ROLLING STONES: "TERRIFYING " 3-LP LIVE 89 'STEEL WHEELS' TOUR COMPLETE SHOW

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THE ROLLING STONES: "TERRIFYING!" 3-LP ~ LIVE '89 'STEEL WHEELS' TOUR ~ COMPLETE SHOW! 
THE ROLLING STONES "THE ROLLING STONES: TERRIFYING!" 3-LP ~ COMPLETE SHOW ~ LIVE ON THE '89 'STEEL WHEELS' TOUR w/ SPECIAL GUESTS; ERIC CLAPTON, GUNS 'N' ROSES, JOHN LEE HOOKER ORIGINAL SOURCE MIXED & MASTERED BY THE LEGENDARY BOB CLEARMOUNTAI LABEL: BURKE RECORDS ~ LP-COC-12191 ORIGINAL SOURCE MIXED & MASTERED BY THE LEGENDARY BOB CLEARMOUNTAIN GREAT ALBUM JACKET ART w/ LURID COVER SHOT OF MICK EXCELLENT SOUND ~ EXCELLENT PRESSING ~ CUSTOM COLOR LABELS  RELEASED: OCTOBER 1990 MATRIX (SIDE A) (Etched) LP-COC-12191 - S1
CONDITION: VINYL: VG++  JACKET: VG++
★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★
I've been going thru my large vinyl record collection over the past few months and pulling out some LPs that I thought that someone else would like for their collection. I've been collecting records for nearly 50 years and it's time to pass some of them on to the next generation of collectors.
After all, we are just temporary 'caretakers' of these musical gems until the next owner and next collection takes them in.
This week on EBay I am offering up this rare, vintage, original pressing of the fantastic 3-LP Rolling Stones 'collector' record 'Terrifying!', recorded live at the Atlantic City Convention Center, in NJ, on December 19th, 1989.
This is my personal, original, early pressing copy that I purchased 'new' back in 1990 in the shops along St Marks Place in Greenwich Village, my usual vinyl hunting grounds in those days.
It has remained in my vinyl record collection ever since and I've taken great care of this record for 35 years now. It's been sleeved and stored properly in my collection for decades.
It's still in great condition. The vinyl is still clean and excellent, just like I purchased it all those years ago, the jacket clean and crisp, and the sound quality is terrific, much better than what is typically heard on these 'Collector' records.
(See details on this record's content, sound and condition below.) ★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★
This classic 3-LP Rolling Stones record, 'Terrifying!' is often cited by Rolling Stones collectors as one of the Stones' best and 'essential' live 'collector' records from their 1989 'Steel Wheels' tour, capturing the Stones at their hard rocking peak, and revealing all their power, rawness, and bluesy swagger. 
This recording perfectly captures amazing, inspired, passionate performances and The Stones are in top form throughout this album, at their raunchy and rebellious peak, obviously enjoying themselves and having fun, proving that they were still one of the best live rock n roll bands in their day. 
This is the complete show, on 3 discs, recorded live at the Atlantic City Convention Center, in NJ, on December 19th, 1989.
A really great performance and a rare survivor. ★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★
For some background context, The Rolling Stones' last American tour prior to 1989's 'Steel Wheels' Tour was in 1981, eight years earlier.
Between 1982 and 1989, the Stones released the two lackluster studio albums 'Undercover' and 'Dirty Work' which were seen generally as 'flops' and disappointments.
At the time, Mick Jagger and Keith Richards, realizing that The Stones just weren't cutting it anymore, were at odds with one another. They dipped into solo waters, releasing several solo albums that were also 'disappointing', suggesting that the Rolling Stones might be 'done'.
For the most part, Mick Jagger and Keith Richards were not on the best of terms with each other during his period, and spent much of the 80's caught up in well publicized bickering with each other. 
By early 1989, it seemed like Mick and Keith might never reunite, but the band was 'saved' by it's fans and, oddly, The Rock and Roll Hall of Fame. 
After the group re-assembled for their 'injection' into the Rock and Roll Hall of Fame in early 1989, Mick and Keith kissed and made up, realizing that the Rolling Stones were bigger and more important to Rock ad Roll than either of them. 
