ROLLING STONES "Let It Bleed" LP, EX / EX w/ Poster EX, 1969
  $   28

 


$ 28 Sold For
Jan 4, 2014 Sold Date
Dec 28, 2013 Start Date
$   25 Start price
3   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

Condition: 

Rolling Stones* ?– Let It Bleed

Label: London Records ?– NPS-4 Format: Vinyl, LP, Album 
Country: US Released: Dec 1969 Genre: Rock Style: Rock & Roll, Classic Rock

TracklistHide Credits

A1 Gimme Shelter 4:30 A2 Love In Vain Written-By – Woody Payne (2) 4:18 A3 Country Honk 3:00 A4 Live With Me 3:35 A5 Let It Bleed 5:27 B1 Midnight Rambler 6:52 B2 You Got The Silver 2:51 B3 Monkey Man 4:12 B4 You Can't Always Get What You Want Drums – Jimmy MillerFeaturing – London Bach Choir, The 7:28

Companies etc

  • Manufactured By – Nanker Phelge Music Ltd.
  • Distributed By – London Records, Inc.

Credits

  • Arranged By [Choir] – Jack Nitzche* (tracks: B4)
  • Arranged By [Horns] – Leon Russell (tracks: A4)
  • Artwork [Cover & Liner Design] – Robert Brownjohn
  • Autoharp – Bill Wyman (tracks: A5), Brian Jones (5) (tracks: B2)
  • Bass – Bill Wyman (tracks: A1, A2, A5, B1 to B4), Keith Richards (tracks: A4)
  • Blues Harp – Mick Jagger (tracks: A1, B1)
  • Design [Cover & Liner] – Nagota & Brownjohn Ltd.
  • Design [Poster & Sleeve] – Victor Kahn (2)
  • Drums – Charlie Watts
  • Engineer [Assistant] – Bruce Botnick, George Chkiantz, Jerry Hansen
  • Engineer [Chief] – Glyn Johns
  • Fiddle – Byron Berline (tracks: A3)
  • Guitar – Keith Richards, Mick Taylor (tracks: A4)
  • Guitar [Slide] – Mick Taylor (tracks: A3)
  • Mandolin – Ry Cooder (tracks: A2)
  • Organ – Nicky Hopkins (tracks: B2)
  • Percussion – Brian Jones (5) (tracks: B1), Jimmy Miller (tracks: A1), Rocky Dijon (tracks: B4)
  • Photography By – Don McAllester
  • Piano – Ian Stewart (tracks: A5), Leon Russell (tracks: A4), Nicky Hopkins (tracks: A1, A4, B2, B3)
  • Piano, French Horn, Organ – Al Kooper (tracks: B4)
  • Producer – Jimmy Miller
  • Tambourine – Jimmy Miller (tracks: B3)
  • Tenor Saxophone – Bobby Keys (tracks: A4)
  • Vibraphone – Bill Wyman (tracks: B3)
  • Vocals – Doris Troy (tracks: B4), Keith Richards (tracks: A1, A3, B2, B3), Madelaine Bell* (tracks: B4), Mary Clayton* (tracks: A1), Mick Jagger (tracks: A1 to A5, B1, B3, B4), Nanette Newman (tracks: A3, B4)
  • Written-By – Mick Jagger, Keith Richards* (tracks: A1, A3 to B4)

Notes

Issued with poster and fan club application.
Manufactured By Nanker Phelge Music LTD. An ABKCO Record Company

Barcode and Other Identifiers

  • Matrix / Runout (A Side Etched): XZAL-9363-2 (w)
  • Matrix / Runout (B SIde Etched): XZAL-9364-2 (w)

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327 W. Nine Mile Rd.
Ferndale, Michigan 48220
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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.




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