ROLLING STONES FLOWERS RARE ORIGINAL 1967 LONDON MONO LP IN SHRINK 1A MINT

$

100

WE CURRENTLY HAVE  NEARLY 400  LISTED ITEMS

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·      THE ROLLING STONES - FLOWERS - ORIGINAL 1967 LONDON RECORDS MONO LP LL-3509

·      THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·      ORIGINAL U.S. PRESSING

·      ORIGINAL MAROON (DARK-RED) LONDON MONO LABEL WITH “BOXED” (FRAMED) LONDON LOGO AND SILVER PRINT

·      THICK CARDBOARD COVER, AMERICAN STYLE.

·      COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·      CLEAN, WEAR-FREE LABELS

·      THICK, HEAVY VINYL PRESSING

·      MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1B'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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A huge and rare thank you to Rolling Stones manager Allen Klein for having producer Andrew Loog Oldham unleash this record for the American fanbase. He offers a very strong album of killer singles (a few on prior U.S. albums) and luscious leftover tracks from the UK versions of "Aftermath" and "Between the Buttons". "Mother's Little Helper"/"Lady Jane" and "Ruby Tuesday"/"Let's Spend the Night Together" are all known and wonderful A/B 45 sides and worth acquiring again in this context.

"Flowers" reflects the Rolling Stones spinning around in their own world, chasing glamor and other indulgences. The undisciplined intensity of the other single here, "Have You Seen Your Mother Baby, Standing in the Shadow" is the wildest single of their career. With its zany title, Keith Richards' raw guitar, pounding piano and blaring horns, the Stones have never sounded more progressive and apocalyptic. That could be why the song barely scraped the Top Ten.

The one misstep is the inclusion of their Temptations cover of "My Girl". I don't regard it as lousy but vaguely directionless. I would have subbed it with that great obscurity - the Spectorized hard-blues of "Who's Driving Your Plane?". Its psychoanalysis would have undergirded "Flowers" concept perfectly. Plus, Ian Stewart plays piano at his bluesy best.

My assumption is that Andrew subconsciously chose the running order of "Flowers". Yet the best was saved for the end. "Sittin' On a Fence" is in my personal top ten of greatest Stones tracks. With Mick haggling over lifelong commitment, he presents himself at his peak of unwilled vulnerability and Keith's and Brian's get-up-and-go acoustic guitars hold the music up to stunning effect.

 (EXCERPT FROM AN ANONYMOUS ONLINE REVIEW)

Flowers is definitely 5 stars with 33 & 1/3% more value. This is the last product from The Rolling Stones: a Brian Jones Creation. What this U.S.of A. product documents is the last gasp of the Original Rolling Stone's sustained contributions to what was fast becoming The Stones: a Glimmer Twins Presentation. Yes, it is a blatant attempt by the American arm of the recording company to create one more payday. Just so no one misunderstands, I want to take this opportunity to thank the greedy s.o.b.s for giving us a near perfect Rolling Stones record.

This LP is an artificial gathering of singles, bits, and pieces of the Rolling Stones left-overs and left-offs. Amazingly, it documents the London Bad Boys as they shucked off the Chuck Berry/blues masters covers for swirls of home-grown psychedelia/flower power. Taken as individual songs and as a cohesive statement the album works on both levels. In this instance, Commerce really did produce Art.

This artifact gets an extra 33 & 1/3% because Brian Jones is all over the place. Not as a songwriter or stunning singer/instrumentalist, but as a master musician. He takes the pretty and makes it gorgeous. He takes the interesting and makes it arresting. His contributions are not the meat, nor the potatoes, but they are the salt and occasionally the pepper that makes it all more than palatable. Brian makes many of these songs memorable gems. I would estimate that without Brian Jones' contributions this set of recordings would rate 4 stars, at best.

