ROLLING STONES-Satanic Majesties Request lp 3D CLEAN
$
48
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Description
MarsPlymouth Store
ROLLING STONES-Satanic Majesties Request lp 3D CLEAN !
THE ROLLING STONES
THEIR SATANIC MAJESTIES REQUEST lp
Released on London Records USA #NPS-2
Blue Labels with Silver Print
Original Inner Sleeve
Gatefold Sleeve is VG++/NM- (the hint start of ringwear on back,small amount of corner edge wear right side only, Otherwise Flat and Tight , Perfect Spine ,nice top edge and bottom edge, one of the better I have seen in quite awhile, see pic of both sides) .. Vinyl is VG+/VG++ ( lots of original sheen and looks to be handled well but there are a few longer very light surface marks nothing deep and it plays VERY well with just a little crackle at lead in)
Though not perfect Overall a very nice copy
Review by Richie Unterberger
Without a doubt, no Rolling Stones album — and, indeed, very few rock albums from any era — split critical opinion as much as the Rolling Stones' psychedelic outing. Many dismiss the record as sub-Sgt. Pepper posturing; others confess, if only in private, to a fascination with the album's inventive arrangements, which incorporated some African rhythms, Mellotrons, and full orchestration. Never before or since did the Stones take so many chances in the studio. This writer, at least, feels that the record has been unfairly undervalued, partly because purists expect the Stones to constantly champion a blues 'n' raunch world view. About half the material is very strong, particularly the glorious "She's a Rainbow," with its beautiful harmonies, piano, and strings; the riff-driven "Citadel"; the hazy, dream-like "In Another Land," Bill Wyman's debut writing (and singing) credit on a Stones release; and the majestically dark and doomy cosmic rocker "2000 Light Years From Home," with some of the creepiest synthesizer effects (devised by Brian Jones) ever to grace a rock record. The downfall of the album was caused by some weak songwriting on the lesser tracks, particularly the interminable psychedelic jam "Sing This All Together (See What Happens)." It's a much better record than most people give it credit for being, though, with a strong current of creeping uneasiness that undercuts the gaudy psychedelic flourishes. In 1968, the Stones would go back to the basics, and never wander down these paths again, making this all the more of a fascinating anomaly in the group's discography.
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