.

Henry James Allen was born in the Algiers neighborhood of New Orleans, Louisiana, the son of the noted bandleader Henry Allen. He took early trumpet lessons from Peter Bocage and Manuel Manetta.

Allen was playing professionally by 1924, playing with the Excelsior Brass Band and the jazz dance bands of Sam Morgan, George Lewis and John Casimir. After playing on riverboats on the Mississippi River, he went to New York City in 1927 to join King Oliver's band. At this time he also made recordings on the side in the band of Clarence Williams. After returning briefly to New Orleans where he worked with the bands of Fate Marable and Fats Pichon, he was offered a recording contract with Victor Records and returned to New York, where he also joined the Luis Russell band, which was fronted by Louis Armstrong in the late 1930's.

Red Allen's trumpet style has been said by some critics to be the first to fully incorporate the innovations of Louis Armstrong and then go beyond Armstrong. Allen's recordings received much favorable attention.

From 1929 on Allen joined Luis Russell's Orchestra where he was a featured soloist until he joined Fletcher Henderson's Orchestra in 1934. He also made a series of recordings in late 1931 with Don Redman, and played with Lucky Millinder's band from 1934 to 1937, when he returned to Luis Russell for three more years at a time when this orchestra was often fronted by Louis Armstrong. Allen continued making many recordings under his own name, as well as recording with Fats Waller and Jelly Roll Morton as well as accompanying vocalists including Victoria Spivey and Billie Holiday. After a short stint with Benny Goodman, Allen started leading his own band at The Famous Door in Manhattan. He then toured with his band around the USA into the late 1950s. Allen's versatility is shown by his winning of Down Beat awards in both the traditional jazz and the modern jazz categories. In 1959 he joined Kid Ory's band, with whom Allen made his first tour of Europe. Henry Red Allen made a celebrated appearance on the legendary "Sound Of Jazz" television show on which he nearly stole the show; the program, filmed "live" in December 1957 is still considered the greatest jazz television program ever recorded. Only Billie Holiday's singing matched his performance on that historical program.

Allen then returned to working under his own name making more tours of the USA and Europe until his death on April 17, 1967 in New York City

.

TRACK LIST:

Introduction

Love Come Back to Me

You Know What it Means to Miss New Orleans?

Tenderly

Bill Bailey

Rosetta

All of Me

Introduction

Ballin' the Jack

Snowy Morning Blues

Autumn Leaves

Love is Just Around the Corner

Basin Street Blues

 

Record Grading

Each entry indicates reference number, speed (LP/45), Artist, Title, Label, Label #, Condition, comments and price. All prices are in US dollars. Unless noted, every record is an original issue for the label and catalog number given. Heres a brief explanation of my grading system, followed by an overview of abbreviations you will encounter...

SS (Still Sealed)

    Unopened records, still in original shrink wrap. In original manufactured condition unless otherwise noted (i.e. evidence of mildew or bent corners, etc.)

M (Mint)

    The record and sleeve are in perfect, original condition. The record may have been played but will have no evidence of deterioration. If we use this grade at all, the record WILL live up to it! A mint sleeve will be just that: perfect!

NM (Near Mint)

    A nearly perfect record. Any visible defects are of the type that "disappear" when the record is tilted under a strong light and they should not affect play. Sleeves in near mint condition will have no obvious signs of wear. Practically imperceptible ring wear may be allowed but no creases, seam-splits, or other easily detected flaws will be present.

VG+ (Very Good Plus)

    A well-cared-for record that is noticeably less than perfect, but defects are not visually or audibly distracting. Record surfaces may have slight scuffs or light scratches, but are still primarily clean. Sleeves may have some creases or minor ring wear, but should not be split. Will satisfy all but the most demanding collector.

VG (Very Good)

    A used, reasonable copy to play. Many of the defects found in a VG+ copy will be more pronounced in VG condition. Surface noise may be evident and sleeves may look worn, but the record is still a decent copy.

G (Good)

    A well-worn record that is still playable. Good does not necessarily mean "bad" but a record in this condition will have audible distractions and may have visible groove wear. Sleeves may have all manner of defects, but are still intact.

FA (Fair) and P (Poor)

    These grades are for beat-up records. We only sell records in these grades if they are extremely rare and sought-after.



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