ROGER REYNOLDS "Voicespace" 2LP, Gatefold, 1982, NM/VG+, LOVELY MUSIC
$
30
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Description
Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.
Roger Reynolds ?– Voicespace
Label: Lovely Music, Ltd. ?– VR 1801-2 Format: 2 × Vinyl, LP, GatefoldCountry: US Released: 1982 Genre: Electronic Style: Experimental
TracklistHide Credits
A Voicespace IV: The Palace Recorded By – Charles Seangrave, Kip SheelineTechnician – Gareth Loy, Loren Rush, Tovar (2)Voice – Philip Larson 16:06 B1 Voicespace III: Eclipse Recorded By – Roger ReynoldsTechnician – Loren RushVoice – Carol Plantamura, Philip Larson 16:11 B2 Voicespace II: A Merciful Coincidence (Beggining) Recorded By – Roger ReynoldsVoice [Center] – Edwin HarkinsVoice [Left] – Deborah KavaschVoice [Right] – Linda Vickerman 10:27 C Voicespace II: A Merciful Coincidence (Conclusion) Recorded By – Roger ReynoldsVoice [Center] – Edwin HarkinsVoice [Left] – Deborah KavaschVoice [Right] – Linda Vickerman 25:20 D Voicespace I: Still Other [Ensemble] – Wind Storm: The Extended Vocal Techniques EnsembleRecorded By – Roger ReynoldsVoice – Ann Chase, Deborah Kavasch, Edwin Harkins, Linda Vickerman, Philip Larson, Warren Burt 21:34Notes
A written in 1980, text "The Palace" by Jorge Luis Borges. Realized at the Centre for Music Experiment, University of California, San Diego.B1 written in 1979, text is a collage of fragments from Jorge Luis Borges, Gabriel García Márquez, Issa, James Joyce, Herman Melville, Wallace Stevens. Realized at the Centre for Music Experiment, University of California, San Diego.
B2 & C written in 1976, text from Watt by Samuel Beckett. Realized at the University of California, San Diego, Department of Music, utilizing some digitally synthesized processed sounds from the Center for Computer Research in Music and Acoustics.
D written in 1975, text from "The Wanderings of Cain" by Samuel Taylor Coleridge.
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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