RED CRAYOLA ? PARABLE OF ARABLE LAND ? orig '67 International Artists acid psych
  $   44

 


$ 44 Sold For
Mar 18, 2013 Sold Date
Mar 8, 2013 Start Date
$   10 Start price
10   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

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WELCOME TO OUR FIRST PSYCH, HARDROCK & SPACE PROG AUCTION OF THE YEAR, MUCH MORE OF THIS TO COME AS WELL AS A LOT OF WEST COAST SOUNDS, CLASSIC ROCK & PSYCH FOLK. GENRES WILL OF COURSE BE ROTATING CONSTANTLY, SO BE SURE TO KEEP CHECKING BACK, AS WE HAVE SOME REALLY NICE STUFF COMING UP. THANKS AGAIN FOR LOOKING AT OUR AUCTIONS, BEST OF LUCK!


Original stereo press of the legendary acid psych debut. Roky Erickson plays organ and harmonica on a couple tracks. Houston-based International Artists Records enjoyed unexpected commercial success with one of the most eccentric bands to emerge from the state of Texas, The 13th Floor Elevators, so they signed someone even weirder, The Red Crayola. This 1967 debut album conjures up a sound that's part psychedelia, part garage punk, and partly some sort of experimental rock that would not truly make itself known until many years down the road, and they generate an impressively freaked-out energy on deliberately primitive numbers like "War Sucks" and "Hurricane Fighter Plane." Seven of the 12 tracks find the three members of the group collaborating with 45 friends, acquaintances, and fellow travelers credited as "The Familiar Ugly." Listed as "Free Form Freakout," an inarguably apt description, they feature the various participants making all manner of chaotic noise on musical instruments both real and imagined as well as various household objects, and though the roiling mass of sound occasionally threatens to cohere into something, within moments it invariably descends back into the sound of several dozen hippies trying to navigate their way out of a trap of their own lysergic imagination. The album allows the songs to rise in and out of the "Freakout" segments, a bit like an overheard conversation, and The Red Crayolaseem to be having great fun making audio manipulation part of their music, particularly on the bent and noisy title track in which they descend into a familiar ugly of their own. However, compared to their later work, guitarist and vocalist Mayo Thompson, bassist Steve Cunningham, and drummer Rick Barthelme actually deliver relatively straightforward and coherent performances, which generate a spaced-out but potent groove. While the truly bent Texas psychedelic scene of the 1960s provided a context where they could thrive. this debut exists on a plane all its own; if art-damaged noise rock began anywhere, it was here. (The group changed its name to The Red Krayola to avoid a lawsuit after the release of this album.)

Free Form Freak-Out
1. Hurricane Fighter Plane "When The Ride Is Over You Can Go To Sleep" – 7:24
Free Form Freak-Out
2. Transparent Radiation "Red Signs Out-Side, Which I Contain" – 6:51
Free Form Freak-Out
3. War Sucks "You Remember What Happened To Hansel and Gretel" – 3:53
Free Form Freak-Out
4. Pink Stainless Tail "Seven Guest are Quite Now, And Now Not Half So Much" – 8:07
Free Form Freak-Out
5. Parable of Arable Land "And the End Shall Be Signaled By The Breaking of a Twig" – 3:00
Free Form Freak-Out
6. Former Reflections Enduring Doubt "I Pass In A Rain That Is Always Too Soon" – 9:09

Artist: THE RED KRAYOLA

Title: THE PARABLE OF ARABLE LAND

Year: 1967

Label: International Artists

Catalog Number: IA-LP-2

Mono/Stereo/Quadro: stereo

Country: USA

Dead Wax Numbers: IA-LP-2 SIDE 1 1B  / 

IA-LP-2 SIDE 2 1B  (etched)

Weight: 162 grams

Cover Format: thick standard, wrap-around front with paste-on rear slick

Inner Sleeve: original blank white with label holes

Cover Condition: EX (sharp, crisp, vivid & tight, nearly perfect edges & corners, slightest hint of shelf wear & a handful of edge-creases from the spine)

Vinyl Condition: EX/VG+ (perfect gloss, no groove wear, s1 is close to M- with no hairlines or scuffs just some light paper marks that don't affect play, s2 has some light hairlines & scuffs, it looks EX but there is a little crackle in some of the quietest spots, s2 plays perfectly 95% of the time & s1 plays flawlessly)

Label Condition: nearly perfect


We clean every record on a VPI HW-17F using Audio Intelligent Vinyl Solutions multi-step process (every disc goes into a brand-new poly-lined inner sleeve).

