REPLACEMENTS let it be LP ORIG. TWIN TONE in shrink
  $   26

 


$ 26 Sold For
Jun 29, 2010 Sold Date
Jun 22, 2010 Start Date
$   15 Start price
5   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

 

ARTIST: The Replacements

TITLE: Let It Be (LP) 

LABEL: Twin Tone Records (TTR-8441) 

YEAR: 1984 

COUNTRY OF ORIGIN: USA (LP) Canada (Sleeves) 

COVER CONDITION: NM in original open shrink. No tears or splits, very minimal corner wear. Inner sleeve has slight 1" splitr on bottom from record.

VINYL CONDITION: VG+ with minimal surface marks. Could rate NM but being prudent. Beautiful copy!

TRACKS:
* Please email for a complete track listing.

DETAILS: The Replacements "Let It Be". Lovely original copy in open shrink wrap. Includes original Twin Tone inner. NO BARCODE!

Let It Be looms large among '80s rock albums, generally regarded as one of the greatest records of the decade. So large is its legend and so universal its acclaim that all the praise tends to give the impression that the Replacements' fourth album was designed as a major statement, intended to be something important when its genius, like so many things involving the 'Mats, feels accidental. Compared to other underground landmarks from 1984, Let It Be feels small scale, as it lacks the grand, sprawling ambition of the Minutemen's Double Nickels on the Dime or the dramatic intensity of Hüsker Dü's Zen Arcade, or if the other side of the Atlantic is taken into equation, the clean sense of purpose of The Smiths. Nothing about Let It Be is clean; it's all a ragged mess, careening wildly from dirty jokes to wounded ballads, from utter throwaways to songs haunting in their power. Unlike other classics, Let It Be needs those throwaways — that Kiss cover, those songs about Tommy getting his tonsils out and Gary's boner, that rant about phony rock & roll — to lighten the mood and give the album its breathless pacing, but also because without these asides, the album wouldn't be true to the Replacements, who never separated high and low culture, who celebrated pure junk and reluctantly bared their soul. This blend of bluster and vulnerability is why the Replacements were perhaps the most beloved band of their era, as they captured all the chaos and confusion of coming of age in the midst of Reaganomics, and Let It Be is nothing if not a coming-of-age album, perched precisely between adolescence and adulthood. There's just enough angst and tastelessness to have the album speak to teenagers of all generations and just enough complicated emotion to make this music resonate with listeners long past those awkward years, whether they grew up with this album or not. Stephen Thomas Erlewine, allmusic guide

 

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