ROLLING STONES STICKY FINGERS RARE JAPAN AUDIOPHILE LP ANDY WARHOL ZIPPER COVER

$

56

WE CURRENTLY HAVE  MORE THAN 400  LISTED ITEMS

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·       ROLLING STONES - STICKY FINGERS -  JAPANESE PRESSING WITH THE FUNCTIONING "ZIPPER COVER"  - JAPANESE AUDIOPHILE HIGH QUALITY PRESSING ON A VIRGIN VINYL – ROLLING STONES RECORDS (JAPAN) STEREO LP ESS-63001

·       GENUINE JAPANESE PRESSING

·       JAPANESE AUDIOPHILE PRESSING WITH ANDY WARHOL’S CLASSIC (AND FULLY FUNCTIONAL)“ZIPPER” COVER: UNZIP IT AND SEE :-)

·       VERY EARLY JAPANESE PRESSING CIRCA 1977 ON YELLOW ROLLING STONES RECORDS LABEL WITH THE STICKING TONGUE LOGO

·       THE ALBUM COMES WITH THE CUSTOM INNER SLEEVE UNIQUE TO THIS TITLE

·       THIS IS NOT A RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.

·       INCLUDES ORIGINAL, JAPANESE-ONLY INSERT

·       THE WARHOL COVER HAS A CAREFULLY CONCEALED PHOTO OF A, UM… WELL-ENDOWED DUDE INSIDE (YOU HAVE TO CAREFULLY UNGLUE THE LIGHLY GLUED CORNERS TO REVEAL THE IMAGE) – PROBABLY THAT OF MR. MICK “JUMPIN’ JACK” JAGGER HIMSELF (YOU WOULDN’T EXPECT ANY LESS FROM ANDY WARHOL, WOULD YOU?).

·       CLEAN, WEAR-FREE LABELS

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least thick, and  10 being the thickest), we assess the thickness of the vinyl as 7.

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1S/-1S'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Pieced together from outtakes and much-labored-over songs, Sticky Fingers manages to have a loose, ramshackle ambience that belies both its origins and the dark undercurrents of the songs. It's a weary, drug-laden album -- well over half the songs explicitly mention drug use, while the others merely allude to it -- that never fades away, but it barely keeps afloat. Apart from the classic opener, "Brown Sugar" (a gleeful tune about slavery, interracial sex, and lost virginity, not necessarily in that order), the long workout "Can't You Hear Me Knocking" and the mean-spirited "Bitch," Sticky Fingers is a slow, bluesy affair, with a few country touches thrown in for good measure. The laid-back tone of the album gives ample room for new lead guitarist Mick Taylor to stretch out, particularly on the extended coda of "Can't You Hear Me Knocking." But the key to the album isn't the instrumental interplay -- although that is terrific -- it's the utter weariness of the songs. "Wild Horses" is their first non-ironic stab at a country song, and it is a beautiful, heart-tugging masterpiece. Similarly, "I Got the Blues" is a ravished, late-night classic that ranks among their very best blues. "Sister Morphine" is a horrifying overdose tale, and "Moonlight Mile," with Paul Buckmaster's grandiose strings, is a perfect closure: sad, yearning, drug-addled, and beautiful. With its offhand mixture of decadence, roots music, and outright malevolence, Sticky Fingers set the tone for the rest of the decade for the Stones.

 (EXCERPT FROM AN ONLINE REVIEW BY STEPHEN THOMAS ERLEWINE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

This classic 1971 album, complete with zipper and male-in-the-underwear photo, custom inner sleeve and Andy Warhol’s original cover artwork is exceedingly hard to find - particularly in good shape and undamaged - despite having remained in print for many decades after its release. This is a rare chance to grab this beautiful piece.

And the music…well, if you don’t know the music by now, you must have spent the last 36 years in some (very) uninhabited place or in solitary confinement. Track listing: Brown Sugar --- Sway --- Wild Horses --- Can't You Hear Me Knocking --- You Gotta Move --- Bitch --- I Got The Blues --- Sister Morphine --- Dead Flowers --- Moonlight Mile.

A NOTE ON ANDY WARHOL ALBUM COVERS

Warhol did album covers throughout his entire life - the most well-known being the 1967 Velvet Underground album featuring a banana and the 1971 cover for The Rolling Stones' album Sticky Fingers, co-designed with Craig Braun, which featured an image of a man's crotch in a pair of jeans with a functioning zipper. The Nations Nightmare was probably the first album cover featuring Warhol's work. Concidentally, it dealt with the use of recreational drugs - a theme that would often be associated with Warhol and his entourage throughout the 1960s as a result of films like The Chelsea Girls which showed Brigid Berlin shooting up speed on camera. Warhol would also became known for his use of transvestites in his films. In approximately 1952, the same year that he won the award for The Nation's Nightmare, Warhol also did some of his earliest drawings of a man in drag when he sketched the photographer, Otto Fenn, dressed as a woman. Warhol's drawings were similar to photographs that Fenn had taken of himself dressed as a woman.

Other than these, Andy Warhol also did fine cover artwork for albums by Artie Shaw, Count Basie, Kenny Burrell (3 covers), Johnny Griffin, Joe Newman, Bennie Green, Diana Ross, John Cale (2 covers), John Wallowitch, Rolling Stones (2 covers), Velvet Underground (2 covers), Moondog, Liza Minelli, John Lennon, Thelonious Monk, Paul Anka, Billy Squier, Tennesse Williams and many, many others.

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For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye , Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here  for the complete album listing)

Unzip your mind (and your fly) and your wallet will follow!

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The album comes with the original Japanese-only insert/lyrics sheet still intact.

(c)           The record comes in its original, custom, inner sleeve, which is UNIQUE to this album.

(d)          The record is pressed on a beautiful, high-quality, virgin-grade vinyl, which is usually used for audiophile, extended-dynamic-range, half-speed mastered and connoisseur pressings.

(e)           The record is pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER (THIS IS THE ORIGINAL GIMMICK "ZIPPER" COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

-        The cover has a few tiny scratch marks on both sides (nothing significant); this is a common problem with most surviving copies of the 'zipper' cover: namely each zipper had a tendency to irritate the back panel of the adjacent cover, being that the albums would typically be shipped packed tightly together

-        Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-        Cover has a few tiny wrinkles along the spine

-        Minor shelf wear noted on the seams (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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