R.E.M. OUT OF TIME ORIGINAL LP on WB INNER SLEEVE NEAR MINT 1991
$
31
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Description
Here is a NEAR MINT MINUS / EXCELLENT PLUS! copy of the LP from R.E.M. titled OUT OF TIME. It is an ORIGINAL US pressing on the WB label, catalog #26496 in STEREO sound. This ORIGINAL LP was released in 1991. The vinyl is in NEAR MINT MINUS / EXCELLENT PLUS! condition and should have excellent playback. The LP comes in its’ UNIQUE PICTURE INNER SLEEVE! The original cardboard cover is in EXCELLENT PLUS! condition with light wear to edges and corners. It is a NEAR MINT MINUS / EXCELLENT PLUS! copy of this LP from R.E.M. for you to own. It is an opportunity to purchase this LP in this condition. It’s a true gem for the ALTERNATIVE / INDIE ROCK collector! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $5.00 for MEDIA MAIL (IT IS NOT $4.00). US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!
Music Review from AllMusic.com by Stephen Thomas Erlewine
The supporting tour for Green exhausted R.E.M., and they spent nearly a year recuperating before reconvening for Out of Time. Where previous R.E.M. records captured a stripped-down, live sound, Out of Time was lush with sonic detail, featuring string sections, keyboards, mandolins, and cameos from everyone from rapper KRS-One to the B-52's' Kate Pierson. The scope of R.E.M.'s ambitions is impressive, and the record sounds impeccable, its sunny array of pop and folk songs as refreshing as Michael Stipe's decision to abandon explicitly political lyrics for the personal. Several R.E.M. classics -- including Mike Mills' Byrds-y "Near Wild Heaven," the haunting "Country Feedback," and the masterpiece "Losing My Religion" -- are present, but the album is more notable for its production than its songwriting. Most of the songs are slight but pleasant, or are awkward experiments like "Radio Song"'s stab at funk, and while this sounds fine as the record is playing, there's not much substantive material to make the record worth returning to.
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