[ROCK/POP] [VARIOUS ARTISTS] NM LP 'IOWA EAR MUSIC' [Experimental COMPILATION]

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SIDECHOP: Documenting 18 Formerly Secret Performances (Panidiomatic Improvisation) A1 –Will Parsons / Peter Lewis (6) Peet's Beet (1972) Drums, Sequenced By, Edited By – William Parsons*Electronics [Basic Patch Design] – Peter Lewis (6) A2 –Eric Jensen (3) / Will Parsons / John Leake / Michael Lytle / Jon English / Tom Wilcox Anton's Chickenyard Cello – Eric Jensen (3)Edited By – William Parsons*Guitar – John LeakeMixed By – Michael LytlePiano [Prepared], Trombone – Jon EnglishTrumpet – Tom Wilcox A3 –Jon English / Paul Berner / Dan Roach / Michael Lytle / Gary Gray (3) / Will Parsons / Tom Wilcox Basschurn (1973) Bass – Jon English, Paul BernerEdited By, Mixed By – Michael LytleElectric Bass – Dan RoachMbira – Gary Gray (3)Steel Drums, Edited By, Mixed By – William Parsons*Trumpet – Tom Wilcox A4 –Peter Lewis (6) / Pat Purswell* / Will Parsons / Jon English Degroot #13 (1890's) Electronics – Peter Lewis (6)Marimba – William Parsons*Piccolo Flute – Pat Purswell*Trombone – Jon English A5 –Michael Lytle / Will Parsons / Eric Roalson / Bruce Erwin Unseen Walls (Waltz?) (1975) Clarinet – Michael LytleEdited By, Mixed By – William Parsons*Piano, Composed By – Eric RoalsonViolin – Bruce Erwin A6 –Christopher Parsons / William Parsons* The World's Most Impossible Silence (1973) Composed By – Christopher ParsonsEdited By, Mixed By – William Parsons* A7 –Michael Lytle Crusader (1971) Composed By, Synthesizer, Edited By, Mixed By – Michael Lytle A8 –Jon English / Dan Roach / Will Parsons / John Leake / Michael Lytle Phase Leake (1973) Acoustic Bass – Jon EnglishDrums, Edited By – William Parsons*Electric Bass – Dan RoachGuitar [Phased], Edited By – John LeakeMixed By – Michael Lytle A9 –Jon English / Dan Roach / Will Parsons / John Leake / Michael Lytle Bent End (1973) Acoustic Bass – Jon EnglishDrums, Edited By – William Parsons*Electric Bass – Dan RoachGuitar [Phased], Edited By – John LeakeMixed By – Michael Lytle A10 –John Wilmeth / Will Parsons / Kent Cohea The Sands Of Time Reborn (1967) Bass – John WilmethDrums – William Parsons*Saxophone – Kent Cohea A11 –Michael Lytle / Eric Roalson / William Parsons* Bull Elewhale (1975) Clarinet, Edited By, Mixed By – Michael LytleCymbal [Bowed] – Eric RoalsonEdited By, Mixed By – William Parsons* A12 –Eric Jensen (3) / Pat Hazell / Gary Gray (3) / William Parsons* / Michael Lytle / Michael Meyers ...Now Deceased (1973) Cello – Eric Jensen (3)Harmonica – Pat HazellMarimba, Edited By – William Parsons*Mbira – Gary Gray (3)Mixed By – Michael LytleVibraphone – Michael Meyers A13 –Motter Forman / Will Parsons / William Hibbard The Leo Trio (1974) Harp – Motter FormanMarimba, Composed By – William Parsons*Viola – William Hibbard A14 –Paul Berner / William Parsons* / Lynn Willard / John Leake / Michael Lytle / Pat Hazell / Don Edelbrock / Larry Easter Iowa's Night Bloom (1973) Bass – Paul BernerDrums, Edited By – William Parsons*Electric Piano – Lynn WillardGuitar – John LeakeMixed By – Michael LytlePiano – Pat HazellSoprano Saxophone – Don Edelbrock, Larry Easter A15 –William Parsons* Waiting For Grace (1974) Vibraphone, Composed By, Mixed By – William Parsons* A16 –Michael Lytle / William Parsons* / Grace Bell / Lawrence Quigley III / Mike Rafferty / Mike Sigrin / Peter Goin / Eric Roalson / Tom Mintner / Mikl Brawner Back To The Playground (1976) Bass Clarinet – Michael LytleGanzá, Edited By – William Parsons*Mixed By, Electronics [Phasing] – Michael LytlePerformer – Grace Bell, Lawrence Quigley III, Mike Rafferty, Mike Sigrin, Peter GoinPiano – Eric RoalsonRecorded By – Tom MintnerVoice, Performer [Rubber Hose] – Mikl Brawner A17 –Jon English / William Parsons* / Candace Natvig Freedom's Not Something Someone Tells (The Way To Live) (1974) Trombone – Jon EnglishVibraphone – William Parsons*Voice – Candace Natvig A18 –Unknown Artist Falsestart, Falsestart, Falsestart, Etc. - The Center For New Music (In Rehearsal) A19 –Don Roach / Gary Buck / Lynn Willard / Chris Singer-Roach / Dennis Loftin / Richard McCandless / Steve Schick* / William Parsons* / Jon English / Tom Wilcox / Candace Natvig An Infinite Regression (1972-76) Bass – Don RoachGuitar – Gary BuckOrgan – Lynn WillardPercussion – Chris Singer-Roach, Dennis Loftin, Richard McCandless, Steve Schick*Percussion, Drums – William Parsons*Trombone – Jon EnglishTrumpet – Tom WilcoxVoice – Candace Natvig SIDEFLOW: Mandala Lifesample B1 –Grace Bell / John Patterson (2) / William Parsons* First Rites, Before (1975) - PreMayaMusic Flute – Grace BellGuitar – John Patterson (2)Mbira, Edited By, Mixed By – William Parsons* B2 –Don Roach / William Parsons* / Michael Lytle / Mark Solomon / Lynn Willard Solomon's Mines, Birth (1973) - Overlaid With MayaMusic Bass – Don RoachDrums, Edited By, Mixed By – William Parsons*Edited By, Mixed By – Michael LytleFlute – Mark SolomonPiano – Lynn Willard B3 –Jon English / William Parsons* / Michael Lytle / John Monick Peace Like A Football Growth (1969-1973) - Struggling Through MayaMusic Bass – Jon EnglishDrums, Edited By, Mixed By – William Parsons*Piano, Composed By, Edited By, Mixed By – Michael LytleTenor Saxophone – John Monick B4 –Charles West / William Parsons* / Bruce Erwin Moment Of First Choice, Freedom (1974) - In Spite Of MayaMusic Clarinet – Charles WestSaxophone, Edited By, Mixed By – William Parsons*Violin – Bruce Erwin B5 –Charles West / William Parsons* / Bruce Erwin Choice Abandoned, Get A Job! (1974) - MayaMusic Continues Unheard Clarinet – Charles WestPiano, Edited By, Mixed By – William Parsons*Violin – Bruce Erwin B6 –Carolyn Berdahl / Jon English Where Karma Curdles & Hurts, Dharma (1974) - Reentry Of MayaMusic + ShivaDrone Cello – Carolyn BerdahlTrombone – Jon English B7a –Dan Roach / Tom Wilcox / Linda Dillon / Gary Gray (3) / Michael Lytle / William Parsons* / Don Edelbrock / John Monick / Jon English With Sun Inside, Maturity (1973) - Wisps Of MayaMusic & ShivaDrone Bass – Dan RoachFlugelhorn – Tom WilcoxFlute – Linda DillonMbira, Leader – Gary Gray (3)Mixed By – Michael LytlePercussion, Mixed By – William Parsons*Soprano Saxophone – Don EdelbrockTenor Saxophone – John MonickTrombone – Jon English B7b –Dan Roach / Tom Wilcox / Linda Dillon / Gary Gray (3) / Michael Lytle / William Parsons* / Don Edelbrock / John Monick / Jon English Clarabelle Interlude, Self Explanatory Bass – Dan RoachFlugelhorn – Tom WilcoxFlute – Linda DillonMbira, Leader – Gary Gray (3)Mixed By – Michael LytlePercussion, Mixed By – William Parsons*Soprano Saxophone – Don EdelbrockTenor Saxophone – John MonickTrombone – Jon English B8 –Michael Lytle / William Parsons* Last Wrongs, Death (1967-76) Mixed By – Michael LytleVoice, Synthesizer, Edited By – William Parsons* B9 –Michael Lytle The Knight Of Swords, Comes & Cuts Away One By One All The Things You Cling To, Until You're Left With Only One (1968-76) - The Seed Of Your Next Life Tape, Edited By, Mixed By, Effects – Michael Lytle B10 –Peter Lewis (6) / Jon English Lonely Woman, Ornette Coleman Synthesizer [Moog], Recorded By – Peter Lewis (6)Trombone, Electronics – Jon English B11 –Michael Lytle / Mikl Brawner / William Parsons* / Bruce Erwin Decay Of MayaMusic (1974) Clarinet, Mixed By, Electronics [Phasing] – Michael LytleFlute – Mikl BrawnerMixed By, Electronics [Phasing] – William Parsons*Violin – Bruce Erwin B12 –Michael Lytle Decay Of ShivaDrone (1974) Synthesizer – Michael Lytle Credits Artwork – Grace Bell, Judy Waterman, Mikl Brawner Notes The music on this record was recorded in a variety of informal and formal non-public situations between 1967 and 1976. A4 recorded live in Clapp Hall U of Iowa. A7 recorded at the Hampshire College Electronic Music Studios.