REGIS RENOUARD LARIVIERE Contrée LP/2002-13/Musique Concrete/NWW/INA-GRM

$

34

REGIS RENOUARD LARIVIERE 'Contrée' LP (Austria, Recollection GRM, Catalogue #REGRM 022) Brand new/unplayed copy of limited year 2019 Recollection GRM label LP issue/presentation of three works by French composer Régis Renouard Larivière from 2002-2013 (musique concrete.)

(NOTE: ALL RECORDS ARE PACKED AND SHIPPED IN PROFESSIONAL, SUPERIOR QUALITY RECTANGULAR SHAPED, CORNER PROTECTING CORRUGATED CARDBOARD RECORD MAILERS WITH FILLER PADS. SATISFACTION GUARANTEED!)

(NOTE: BRAND NEW/FACTORY SEALED ITEM!)

(NOTE: LIMITED VINYL EDITION!)

"Allégeance Volatile" and "Esquive" each tackle the same issue in their own way. Overcoming time: whether it be successive, additional, enumerative, or repetitive. However, there is nothing here about the ensuing nature of so-called "repetitive" music. These are types of high-end music. And it is more about insistence, the obstinacy of an individual who keeps knocking on a door that will never open. The rustic drumming of "Allégeance", talkative, acidulous, colorful, and over-articulated, with almost clownish desinences, eventually dies out in this very respite. The iterative and puffy shimmering of "Esquive" with its dull, thin and precise sounds, shifts and is engulfed into another sonic world -- which appears as a gaping and collapsed response to this prime insistency. This is, indeed, a "volatile allegiance" and "avoidance" from the sonic to the musical elements: the musical phenomenon anticipated and pursued as the non-sound of sound -- or, in other words, the void of sound. This seems to be the lesson of the concrete attitude in music. Such is the kind of questioning that stirs the composer. He returns with another title: "Contrée", which, once again, speaks of a counter-event. Here, the movement is broader, more generous, more confident. Time spreads and stretches out. What seems to be a landscape of entanglements, trajectories, influx, masses, and points emerges. "Something" rises and presents itself out of the sounds -- these escaping beings, these "relatively short combustion flames" (Schaeffer). The piece consists of five consecutive and uninterrupted parts: "Entrée" and "Stance I" -- "Véhémence De L'air" and "Stance II" -- "Grande Allure". It is the central section of an electroacoustic triptych with Sables (2011) as the first and Nil (2017) as the last. "Contrée" is dedicated to Philippe Mion, whose friendly ears have been entrusted with my music for so many years. Translations by Valérie Vivancos. Layout by Stephen O'Malley; Photos by Stéphane Ouzounoff and Bernard Bruges-Renard. Coordination GRM by François Bonnet. Executive Production by Peter Rehberg; Mastering by Mathias Durand; Cut by Rashad Becker at Dubplates & Mastering, Berlin, November 2018.

- Recollection GRM present three pieces from Régis Renouard Larivière.
- "Allégeance Volatile" and "Esquive" each tackle the same issue in their own way. Overcoming time: whether it be successive, additional, enumerative, or repetitive.
- "Contrée" once again speaks of a counter-event, but here the movement is broader, more generous, more confident.
- Mastering by Mathias Durand; Cut by Rashad Becker at Dubplates & Mastering, Berlin, November 2018.       

Tracks on this LP are as follows:

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