ROCKABILLY SCOTTY MOORE THE GUITAR THAT CHANGED THE WORLD EPIC BN 26103 ELVIS
  $   25

 


$ 25 Sold For
Jun 16, 2018 Sold Date
Jun 9, 2018 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

FOR YOUR CONSIDERATION:


                      SCOTTY MOORE 

     THE GUITAR THAT CHANGED THE WORLD! 

                     EPIC BN 26103 STEREO 


VINYL - VERY GOOD PLUS - SOUNDS EXCELLENT

COVER - VERY GOOD PLUS - CLOSE TO NEAR MINT - SEE PICS


A fan of the guitarist Chet Atkins, Moore led a group called the Starlite Wranglers before Sam Phillips at Sun Records put him together with then-teenage Elvis Presley. The trio was completed with the bass player Bill Black, who brought a "rhythmic propulsion" that much pleased Phillips. In 1954, Moore and Black accompanied Elvis on what would become the first legendary Presley hit, the Sun Studios session cut of "That's All Right", a recording regarded as a seminal event in rock and roll history.

The session, held the evening of July 5, 1954, proved entirely unfruitful until late in the night. As they were about to give up and go home, Presley took his guitar and launched into a 1946 blues number, Arthur Crudup's "That's All Right". 

Moore played on many of Presley's most famous recordings, including "That's All Right", "Good Rockin' Tonight", "Milk Cow Blues Boogie", "Baby Let's Play House", "Heartbreak Hotel", "Mystery Train", "Blue Suede Shoes", "Hound Dog", "Too Much", "Jailhouse Rock", and "Hard Headed Woman". He called his solo on "Hound Dog" "ancient psychedelia".

IF YOU WIN MORE THAN ONE AUCTION I WILL COMBINE SHIPPING. 

I can ship 1 to 4 records for $4.00 via Media Mail using a nice brand new LP mailer.  If you do win more than one auction please wait for an invoice from me before paying so I can combine the shipping. 

GOLDMINE GRADING STANDARDS

NEAR MINT-Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly. 

VERY GOOD PLUS-The record has been handled and played infrequently or very carefully.  On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors. 

VERY GOOD-Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc. 

GOOD-Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork. 

POOR-Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws. 

THANKS FOR LOOKING!



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