 (EXCERPT FROM AN ANONYMOUS ONLINE REVIEW)

Dismissed as a rip-off of sorts by some critics as it took the patchwork bastardization of British releases for the American audience to extremes, gathering stray tracks from the U.K. versions of Aftermath and Between the Buttons, 1966-1967 singles (some of which had already been used on the U.S. editions of Aftermath and Between the Buttons), and a few outtakes. Judged solely by the music, though, it's rather great. "Lady Jane," "Ruby Tuesday," and "Let's Spend the Night Together" are all classics (although they had all been on an LP before); the 1966 single "Mother's Little Helper," a Top Ten hit, is also terrific; and "Have You Seen Your Mother Baby, Standing in the Shadow?" making its first album appearance, is the early Stones at their most surrealistic and angst-ridden. A lot of the rest of the cuts rate among their most outstanding 1966-1967 work. "Out of Time" is hit-worthy in its own right (and in fact topped the British charts in an inferior cover by Chris Farlowe); "Backstreet Girl," with its European waltz flavor, is one of the great underrated Stones songs. The same goes for the psychedelic Bo Diddley of "Please Go Home," and the acoustic, pensively sardonic "Sittin' on a Fence," with its strong Appalachian flavor. Almost every track is strong, so if you're serious about your Stones, don't pass this by just because a bunch of people slag it as an exploitative marketing trick (which it is). There's some outstanding material you can't get anywhere else, and the album as a whole plays very well from end to end.

 (EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·      CONDITION:

·      RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)         WE GRADE THE VINYL AS NEAR MINT. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)         The record comes in the original stock inner sleeve.

(c)         The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)         Mono pressing of this title is much rarer, and by far more  preferable to its stereo counterpart. We think that the mix is more natural, humane, "organic" and that the mixes are somewhat different than on the stereo version. We estimate that stereo copies of this album outnumber mono pressings by a ratio of at least 5:1.

(e)         Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                          THE COVER

COVER IS NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP   (A SMALL PIECE OF SHRINK WRAP IS MISSING)

The following flaws or imperfections are noted on the cover:

-       Cover has JUST A HINT of ring wear (nothing significant) in one small area not covered by the shrink wrap (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1.

-       Cover has a few tiny wrinkles along the spine (nothing significant)

-       Cover shows some light yellowing on both sides, apparently from aging.  (nothing significant)

-       Cover has a small quality control (inspection) stamp on the back panel  (BARELY VISIBLE)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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FINE (BUT IMPORTANT!) PRINT

 (1) The year indicated in the title bar is the year of the original release,  NOT necessarily the year of the actual pressing; for the actual generation of the pressing, please see our item description (top section, text in red letters). (2) Please do NOT bid based on the title bar, subtitle bar or item specifics box alone; instead, please read the entire description and grading before bidding; (3) Absolutely NO order cancellations after the auction closes. ever, under any circumstances. We can ONLY cancel bids before the item closes. (4) We are unable to cancel bids in the final 12 hours of the auction; if you need to do so, please contact eBay for help (5) We are unable to provide matrix-, stamper- or other pressing  information in the final 24 hours of the auction. If you require this information, please contact us well before the final day of the auction. (6) Yes, we DO combine shipments. Please click on "Shipping and Payment" tab on top of the auction page for additional details. (7)  All Paypal payments must be made from confirmed Paypal shipping addresses. NO third party shipping addresses will be honored  (8) Absolutely NO partial refunds: if you are unhappy with the merchandise you received, please return it for a full refund, postage included (9). Civilized people can disagree without accusing each other of being indecent or dishonest; if you need proof of this seller's personal integrity, please check our eBay feedback, which speaks for itself  (10) All disagreements and miscommunications can be - and will only be - solved in a civil and mutually respectful manner;  please avoid puerile, offensive, abrasive or menacing language (attempted humor is fine and usually appreciated, although overused-to-death sarcasms can be really, really tedious. (11) This seller will accommodate all reasonable requests and is generally a flexible and agreeable person (12) Our love & appreciation for your trust, loyalty and business, always and forever;  Thank You & Good Night!

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