Fortunately, they re-connected, put aside their differences, re-discovered their groove and what made them so great in the first place. Mick and Keith took that new new vibe and energy, reconvened in the studio in early 1989 with a few close 'insiders' and wrote around 50 new songs.
They brought in the rest of the band, picked the best material, and recorded a great new album, 'Steel Wheels', as a tight, unified band, re-invigorated band.
On 'Steel Wheels', the Rolling Stones reinvented themselves once again, with a hard rocking album full of great songs and playing as strong and powerful as ever.
Knowing that they had just recorded a fantastic new album, the band announced a large tour to promote it.
The anticipation to see the Rolling Stones live, the Greatest Rock-And-Roll Band in the World, after a 7-year hiatus, was enormous, and the band quickly sold out stadium after stadium. ~~
Some fans at the time, at least early on, were still hesitant, wondering if the band were still relevant and still had the goods. Many fans feel that The Stones hadn’t produced a great album since 1981’s 'Tattoo You'.
Many of the less dedicated fans called the tour the 'Steel Wheelchairs' tour, but the band quickly proved them wrong.
'Steel Wheels' conquered and quieted their critics, reclaimed their popularity, sent them to the top of the charts, and re-established their status as the greatest Rock'n'Roll band in the World.
Far from being a 'last gasp' from a fracturing band, 'Steel Wheels' was a tough, focused, and exciting record. It sounded harder and nastier than anything they had done in years, and had more hooks and energy than any Stones record since 'Exile on Main Street'. 
On 'Steel Wheels', they returned to their basic raw rock music roots and that 'bad boy' image that made them so popular in the first place.
Mick Jagger sings powerfully and prances around the stage as exuberantly as ever, Keith Richards's guitar work bites and shines, and the rest of the band is not only in fine form but clearly having fun. You can certainly hear and feel the energy on stage.
The result was that fans who saw them live loved the shows, and spread the word on how great the bad was performing, which turned the 1989 Steel Wheels tour into one of the biggest grossing tours of the 1980s and returned them to full commercial power. ★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★
The Glimmer Twins not only recorded an excellent new album, but put a lot of time, thought and energy into the creation of the 'Steel Wheels' tour itself.
They put together a massive spectacle of sound, stage, and light that incredibly turned huge stadiums into intimate settings for their music.
The slick, tight and polished production on the '89 tour was a natural result of concert technology expanding and growing rapidly in the 80's. 
The music and entertainment world had changed quite a lot since Mick Jagger last strut his spandex across that Hampton, Virginia stage at the end of their last tour in late December of ’81.  
The 'Steel Wheels' tour was a much more planned, organized and professional show, enhanced by the elaborate stage, which was designed by Mark Fisher, with lots of direct input from Charlie Watts and Mick Jagger. The lighting design was by Patrick Woodroffe.
The elaborate stage and lighting designs of the 'Steel Wheels' Tour set the new standard for superstar stadium tours as we know them today.
That meticulous planning and attention to detail also extended to the band. The lineup of musicians for this tour was larger and tighter than ever before.
The 'Steel Wheels' band line-up included the core five original Stones -- Jagger, Richards, Charlie Watts, Bill Wyman, and Ron Wood, augmented by twin keyboardists; Chuck Leavell & Matt Clifford.
There's a trio of background vocalists; Bernhard Fowler, Cindy Mizelle, and Lisa Fisher. There's also a cast of horn players, 'The Uptown Horns' including longtime mate on sax, Bobby Keys.
The large 5-piece 'Uptown Horns' consisted of Bobby Keys, Crispin Cioe, and Arno Hecht on Saxophones, Paul Litteral on Trumpet, and Robert Funk on Trombone. 
The Stones were forced to promote their regular keyboard ace Chuck Leavell to be the '"Music Director" for the tour, to keep it all tight and pulled together.
There were musical 'cues' that had to be followed, so, yes, the band didn't have the luxury of being as 'tight but loose' like they were during the Mick Taylor era and on tours like the '69 and '72 American gigs, but they still played great.
