ROLLING STONES STICKY FINGERS SEALED MFSL AUDIOPHILE LP

$

191

WE CURRENTLY HAVE MORE THAN 1600 LISTED ITEMS. TO DISPLAY ALL OUR AUCTIONS LISTED IN ALPHABETICAL ORDER, BY ARTIST’S NAME ►CLICK HERE

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·       ROLLING STONES - STICKY FINGERS - MOBILE FIDELITY HIGH-QUALITY 'ORIGINAL MASTERS' AUDIOPHILE, EXTENDED DYNAMIC RANGE VIRGIN VINYL LP MFSL-1-060

·       ORIGINAL U.S. PRESSING

*** STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***

·       BELIEVED TO INCLUDE:

(1)          ORIGINAL "RICE PAPER" MFSL INNER SLEEVE

(2)          INNER, CUSTOM-MADE MFSL CARDBOARD COVER

(3)          ORIGINAL MFSL MAIL ORDER FORM AND/OR CATALOG LEAFLET

·       BELIEVED TO BE PRESSED ON THE ORIGINAL WHITE MFSL LABEL (NO OTHER MFSL PRESSINGS OR LABELS EXIST)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE) [NOTE: THIS IS NOT A REISSUE IN PAPERBOARD COVER!!!]

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)

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The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights, they have become true pieces of audio history and lore. These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material (only the "virgin-", audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship); a special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound. To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies. EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND. Finding a still sealed original MFSL copy?!?! Forget it – not even a HOPE!!! This may be the last one you will ever see.

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This classic 1971 album with original Andy Warhol cover artwork is exceedingly hard to find - particularly as a rare MFSL audiophile pressing. This is a rare chance to grab this beautiful piece. As for the music…well, if you don’t know the music by now, you must have spent the last 35 years on some (very) remote desert island.

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye , Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ► click here for the complete album listing)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)

(a)            THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).

(b)            The record is believed to come in its original inner, hi-grade MFSL PVC inner sleeve

(c)             The album comes with the original MFSL cardboard inner sleeve (we can see it through the opening)

(d)            The record is apparently pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.

(e)             The record is pressed on a beautiful, high-quality, virgin-grade vinyl, which is usually used for audiophile, extended-dynamic-range, half-speed mastered and connoisseur pressings.

(f)              Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP

The following flaws or imperfections are noted on the cover:

-         Cover has a tiny, BARELY VISIBLE "wrinkle" (crease) in one of the corners.

NO OTHER IMPERFECTIONS ON THE COVER:

-         No split seams

-         No ring wear

-         No cut-out (drill) holes.

-         No cut-out corners

-         No saw-marks or indents

-         No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-         No yellowing from aging

-         No writing

-         No stamps

-         No tearing: no chips, dents or nicks on the seams

-         No peel-off marks

-         No stains

-         No mold or mildew spots

-         No stickers or labels

-         No water damage

-         No razor marks, scratches, pressure marks, lines, streaks, or cuts.

-         No warping

-         No wax, glue, paint or liquid drops on the cover

-         No bar codes

-         No RIAA stamps or stickers.

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POSTAGE & SHIPPING:

Generally, US POSTAGE is $5.80 FOR THE FIRST ITEM shipped via USPS PRIORITY MAIL (this includes a small $1.00 packaging surcharge).

INTERNATIONAL POSTAGE- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note we are NOT responsible for uninsured items.

Media- and Surface Mail rates are available ONLY to orders of $200.00 or more. NO EXCEPTIONS.

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FOR OTHER IMPORTANT INFORMATION, CLICK ON THE LINKS BELOW:

►VOLUME DISCOUNTS AND DISCOUNT RATES ►OUR GRADING POLICY ►ITEMS WE DO NOT GRADE ►HOW TO RESOLVE A DISPUTE ►ACKNOWLEDGING A WINNING BID ►OUR FEEDBACK POLICY ►ACCEPTABLE PAYMENT METHODS ►OUR REFUND POLICY ►POSTAGE AND INSURANCE RATES ►PAYMENT DEADLINES

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OUR REFUND POLICY :

Cash refund will be granted only for DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy .

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