ROBERT WYATT ? RUTH IS STRANGER THAN RICHARD ? EX 1975 Virgin UK Canterbury prog
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Original UK press of the third solo album by the ex-Soft Machine and Matching Mole drummer/vocalist.Unlike Rock Bottom, which was entirely self-composed, it consists of Wyatt's adaptations and arrangements of other people's musicwith Wyatt adding his own lyrics in much the same way as he had done on Matching Mole's Little Red Record. Apart from "Sonia", recorded for the shelved "Yesterday Man" single in October 1974 (again with Nick Masonas producer), the entire album was recorded and mixed at Virgin's Manor Studio with Wyatt himself handling production duties. Much of the album features Wyatt (on vocals and keyboards) backed by a band consisting of bassist Bill MacCormick (Matching Mole, Quiet Sun), drummer Laurie Allen (Delivery, Gong) and saxophonists George "Nisar Ahmad" Khan (Battered Ornaments) and Gary Windo (Brotherhood Of Breath), with Brian Enoadding his own idiosyncratic "anti-jazz" touch along with guest spots by Fred Frith (Henry Cow) and John Greaves (National Health).The album contains several pieces which recall the complexity and despair of Rock Bottom, but much of the record echoes the relaxed, almost silly feel of earlier Wyatt efforts such as The End Of An Ear or his work with Matching Mole. The songs on Side Ruth all have more traditional structures; the rollicking "Soup Song" (derived from the Wilde Flowerssong "Slow Walking Talk", of which Wyatt had recorded a version with Jimi Hendrix) has the air of a pub singalong. The remaining songs are all covers or collaborations; the Mongezi Fezatrumpet piece "Sonia" (featuring a guest appearance by Feza himself in the last year of his life), "Team Spirit" (written with Phil Manzanera, who would record it as "Frontera" on his Diamond Headalbum) and a cover of "Song for Che" by Charlie Hadenround off the side. The three "serious" pieces on Side Richard - the beautiful ballad "Solar Flares", "5 Black Notes And 1 White Note" (a funeral instrumental cover of Offenbach's Barcarollewhich degenerates into a series of noises somewhere between free jazzand electronic noise) and the Fred Frith piano-led collaboration "Muddy Mouth" - are framed by a series of brief, nonsensical interludes featuring only sparse piano accompaniment and some very strange high-pitched yelping vocals under the collective title "Muddy Mouse". It would be his last studio album until 1985's Old Rottenhat, and has never sounded better than it does here.
Artist: ROBERT WYATT
Title: RUTH IS STRANGER THAN RICHARD
Year: 1975
Label: Virgin
Catalog Number: V 2034
Mono/Stereo/Quadro: stereo
Country: England
Dead Wax Numbers: V 2034 A-2U 1 T /
V 2034 B-2U 1 L (stamped)Weight: 114 grams
Cover Format: standard
Cover Condition: VG (sharp, crisp & vivid, nearly perfect edges, no shelf wear, tiny edge-creases, light staining & mild waviness but still solid overall)
Vinyl Condition: EX (perfect gloss, no wear, a handful of surface hairlines. a few radial & sleeve marks but nothing produces sound, s1 is borderline NM)
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Everything is strictly graded using the classic Goldmine Standards that we have been applying since 1983:
M (rarely ever used unless still sealed)/ NM / EX / VG+ / VG / VG- / G+ / G (please see bottom of auction for specific grading information).
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We visually grade all records using the classic Goldmine Standard, to which we have added EX (as have many others), but we do not use any other variant from the classic scale. No NM- or EX+ (which are both EX), EX- VG+++ or Near Excellent (which are all VG+), or any such other nebulous grades here! We feel that nearly every collector will be more than pleased with anything listed EX or above in our auctions; they will all be top-shelf, archive quality items which will play M- throughout. A VG+ record will truly satisfy all but the most critical curator. On the very rare occasion we actually grade an opened LP as straight MINT, we can guarantee you’ll never find a nicer copy anywhere!
We will play-grade any LP if there is any reason to do so; any questionable mark, scuff or noteworthy artifact of any kind will be sampled to determine its true significance (which may obviously impact the grade ). We will also gladly play-grade anything upon request; if you are curious about the actual pressing characteristics or any have other questions about its actual performance please feel free to ask.
MINT : Absolutely perfect.
This record looks like it has just left the plant, with no flaws whatsoever. It appears unhandled and unplayed, with no marks of any sort. Usually only sealed or (sometimes) unplayed LPs will warrant this grade.
The cover does not appear to have had a record inside it; there is no wear or distraction of any kind.
NM : Virtually flawless, top copy.
The record is virtually identical to the moment it was opened, but may have a few faint paper, packaging or pressing scuffs which will produce no sound whatsoever and are very hard to see without critical inspection. It was very carefully handled and played, likely only once or twice.
The cover is as close to perfect as can be expected given its age. There may be minor impressions due to the outer edge of the vinyl (no ring wear), the lightest possible corner bumps, or a few tiny laminate creases (mainly on imports), but no wear or whitening of any kind whatsoever.
EX : A beautiful specimen, which will please most critical collectors and not need to be upgraded.
The record has no scratches or significant blemishes, and will play M- throughout. It retains 100% of the gloss, sheen and luster, but may have a handful of faint superficial scuffs, hairlines or light spindle marks which will not produce any sound whatsoever.
The cover is nearly perfect. There may be the absolute faintest suggestion of ring wear or possibly a light touch of dulling on the corners (nothing wrinkled or obtrusive in any way), but no notable seam or spine wear, writing or sign of tape anywhere.
VG+ : Plays perfectly nearly all of the time, with only a few minor distractions.
The record still retains nearly all of the gloss, sheen and luster, but there may be a handful of inaudible superficial marks or scuffs, a mild scattering of light hairlines (which would only be faintly audible between tracks or in some very quiet passages), or a few stray marks which may mildly sound for a few revolutions. Each flaw is very minor, barely noticeable to the naked eye, and will not detract from the enjoyment in any way.
The cover is still very clean and crisp, but may look slightly more aged and have a few minor flaws such as small unobtrusive writing, minor wear to the seams and spine (no splits), slightly worn corners, very light ring wear or minor creasing. No flaw is at all distracting in and of itself.
VG : A nice play copy, which will perform without much significant distraction.
The record appears well played, but still has the majority of the luster. It will not have been abused, though there will be some audible sound defects which will not overpower the dynamics of the music, such as mild surface noise in the quietest sections, a handful of stray isolated pops and clicks (which are brief and occasional), or possibly some very mild groove wear; still no skips, repeats, or anything deep or seriously pronounced. It will play through quite nicely most of the time, with very minimal distraction.
The cover looks somewhat used and shows some mild wear. There may be some minor seam splitting, ring wear (which still doesn’t overwhelm the cover), discreet writing (not large magic marker), or mild yellowing due to air contaminants. It is still nice, just a few notable flaws away from VG+.
We will never sell anything less than VG, so the rest of the scale is unnecessary. We absolutely detest groove wear, so we will almost never list anything lacking the overwhelming majority of the luster, sheen and gloss. Anything of significance will always be noted.
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