RICHARD+LINDA THOMPSON I WANT TO SEE BRIGHT LIGHTS RARE ORIG US LP w/INSERT MINT

$

112

WE CURRENTLY HAVE  MORE THAN 200  LISTED ITEMS

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·       RICHARD AND LINDA THOMPSON – I WANT TO SEE THE BRIGHT LIGHTS TONIGHT – ORIGINAL  AMERICAN PRESSING OF THE ALBUM – ORIGINAL 1982 CARTHAGE RECORDS (US) STEREO LP CGLP-4407

·       [PLEASE NOTE: THE ORIGINAL U.K. PRESSING OF THIS ALBUM WAS RELEASED IN 1974; THE CORRESPONDING U.S. RELEASE DID NOT SEE  THE LIGHT OF DAY UNTIL ALMOST 10 YEARS LATER (1982), ALTHOUGH THE ENTIRE CONTENT OF THE ALBUM WAS RELEASED IN A SIGNIFICANTLY DIFFERENT FORM AND PACKAGING AS DISC # 2 OF RICHARD THOMPSON'S SECOND SOLO RELEASE (THE 1976 U.S.-ONLY RELEASE "LIVE (MORE OR LESS")'

·       ORIGINAL U.S. PRESSING (NOTE: ALL NORTH AMERICAN PRESSINGS OF THIS ALBUM – BOTH AMERICAN AND CANADIAN – WERE DISTRIBUTED FROM CANADA AND HAVE “JACKET MADE IN CANADA” ON THE COVER; THIS PRESSING IS AMERICAN – OR, IF YOU WILL,  “BINATIONAL”)

·       ORIGINAL PINK, BLACK AND GRAY CARTHAGE LABEL WITH THE 'ATLAS' LOGO

·       EUROPADISC (EDP), LONG ISLAND AUDIOPHILE-GRADE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE)

·       ORIGINAL GLOSSY, LIGHTLY LAMINATED COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       THE RECORD HAS A 'MASTERDISK' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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In 1974, Richard Thompson and the former Linda Peters released their first album together, and I Want to See the Bright Lights Tonight was nothing short of a masterpiece, the starkly beautiful refinement of the promise of Thompson's solo debut, Henry the Human Fly. In Linda Thompson, Richard found a superb collaborator and a world-class vocalist; Linda possessed a voice as clear and rich as Sandy Denny's, but with a strength that could easily support Richard's often weighty material, and she proved capable of tackling anything presented to her, from the delicately mournful "Has He Got a Friend for Me" to the gleeful cynicism of "The Little Beggar Girl." And while Richard had already made clear that he was a songwriter to be reckoned with, on I Want to See the Bright Lights Tonight he went from strength to strength. While the album's mood is decidedly darker than anything he'd recorded before, the sorrow of "Withered and Died," "The End of the Rainbow," and "The Great Valerio" spoke not of self-pity but of the contemplation of life's cruelties by a man who, at 25, had already been witness to more than his share. And though Thompson didn't give himself a guitar showcase quite like "Roll Over Vaughn Williams" on Henry the Human Fly, the brilliant solos that punctuated many of the songs were manna from heaven for any guitar enthusiast. While I Want to See the Bright Lights Tonight may be the darkest music of Richard & Linda Thompson's career, in this chronicle of pain and longing they were able to forge music of striking and unmistakable beauty; if the lyrics often ponder the high stakes of our fate in this life, the music offered a glimpse of the joys that make the struggle worthwhile.

 (EXCERPT FROM AN ONLINE REVIEW BY MARK DEMING, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For its extraordinary contribution to the contemporary music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, songwriters and general public, or for some other inherent quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, show business professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, the legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice , Lisa Robinson, Robert Shelton, Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" , Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here  for the complete album listing)

And, finally, if this is of any relevance (and we do not claim that it is) "I WANT TO SEE THE BRIGHT LIGHTS TONIGHT" is an important  entry in ►my personal top list. Other entries on my top fave list - in no particular order - include Otis Redding, Love, Sam Cooke, Dexter Gordon, Can, Tim Buckley, Byrds, James Carr,  Stooges, Five Royales,  Everly Brothers and   Muddy Waters)

For additional historical or discography information on this album, including track listing ►click here

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·                               CONDITION:

·                               THE RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG NEAR MINT. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(a)          The record is STILL in its original inner plastic baggy, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          The album comes with the original insert / lyrics sheet (on British pressings, this was the inner sleeve)

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       THE COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):

THE COVER IS NICE --- ABOUT  VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Remnants of another cover's paper slick are stuck to the bottom of the cover (less than 1/2 square inch in size); may be possible to clean up.

-        Front cover has a few tiny, spot-like peel-off marks, most likely from the exposure to the humidity (less than 1/8 square inch in size, total)

-        Cover has a few tiny wrinkles along the spine

-        Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1.

-        A (BARELY VISIBLE) water stain affects the area about 1 inch wide along the bottom seam  (VISIBLE ON BACK SIDE ONLY) ; there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the stain is faintly visible.

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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