Everything is strictly graded using the classic Goldmine Standards that we have been applying since 1983: 

M / M- / EX / VG+ / VG / VG- / G+ / G  (please see bottom of auction for specific grading information).







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 For all locations, double LPs count as 2 records, triple sets count as 3 and so on.  We are always happy to combine shipping, but regardless of how many LPs you hope to acquire, please complete your payment no later than 7 days after your last winning auction ends (of course exceptions can always be made, please contact us anytime).  If you are combining items please wait for us to send our personal invoice with the combined shipping amount.

Each (non-sealed) record is removed from its cover before shipping, and both are inserted into a new 3 mm sleeve before they are secured, with bubble wrap if necessary, in the highest-quality cruciform LP mailer.  No time or effort is spared to insure that your disc, cover and inner sleeve / inserts all arrive in exactly the same condition as they were listed.

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We visually grade all records using the classic Goldmine Standard, to which we have added EX (as have many others), but we do not use any other variant from the classic scale.  No NM- or EX+ (which are both EX), EX- VG+++ or Near Excellent (which are all VG+), or any such other nebulous grades here!  We feel that nearly every collector will be more than pleased with anything listed EX or above in our auctions; they will all be top-shelf, archive quality items which will play M- throughout.  A VG+ record will truly satisfy all but the most critical curator.  On the very rare occasion we actually grade an opened LP as straight MINT, we can guarantee you’ll never find a nicer copy anywhere!

We will play-grade any LP if there is any reason to do so; any questionable mark, scuff or noteworthy artifact of any kind will be sampled to determine its true significance (which may obviously impact the grade ).  We will also gladly play-grade anything upon request; if you are curious about the actual pressing characteristics or any have other questions about its actual performance please feel free to ask.

MINT :  Absolutely perfect.

This record looks like it has just left the plant, with no flaws whatsoever.  It appears unhandled and unplayed, with no marks of any sort.  Usually only sealed or (sometimes) unplayed LPs will warrant this grade.

The cover does not appear to have had a record inside it; there is no wear or distraction of any kind.

 M- : Virtually flawless, top copy.

The record is virtually identical to the moment it was opened, but may have a few faint paper, packaging or pressing scuffs which will produce no sound whatsoever and are very hard to see without critical inspection.  It was very carefully handled and played, likely only once or twice.

The cover is as close to perfect as can be expected given its age.  There may be minor impressions due to the outer edge of the vinyl (no ring wear), the lightest possible corner bumps, or a few tiny laminate creases (mainly on imports), but no wear or whitening of any kind whatsoever.

EX : A beautiful specimen, which will please most critical collectors and not need to be upgraded.

The record has no scratches or significant blemishes, and will play M- throughout.  It retains 100% of the gloss, sheen and luster, but may have a handful of faint superficial scuffs, hairlines or light spindle marks which will not produce any sound whatsoever.

The cover is nearly perfect.  There may be the absolute faintest suggestion of ring wear or possibly a light touch of dulling on the corners (nothing wrinkled or obtrusive in any way), but no notable seam or spine wear, writing or sign of tape anywhere.

 VG+ : Plays perfectly nearly all of the time, with only a few minor distractions.

The record still retains nearly all of the gloss, sheen and luster, but there may be a handful of inaudible superficial marks or scuffs, a mild scattering of light hairlines (which would only be faintly audible between tracks or in some very quiet passages), or a few stray marks which may mildly sound for a few revolutions. Each flaw is very minor, barely noticeable to the naked eye, and will not detract from the enjoyment in any way.

The cover is still very clean and crisp, but may look slightly more aged and have a few minor flaws such as small unobtrusive writing, minor wear to the seams and spine (no splits), slightly worn corners, very light ring wear or minor creasing.  No flaw is at all distracting in and of itself.

 VG : A nice play copy, which will perform without much significant distraction.

The record appears well played, but still has the majority of the luster.  It will not have been abused, though there will be some audible sound defects which will not overpower the dynamics of the music, such as mild surface noise in the quietest sections, a handful of stray isolated pops and clicks (which are brief and occasional), or possibly some very mild groove wear; still no skips, repeats, or anything deep or seriously pronounced.  It will play through quite nicely most of the time, with very minimal distraction.

The cover looks somewhat used and shows some mild wear.  There may be some minor seam splitting, ring wear (which still doesn’t overwhelm the cover), discreet writing (not large magic marker), or mild yellowing due to air contaminants. It is still nice, just a few notable flaws away from VG+.

We will never sell anything less than VG, so the rest of the scale is unnecessary.  We absolutely detest groove wear, so we will almost never list anything lacking the overwhelming majority of the luster, sheen and gloss.  Anything of significance will always be noted. 


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