There are fewer spontaneous guitar solos and 'explorations' compared to previous tours, but the tight, focused structure of the songs and the excellent musicianship make the performances better. Tighter, stronger and more powerful.
This was the Stones' first tour with back-up singers - which gave them a more polished vocal sound - forcing Mick to sing clearly and consistently. 
Mick still has more energy than men half his age, but he's mostly forced to behave, stay within the lines, stay in tune, and enunciate his lyrics better.
Keith occasionally gets to take the center stage spotlight, playing some amazing solos and singing his iconic raspy lead vocals on “Can’t Be Seen” as well as on his classic "Happy".
Listening to Ronnie Wood and Keef Richards trade licks is almost transcendent at times, but the real thrill is hearing the original band line-up live onstage, doing their thing, for the last time.
This tour would be the last with founding member Bill Wyman on bass, prior to his 1992 departure and 'retirement' to become the band's unofficial historian. ★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★
The 'Steel Wheels' Tour, in support of the band’s latest studio album, kicked off in August 1989, at Veterans Stadium in Philadelphia, shortly after the album's release that month.
The North American leg of the tour lasted most of the Fall and Winter of 1989, with the band playing around 60 long, powerful performances.
The American leg finished up with a three-night stand, on December 17th, 19th, and 20th, 1989 at the old historic Atlantic City Convention Center, a small 16,000-seat theater on the city's boardwalk.
Before going on to continue the tour in Japan and Europe, rebranded as the 'Urban Jungle' Tour, as a farewell gesture to America, the band decided to invite a few friends to sit in, professionally film and record the 2nd night of those Atlantic City shows, and release it as a special, elaborate live 'pay-per-view' cable TV simulcast in several larger east coast cities.
The Atlantic City show was also broadcast live, for free, on certain FM radio stations in the East Coast market.
Back then, I was a poor record collector and didn't spend the money for the  'Pay per View' (PPV), but I did record the entire show on my Nakamichi cassette deck, backed up by my high-end Reel to Reel tape player, making sure not to miss a single note.
The Pay per View event turned out great, but was rather expensive for young Stones fans to purchase and watch, plus, 'cable' TV was still new and not very popular yet, so the Stones were not very happy with the show's reception, sales, and viewership. 
A few months later, the broadcast video feed was sold to the relatively new Fox Television network, who edited it, cleaned it up a bit, and added some very cool 3-d psychedelic graphic content to songs like '2,000 Light Years from Home'
To appreciate the 3-d effects, you had to use special paper '3-d glasses' that were given away free as a promotion by '7-11' convenience stores and various record stores and head shops.
Fox's re-release of the Atlantic City show was edited and shorter, but it was totally free to fans, making it quite popular. I can remember it was replayed frequently on Fox during that summer of 1990, and Fox promoted it heavily, giving the Stones a new, younger, 'video-generation' audience, which it desperately needed. ★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★
This December 19th, 1989 performance at Atlantic City's Convention Hall was special for a number of reasons.
Since the show was recorded at the end of the band’s 60-date run through North America, the band was tight and on fire. Also, most all of the 'Steel Wheels' shows were played in larger stadiums, but the Atlantic City shows were performed in a small intimate 16,000 seat theater.
This Atlantic City show filled the boardwalk outside the Casino with a full-bodied wallop; a nearly 3 hour performance that blended the vintage with the fresh, adding a few surprises.
A unique highlight of this particular show are the special guests involved, who seemed to represent the past, present, and future of rock.
The 'Steel Wheels' tour had fantastic, energetic opening acts. Most nights featured Vernon Reid's great New York City band 'Living Colour' opening. For the October 1989 L.A. shows, the then-latest bad boys of rock, 'Guns N’ Roses' opened up for the Stones.
For this special Atlantic City show, The Stones called on their old mates, Axl Rose and Izzy Stradlin to join them onstage for the first-ever live performance of the rootsy “Salt of the Earth,” from 1968’s 'Beggars Banquet'.
