RKL "The Best Of" LP NM OOP Nofx R.K.L. Ill Repute Lagwagon
  $   40

 


$ 40 Sold For
Mar 2, 2017 Sold Date
Jan 29, 2016 Start Date
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  USA Country Of Seller
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Description

R.K.L. "The Best Of" LP Mystic Records (US)

Record is NM, Jacket is NM in shrink!!

Pressed on Blue Vinyl

Out of Print!

Track Listing:

A1 Think Positive A2 Ded Teds A3 Life In A Bottle A4 Feeling Of Hate A5 Life's A Gamble A6 Political Destruction A7 Not Guilty A8 Adolescent Death A9 Beautiful Feeling A10 Feelings Of Hate A11 Chinese Rocks B1 Beautiful Feeling Part II B2 Pothead B3 Senseless Violence B4 Unborn Child B5 Love To Hate B6 Passing Time B7 Why? B8 Tell Me The Truth B9 I'm Locked Up B10 U.S. Steel B11 Lies B12 No Respect

Rock N Roll Nightmare

Rich Kids on LSD (R.K.L.) was a Californian hardcore punk band formed in 1982 in Montecito, California, a suburb of Santa Barbara. They were associated with the "Nardcore" scene that evolved out of nearby Oxnard. Their music expanded over the years from West Coast hardcore to a mix of hardcore with rock and metal elements. This style, along with touring, made them very popular on the European scene, especially among skaters in the 1980s and 1990s. Guitarist Chris Rest was the band's only consistent member however vocalist Jason Sears, after leaving the group at a point and rejoining shortly after, had been with the band for the majority of their career before his death.

Due to the increasingly acrimonious situation between the band and Mystic Records and a luckless 1986 tour (dubbed the Disastour by the band), RKL was looking for a new home and found one with the independent Alchemy Records. They were also gearing up to take their sound to the next level. Bomer was the driving force and creative head of the band. Rest said: "He played so fast and tight that we were all forced to do the same. He was a perfectionist and expected the same from us." Vince Peppars would depart around this time. According to Bomer, he didn't like the direction of the new material and preferred the earlier rawer sound. Their next album, Rock 'n Roll Nightmare (also known as Lifestyles of the Rich Kids on LSD - A Rock N Roll Nightmare) stayed true to the fast tempo and hardcore sound the band was known for, but introduced elements of progressive rock and thrash metal to their sound as well as a technical musicianship that was very uncommon for the punk genre at the time. About their sound, Bomer said: "People say that we have a metal influence, but really, all our licks are pretty much rhythm and blues based, but it's super fast! So instead of saying it's metal, I'd say it's just super fast rock and roll." They still did not have a bass player for the sessions. Previously, Ricky Bowersock had succeeded Peppars, but the band had soured on him and the spot was vacated. Bowersock appeared as 'Rikkity Borrow A Sock' under a "Special No Thanks" part of the liner notes of the next album, along with Doug Moody. Subsequently, Bomer ended up playing both drums and bass on the recording. Mark Deutrom, producer of the album, says "Bomer tracking all the drum parts in a row without a scratch track is one of the more impressive things I’ve seen in a studio." Regarding the album Fat Mike of NOFX and owner/founder of Fat Wreck Chords, is quoted as saying this in 2007:

“ [After Keep Laughing, RKL] was the band that we wanted to be, but couldn’t pull it off. A year goes by. Rock 'n Roll Nightmare comes out. Now we're totally fucked. Suddenly, the best hardcore band of our time just got one hundred times better. This record is a landmark. No band has ever written anything like it...we listened to it at least twice a day, everyday... Twenty years later, I pull out Rock 'n Roll Nightmare and put it on. I realize that after all these years of touring and recording my band still can’t pull off any of this. I can’t play these bass riffs, Melvin can’t touch the guitar, and Smelly—who is a great drummer—can’t even come close to what Bomer can do. ”

Andrew Kiraly, writing for the Las Vegas Mercury, comedically gave this album the award "Best Album of 1987 I Found While Digging in My Desk Which I'm Surprised Hasn't Been 'Rediscovered' By Critics and Hailed Anew As a Masterpiece, or Maybe I'm Just Feeling Stupid and Nostalgic".

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