RED GARLAND GROOVY RARE AUDIOPHILE 45 RPM LOW NUMBERED #138 + BONUS 45 RPM LP

$

210

RED GARLAND GROOVY  - 45 Speed AUDIOPHILE LIMITED TO 1000 PIECES - DOUBLE LP SET -  LOW NUMBERED Numbered 138 Pressing. THIS IS OUR LAST COPY FOREVER ONCE SOLD GONE FOREVER

+  WHEN THIS 45 SET WAS ORIGINALLY RELEASED AND THERE WAS A BIT OF SURFACE NOISE POTENTIALLY ON THE 2ND SIDE OF THIS  SEALED RELEASE  ACOUSTIC SOUNDS SENT OUT A REPRESS OF THE 2ND SIDE TO ALL THAT HAD PURCHASED THE PRESSING TO CORRECT THIS POTENTIAL FLAW. THE LP REPLACEMENT HAS NO JACKET BUT HAS THE AUDIOPHILE SLEEVE THAT WENT ALONG WITH THE NEW LP TO REPLACE THE 2ND SIDE. WE HAD A COPY AND OURS HAD PLAYED PREFECTLY. SO WE HAVE THIS OUT OF JACKET PRISTINE PIECE OF 45 RPM VINYL THAT WE ARE ADDING TO THIS LISTING IN CASE THE 2ND SIDE HAS A FLAW.

Here's How it was done:

Using only the original analog master tapes, the renowned team of Steve Hoffman & Kevin Gray remastered and cut all of the titles at AcousTech Mastering, which features a pure Class-A disc-cutting system. AcousTech is located at Record Technology, Inc. the plant where the vinyl was pressed. It is a tremendous sonic advantage to have the pressing plant plating department & mastering room in the same facility as Steve & Kevin could cut a lacquer and plated immediately. This prevents the degradation of the grooves in a lacquer which is very fragile to quick deterioration.

And of course cutting at 45 speed is the audiophile choice for the highes quality. A 45-RPM record is sonically superior to a 33 1/3 variety because of a 35 percent reduction of groove curvature compared to a 33 1/3 cut.. It means that while you can't fit as much music into a 45, the undukations of the groove that your cartridge has to track are stretched over a longer distance. For these reissues, the music was displaced onto four sides, meaning each side contains about 10 minutes of music.

This is the ultimate reissues. The only way you'll get closer to this classic music is to listen to the master tapes or have been in the studio with the artist originally during the actual session.   

 Red Garland and Miles Davis had a symbiotic relationship. Red was such an important cog in the Davis quintet as a soloist, interactive accompanist, and keeper of the repertory. Being in Miles' group gave Garland the exposure he otherwise would not have gotten. Once Garland's talent as a pianist, with a boundless repository of material in his head, was established, Prestige's Bob Weinstock signed him to a contract as a recording leader in his own right. With his Davis section-mate, Paul Chambers, on bass, and New York drummer Arthur Taylor, Garland forned a trio that met quite often in rudy Van Gelder's studio. Groovy was the third in Red's trio series for Prestige and it has the usual fine mix of jazz standards, ballad standards, blues ballads, and just plain blues. It is an object lesson in finding and maintaining a groove.

                1. C Jam Blues

                2. Gone Again

                3. Will You Still Be Mine?

                4. Willow Weep For Me

                6. Hey Now

AS OF Sep-26-2008 per USPS policy, seller added the following information:

International Buyers – Please Note:

Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying. Note: It's illegal to falsify customs declarations or mark an item as a "GIFT" or mark item at a LESSER VALUE in order to avoid customs fees International Buyers are responsible for their country’s Customs Fees.     

INTERNATIONAL BUYERS NEED TO BE AWARE OF THE CUSTOM'S TAXES IN THEIR OWN COUNTRY AND KNOW THEY (AS THE BUYER) ARE RESPONSIBLE FOR CUSTOMS TAXES.

FACTORY SEALED OUT OF PRINT PRODUCT is IRREPLACEABLE and therefore NOT RETURNABLE.

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