RIMSKY-KORSAKOV, Scheherazade Ansermet Paris [Decca Wideband SXL 2086] UK LP
  $   100

 


$ 100 Sold For
Oct 13, 2022 Sold Date
Oct 6, 2022 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Rimsky-Korsakov, Ansermet, Paris Conservatoire Orchestra*– Scheherazade Nikolai Rimsky-Korsakov - Scheherazade Label: Decca – SXL 2086, Decca – SXL.2086 Format: Vinyl, LP, Repress, Stereo Country: UK Released: 1960 Genre: Classical Style: Romantic Tracklist Scheherazade - Symphonic Suite, Op. 35 A1 1st Mov. The Sea And Sinbad's Ship A2 2nd Mov. The Story Of The Kalandar Prince B1 3rd Mov. The Young Prince And The Young Princess B2 4th Mov. Festival At Baghdad - The Sea Companies, etc. Recorded At – Salle de la Mutualité, Paris Mastered At – Decca Studios Printed By – James Upton Ltd. Published By – Hawkes & Son Credits Composed By – Rimsky-Korsakov* Conductor – Ernest Ansermet Engineer [Uncredited] – James Brown (13) Mastered By – E (24) Orchestra – Paris Conservatoire Orchestra* Photography By [Cover] – Hans Wild (2) Producer [Uncredited] – Victor Olof Violin [Uncredited] – Pierre Nerini

UK WIDE BAND DEEP GROOVE LABEL STEREO VINYL ALBUM IN LAMINATED FLIP BACK SLEEVE WITH POLY-LINED LONDON INNER SLEEVE.  This copy appears to be an export one, as it has an 8/60 dated US price sticker on the sleeve.

MATRIX: SIDE A: ZAL-2369-3E / SIDE B: ZAL-2370-3E.

MOTHER / STAMPER: SIDE A: 2B / N. SIDE B: 2B / U.

SLEEVE: VERY GOOD+, SOME SHELF, CORNER, EDGE AND RING WEAR. REAR BOTTOM FLAP NEEDS A RE-GLUE.  INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.

DISC: VERY GOOD+. NO SCRATCHES, BUT SOME HAIRLINES AND SPINDLE MARKS. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer, the music tends to sound more ‘alive’ and vibrant and you 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.



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