Axl & Izyy loved the song, but the Stones had forgotten about it and moved on. They had to relearn their own song for this show.
It's a great performance, especially on the video, watching Axl Rose performing his trademark 'shimmies' alongside Jagger’s sway and swagger.  
Later on in the show, the Stones brought up their contemporary Eric Clapton for the slow blues burner 'Little Red Rooster', a song that the band had rarely performed since the early Brian Jones era.
Clapton then stays on stage to back one of the Stones' idols, the blues pioneer and legend John Lee Hooker, for an extraordinary run through of Hooker's classic 'Boogie Chillun’.
These special guest musicians are just one of the reasons why this amazing and dazzling concert is so special. 8 members of the 'Rock and Roll Hall of Fame' came together to play and have fun that night. The older Blues songs certainly add energy and authenticity to the concert, rather than interfere with or subtract from it. ★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★
This Atlantic City show was rebroadcast several times around the world in the early 1990's, but since NO official video release was done, this Atlantic City show soon disappeared, except for old VHS copies of the original PPV or Fox broadcast found in some collections.
Essentially, after the 'Pay per View' event this show all but disappeared.
★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★ SONG SELECTION AND SET LIST
Although this 3-LP set was recorded near the end of a 60-date stadium tour promoting the band's recent 'Steel Wheels' release, the performances are much more diverse and more wider-ranged than you would think. 
The 'Steel Wheels' tour, their first since 1981, was famous for it's long shows and very ambitious, diverse, and varied setlists. The setlists were quite long, but only included 5 songs from their new album. 
The 27-song setlist on this 3-lp set is basically perfect. The songs include:
Intro (Continental Drift) Start Me Up Bitch Sad Sad Sad Undercover Of The Night Harlem Shuffle Tumbling Dice Miss You Terrifying Ruby Tuesday Salt Of The Earth (featuring Axl Rose & Izzy Stradlin) Rock And A Hard Place Mixed Emotions Honky Tonk Women Midnight Rambler You Can't Always Get What You Want Little Red Rooster (featuring Eric Clapton) Boogie Chilun (featuring Eric Clapton & John Lee Hooker) Can't Be Seen w/ You Happy Paint It Black 2000 Light Years From Home Sympathy For The Devil Gimme Shelter / Band Introduction It’s Only Rock n Roll (But I Like It) Brown Sugar (I Can't Get No) Satisfaction Jumping Jack Flash Outro ~ Music from 'Carmen' ~~~~~~~~~~~~~~
Mixed in with such classic Stones favorites as “Jumping Jack Flash,” “(I Can’t Get No) Satisfaction,” “You Can’t Always Get What You Want” and “Gimme Shelter”, the band sprinkle in fantastic new performances of “Terrifying”, “Rock and A Hard Place”, “Sad, Sad, Sad”, “Mixed Emotions” and “Can’t Be Seen” from 'Steel Wheels'. 
Most of these 'Steel Wheels' songs they would never play again on subsequent tours and it's amazing to hear how well the 'new' material blends with the old classics.
This show also features nearly 2 dozen excellent performances, mining their excellent late 1960s and early 1970s albums, and includes many of their most iconic and best-loved classics from the band's deep catalog.
On previous tours, the Stones resisted playing any older material, songs from before Alan Klein’s takeover of the bands entire catalog in 1971, but on this 'Steel Wheels' tour, they realized just how great some of those early songs were and that they deserved to be played and heard, whether the Stones owned them or not. They pulled some of them out, dusted them off, and played amazing versions of them for this tour.
We get to hear classics like 'Ruby Tuesday', Paint it Black', and '2000 Light Years from Home.  '2,000 Light Years From Home' from 1967’s 'Their Satanic Majesties Request' was essentially the Stones’ attempt at psychedelic music. The song had never been played live before the 'Steel Wheels' tour. Its inclusion certainly adds to the band’s willingness to experiment.
There's even a rare first-ever live version of 'Salt of the Earth' from 'Beggar's Banquet'.
