REPLACEMENTS Pleased To Meet Me LP SIRE 1987 US orig+inner wALEX CHILTON
€
25
$
29
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Description
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THE REPLACEMENTS
PAUL WESTERBERG, TOMMY STINSON, CHRIS MARS
plus ALEX CHILTON, PAUL VITO, STEVE DOUGLAS,
EAST MEMPHIS SLIM, ANDREW LOVE, BEN JR.
Originally called the Impediments, the Minnesota residents changed their name
to the Replacements after being banned from a local club for disorderly behavior.
In their early days, they sounded quite similar to Hüsker Dü, the leaders of the
Minneapolis punk scene. However, the Replacements were wilder and looser
than the Hüskers and quickly became notorious for their drunken, chaotic gigs.
After they built up a sizable local following the Minneapolis label Twin/Tone signed them
"PLEASED TO MEET ME"
Produced by Jim Dickinson
1987 LP SIRE RECORDS 9 25557-1
PRINTED IN U.S.A. ORIGINAL PRESSING
SINGLE COVER + INNER SLEEVE
HEAVY CARDBOARD COVER
Barcode and Other Identifiers
Barcode: (printed) 0 7599-25557-1 (scanned) 075992555715
Label: SIRE - YELLOW LABEL w/LOGO on TOP - BLACK TEXTCatalog on cover: (spine & inner) 9 25557-1
Catalog on labels: 1-25557
Matrix / Runout (Side A, Etched): 1 25557 A SR1 DMM STERLING TJ SP I-4
Matrix / Runout (Side B, Etched): 1 25557 B SR1 DMM STERLING TJ SP I-I
On labels: Produced by Jim Dickinson
R.I.P. P.G.
All Songs Published By NAH Music ASCAP
? 1987 Sire Records Company for the U.S.
On Inner Sleeve: Produced by Jim Dickinson
Recorded and mixed at Ardent Studios, Studio B, Memphis
© 1987 Sire Records Company for the US Made in USA
On Back Sleeve: ? 1987 Sire Records.........Made In U.S.A......
tracklisting
Side A: I.O.U. - ALEX CHILTON - I DON'T KNOW
NIGHTCLUB JITTERS - THE LEDGE
Side B: NEVER MIND - VALENTINE - SHOOTING DIRTY POOL
RED RED WINE - SKYWAY - CAN'T HARDLY WAIT
grading
RECORD EX but (please, read above description)
SLEEVE NEAR EX but (please, see pictures and read above description)
...the 'Mats headed down to Memphis to record Pleased to Meet Me with producer Jim Dickinson at Ardent Studios -- or to phrase it in Alex Chilton-speak, to record with Big Star's 3rd producer at the studio where all three Big Star albums were made.... Dickinson's grand production merely blows the 'Mats up to epic scale, leaving their essence intact... The Replacements never sounded better with a bigger production than they did on Pleased to Meet Me, so it's hard not to see it as the one that got away, the record that should have been the breakthrough, especially in the year when fellow American underground rockers R.E.M. leaped into the Top Ten...(AllMusic)
price rating
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