RICHARD HELL and the VOIDOIDS Blank Generation lp 1977 Original Press RARE KBD

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RICHARD HELL and the VOIDOIDS Blank Generation lp 1977 Original Press RARE KBD




Description

  RICHARD HELL AND THE VOIDOIDS

BLANK GENERATION lp 

YEAR: 1977

LABEL: SIRE RECORDS

CONDITION SLEEVE: VG+ ( looks good , there is some light but noticable shelfwear, NO SPLITS , some light top and bottom edge wear, nice spine,  please see scans for better idea of condition )

CONDITION VINYL: NM- ( nice sheen , you might find a very very light surface mark or two but overall very nice copy) 

RARE ORIGINAL FIRST PRESS COMPLETE WITH CUSTOM LYRIC INNER SLEEVE

Biography 

by Greg Prato 

Richard Hell was one of the original punk rockers to emerge from New York City in the early to mid-'70s, and is often pointed to as a major influence by other subsequent punk bands -- whether it be with his music, poetry, or even fashion sense (he was one of the first punks to wear ripped clothing). Born Richard Meyers in October 2, 1949, and raised in Lexington, KY, Meyers discovered rock & roll via the usual suspects (Rolling Stones, etc.), and befriended another local music fan, Tom Miller. Miller and Meyers embarked on an unsuccessful hitchhiking journey down south before being picked up by police and sent back to their families, but the taste of life on the road was enough for Meyers to realize that he wanted to relocate to New York. During the late '60s/early '70s, Meyers worked on original poetry and picked up the bass guitar, as he was soon joined in New York by his old pal Miller (who had become quite an accomplished guitarist by this time).

The pair promptly changed their names (Miller -- Verlaine, Meyers -- Hell) and formed the Neon Boys in 1974, changing their name shortly thereafter to Television. Influenced by such proto-punks as the Velvet Underground and the New York Dolls, the new group (which also includes second guitarist Richard Lloyd and drummer Billy Ficca) began playing regularly in the downtown Bowery area of N.Y.C., and slowly built a following playing regularly at places like CBGB's. Along with Blondie, Talking Heads, Patti Smith, and Ramones, Television lent a major hand in putting New York's punk scene on the map, but Hell grew frustrated with his role in the group (the group's leader was unmistakably Verlaine, while few of Hell's compositions were used) and left in 1975. Hell wasn't band-less for long -- it was right at this time that Johnny Thunders and Jerry Nolan left the New York Dolls, and immediately asked Hell if he was interested in playing bass for their new outfit, the Heartbreakers.

But, like his previous band, it quickly became established that Hell would not be the leader (Thunders was), and despite rave reviews, Hell jumped ship just a few months later. Undeterred, Hell decided to form his own band, Richard Hell & the Voidoids. Putting together a stellar lineup (including one of the genre's finest guitarists, Robert Quine, as well as second guitarist Ivan Julian and drummer Marc Bell). The quartet was an immediate hit with the CBGB's crowd, as Hell was finally able to utilize the backlog of compositions that he had compiled over the past few years. After a self-titled, three-track EP was issued independently in 1976, the group inked a recording contract with Sire.

Their 1977 debut, Blank Generation, has gone on to become one of punk's all-time classics, spawning such standards as the title track and "Love Comes in Spurts," as the band toured the world, including a tumultuous stint opening for the Clash in England. Despite a promising career ahead of them, little was heard from the group subsequently (Hell's substance use around this time may have had something to do with the delay, as well as his dissatisfaction with touring). With most assuming that the group had broken up, Hell decided to revive the Voidoids in 1982, although Hell and Quine were the only members remaining from their previous incarnation. The resulting album, Destiny Street, was another exceptional set of punk-pop, spawning another quirky classic with "The Kid With the Replaceable Head." Yet once again, the group failed to follow the record-tour-record-tour pattern, as the Voidoids sunk from sight (although Quine around this time was doing double duty -- lending his six-string talents to Lou Reed's solo band, including the albums The Blue Mask, Legendary Hearts, and New Sensations).

Hell kept himself busy in the '80s with his poetry and bit parts in movies, his best-known role being Madonna's boyfriend in 1985's Desperately Seeking Susan, while a 14-track collection of Voidoids outtakes and live material, R.I.P., was issued on the ROIR label (another collection, this one a set of live tracks, followed a few years later, titled Funhunt). Just as it appeared as though Hell had turned his back on music for good, he reappeared in 1992 as part of the group Dim Stars (which featured Sonic Youth's Thurston Moore and Steve Shelley, as well as Gumball's Don Fleming, and, once again, Robert Quine on guitar), issuing a self-titled release the same year. The group proved to be a nonpermanent project, however, as the '90s saw several archival releases that featured Hell circa the '70s -- the Heartbreakers' What Goes Around and Live at Mothers, plus a CD single on the U.K. label Overground which featured a few rare tracks from the Neon Boys. 

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8. CD Shipped to Canada is $4.50
9. CD Shipped Worldwide is $6.00 add $2.00 for each addition

Payment must be made with PAYPAL within 7 days of auctions end unless previous arangements have been made directly with me. If you have not been in contact within 7 days of auction. A non-paying bidder alert will be filed with eBay.
 

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