There's also a vibrant, healthy smattering of their powerful late 60s rockers like 'Midnight Rambler', 'Gimme Shelter', 'You Can’t always get what you want', 'Sympathy for the Devil' and 'Satisfaction'.
We also get a nice selection of their early 70s 'Sticky Fingers/Exile' era hits, including 'Bitch', 'Brown Sugar, 'Tumbling Dice' and Keith wheezing and rasping his way thru an excellent version of 'Happy'.
The band even throw in a few 80s curveballs like “Undercover Of The Night” and “Harlem Shuffle” just to bring everyone up to date. 
At the end of the show, in typical Stones fashion, the band reels it in and brings it home for a powerful run through some of their biggest, most iconic hits; 'Sympathy For The Devil', 'Gimme Shelter', 'It’s Only Rock n’ Roll', 'Brown Sugar', 'Satisfaction' and 'Jumping Jack Flash'. 
A perfect set list featuring many of the band's classic best-known and most loved songs recorded over their long history. ★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★
This triple LP 'collector' record is simply amazing. A fantastic set list, impassioned performances, and excellent sound quality throughout.
Listening to these three records consecutively, just putting them on and letting them play through, you're instantly reminded of just how great the Stones were in concert. The flow and selection of one great song after another brings back the sheer joy and appreciation of listening to a full, un-interrupted performance by the 'Greatest Rock n Roll Band In The World’.
With any Stones live album it’s hard to capture the real excitement of being there and actually seeing them on stage, but this album comes close. You can really hear the band having fun and enjoy performing together after years of inner turmoil and tension! ★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★
After decades of being 'lost and forgotten', in 2020, the old original Atlantic City tapes were discovered in the archives, dusted off, restored, remixed, remastered and made available by Eagle Rock Entertainment as 'Steel Wheels Live: Atlantic City, NJ"
'Steel Wheels Live' was a typically expensive, over-the-top, deluxe box set, released in various formats, which contained the complete Atlantic City concert on audio/video, plus bonus CDs of rare performances from Toronto, London and Tokyo on the 1989/1990 'Steel Wheels/'Urban Jungle' tour, all housed in a hard slipcase, with a 40-page hardback book. ~~
It's a nice box set, but life, energy and sound are lacking compared to the 1989 originals. It sounds somewhat flat, lacking energy and dynamics, and the sound is too clean, processed, compressed and very 'digital'. Rather disappointing.
Despite being 'collector' records, nothing beats these early 1990 recordings of the full, original, unedited concerts, made from the original network broadcast feed, which itself was mixed and mastered by the legendary legendary Bob Clearmountain.
Many early 'collector' records from this 'Steel Wheels' tour suffer from inferior sound, incomplete shows, or both, but this 1990 Burke Records pressing of 'Terrifying!' contains the entire, nearly 3-hour performance, taken directly from the original Broadcast feed and sounds amazing, at least much better than typical for these types of records.
Also, by 1990, most 'collector' records were switching over to CD, so there were few vinyl 'collector' records being pressed, making them quite rare.
★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★★
As a long-term, 50-year fan and collector of Rolling Stones music, memorabilia and records, I realize that there are other, more interesting, and more valuable, records and things to spend your hard-earned record money on, BUT, if you wanted just one, excellent and representative, live 'collector' record from the Rolling Stones' fantastic 1989 'Steel Wheels' tour, this is it.
A beautifully packaged 3-LP set, in excellent 'like new' condition, with  nice custom labels and fantastic cover art. The complete show, recorded at the end of the tour when they had their shows tight and polished, full of fantastic songs, amazing performances, and all in excellent sound quality. Essential for Stones fans. 
What more could you want? A perfect Rolling Stones 'collector' record. I can't recommended this rare 1990 album highly enough. 
This is a terrific album that belongs in any Rolling Stones collection.
It’s mind-boggling to think that another 35 years have passed since this show, and that the Rolling Stones are still making records and packing stadiums.
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CONDITION: I tried to show good hi-resolution photos of the cover, labels and vinyl in my pictures.
VINYL: The vinyl is still fantastic and looks excellent with a nice glossy sheen. Clean and bright. No obvious hairlines, scratches or damage. It has very mild signs of being played, but is still quite nice. I'm sure you'll be very happy with it.
