(ROLLING STONES-Exile on Main St.)-one of greatest albums of all time-I4-2xLP

	A$		40
	$		26

DESCRIPTION ITEM: VINYL 12” 2xLP 33 1/3RPM
ARTIST: THE ROLLING STONES
TITLE: Exile on Main St.
COUNTRY PRINTED: OZ
CAT No: See scan
COVER: Gatefold (Grade at EXCELLENT+) would be much higher except for a crease running from top to bottom of front cvr (6 cm in from right side)
INNER COVERS: Gatefold (Grade at NEAR MINT+)
LABELS: (Grade at NEAR MINT+)
VINYL:
Record #1:(Grade at NEAR MINT-)
Record #2:(Grade at NEAR MINT-)
TRACKS:
All songs written by Mick Jagger and Keith Richards, except where noted.

Side one
1. "Rocks Off" 4:31
2. "Rip This Joint" 2:22
3. "Shake Your Hips" (Slim Harpo) 2:59
4. "Casino Boogie" 3:33
5. "Tumbling Dice" 3:45

Side two
6. "Sweet Virginia" 4:27
7. "Torn and Frayed" 4:17
8. "Sweet Black Angel" 2:54
9. "Loving Cup" 4:25

Side three
10. "Happy" 3:04
11. "Turd on the Run" 2:36
12. "Ventilator Blues" (Jagger/Richards/Mick Taylor) 3:24
13. "I Just Want to See His Face" 2:52
14. "Let It Loose" 5:16

Side four
15. "All Down the Line" 3:49
16. "Stop Breaking Down" (Robert Johnson) 4:34
17. "Shine a Light" 4:14
18. "Soul Survivor" 3:49
COMMENT #1: Wikipedia
Exile on Main St. is a double album by English rock band The Rolling Stones. It was released on 12 May 1972 by Rolling Stones Records. The album's music incorporates rock and roll, blues, soul, country, and gospel genres.[2]

Although it originally received mixed reviews,[2] Exile on Main St. has been ranked on various lists as one of the greatest albums of all time.[3]
COMMENT #2: Biography by Stephen Thomas Erlewine
By the time the Rolling Stones began calling themselves the World's Greatest Rock & Roll Band in the late '60s, they had already staked out an impressive claim on the title. As the self-consciously dangerous alternative to the bouncy Merseybeat of the Beatles in the British Invasion, the Stones had pioneered the gritty, hard-driving blues-based rock & roll that came to define hard rock. With his preening machismo and latent maliciousness, Mick Jagger became the prototypical rock frontman, tempering his macho showmanship with a detached, campy irony while Keith Richards and Brian Jones wrote the blueprint for sinewy, interlocking rhythm guitars. Backed by the strong yet subtly swinging rhythm section of bassist Bill Wyman and drummer Charlie Watts, the Stones became the breakout band of the British blues scene, eclipsing such contemporaries as the Animals and Them. Over the course of their career, the Stones never really abandoned blues, but as soon as they reached popularity in the U.K., they began experimenting musically, incorporating the British pop of contemporaries like the Beatles, Kinks, and Who into their sound. After a brief dalliance with psychedelia, the Stones re-emerged in the late '60s as a jaded, blues-soaked hard rock quintet. The Stones always flirted with the seedy side of rock & roll, but as the hippie dream began to break apart, they exposed and reveled in the new rock culture. It wasn't without difficulty, of course. Shortly after he was fired from the group, Jones was found dead in a swimming pool, while at a 1969 free concert at Altamont, a concertgoer was brutally killed during the Stones' show. But the Stones never stopped going. For the next 30 years, they continued to record and perform, and while their records weren't always blockbusters, they were never less than the most visible band of their era -- certainly, none of their British peers continued to be as popular or productive as the Stones. And no band since has proven to have such a broad fan base or far-reaching popularity, and it is impossible to hear any of the groups that followed them without detecting some sort of influence, whether it was musical or aesthetic.

VINYL GRADING SYSTEM

MINT:
RECORD: New condition with no surface marks or loss of sound quality.
COVER: New condition with no surface marks, creases or wear.
NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
COVER: Barely noticeable surface mark/ wear.
EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
COVER: Slight wear or creasing.
VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear on cover, seam or spine.
GOOD:
RECORD: Very obviously been played with very noticeable surface marks & exhibits major loss of sound quality.
COVER: Noticeable folding, scuffing of spine or edges, splits in seams or spine or fading of colour.
FAIR:
RECORD: Still just playable & exhibits considerable surface noise.
COVER: Major tears, wearing, splits & stains.
POOR:
RECORD: Will not play properly due to scratches etc.
COVER: Very badly damaged.
+(PLUS)/-(MINUS):
Slightly up or down in condition as appears in the comments above.
NOTE:
Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.

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