This album is pressed on nice, heavy, high quality vinyl and has a fantastic sound to match. A very nice pressing, which was rare for 'collector' records around 1990, as vinyl was being phased out for CDs. I'll call it a conservative EX-, to keep everyone happy, but you can see from my photos how terrific nice it looks, other than being a little 'dusty'. 
I haven't messed with this record or cleaned it, other than my trusty 'DiscWasher' brush, in over 35 years, so it has a few dust specks, and would likely benefit from a good deep cleaning to make it even better looking and better sounding than it already is. I'll leave that up to the winning bidder.
I tried to show some close-up pictures of the vinyl to show how good it looks. I'm sure you'll be happy with it.
LABELS: This is pressed using deluxe custom color Burke Brothers labels. The labels are clean and bright, no dings, scuffs, writing or damage, and the spindle holes are clean and sharp, suggesting infrequent playing and my careful handling over the years.
The labels list the artist as 'The Glimmer Twins' are are packed with information, rare for 'collector' records.  The song titles are unique, but reflect the actual tites of the songs, making specific tracks easier to find.  Very cool.
JACKET: As you can see from my pictures, this 35 year old jacket is still in excellent condition.
Made from relatively thin cardboard, and holding 3 thick, heavy albums in a single LP jacket, this album is usually found suffering from significant ringwear and disc 'imaging', but I purchased this album 'new', took the records out, and sleeved the jacket.
No significant marks, scuffs, ringwear or damage. The spine is straight, no seam splits, which are very common on this album due to it's thin carboard jacket.
The cover art looks fantastic. A 'terrifying' picture of Mick with his hand in his pants. A fantastic cover.
The photo art and the text is sharp and clear on this original 1990 pressing. As you can see from my pictures, this still looks terrific. I tried to show details in my photos.
I've owned this record since 1990 and it has been sleeved and kept in it's original, as purchased, condition for over 35 years now. ~~~~~~~~~~~~~~~
Very nice, all original, great sounding, and a real gem. I'm sure you'll be very happy to add it to your collection. It would make a great addition to any Classic Rock or Rolling Stones vinyl record collection. 
These original 1990 pressings are getting very difficult to find and you just don't see them turn up for sale that often, especially in great condition. 
An amazing rare survivor and a real gem. In my opinion, and in my experience, it's about as good of a 'used' first pressing copy of this classic album as you're ever likely to find these days.  ~~~~~~~~~~~~~~~~~~~
** NOTE: I'm selling this rare Rolling Stones 'Collector' record "AS IS" and "NO RETURN". It's rare, and as described, and I'm sure you'll be very happy with it. A great, rare, original, excellent sounding copy. ~~~~~~~~~~~~~~~
I’m recently retired and downsizing and letting go some gems and rarities from nearly 50 years of vinyl record collecting. 
Keep an eye on my Ebay page, 'jjrbyrne' for more of these great rare 'collectible' albums, live albums, LP's and 45 singles. 
All records have been carefully evaluated and graded by me. I visually inspect all records under bright light, personally gently clean them with a soft cloth and then, if unsure, play them on a modern high-end turntable and system to get a true picture of condition. 
Please look at all the high-resolution pictures I added. They are all my own and are of the actual record being sold. The pictures are part of the description and can show small details, label variations, and condition better than I can put into words. 
My grading is fair and honest. I have had over 3,700 happy and satisfied EBay customers over the years, with 100% positive feedback, and I have been buying/selling on EBay for nearly 30 years, so please bid with confidence!
I'm a One-man operation, this is a hobby, not my job. I do this for fun. I do this because I love music, love collecting vinyl and want others to share in that same experience. I take my time listening, researching, grading, listing and packaging. I will NOT sell any record that I personally would not want in my collection.
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THANK YOU for looking and reading if you got this far. I know I rambled on a bit, but can't help it. I have a passion for records, especially 'Collector' records and the Rolling Stones.
I hope this listing was entertaining and informative.   -- JOHN