RUSH HEMISPHERES 12" VINYL LP RECORD ALBUM G/F 1978 MERCURY 9100 059 NEAR MINT
  £   23
  $   30

 


£ 23 Sold For
Oct 11, 2021 Sold Date
Sep 21, 2021 Start Date
1 Number Of Bids
  Great Britain Country Of Seller
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Description

RUSH

HEMISPHERES

12" STEREO VINYL LP RECORD ALBUM

ORIGINAL UK PRESSING 1978 RELEASE ON MERCURY RECORDS

GATEFOLD COVER

VINYL IN NEAR MINT CONDITION

COVER IN EXCELLENT CONDITION

MERCURY RECORDS

9100 059

1978

FROM MY OWN PERSONAL COLLECTION PURCHASED BY ME ON ORIGINAL RELEASE IN 1978

ALL RECORDS ARE SHIPPED IN A PROTECTIVE PVC SLEEVE AND SECURELY PACKAGED

THE PICTURES SHOWN IN THE LISTING ARE OF THE ACTUAL ITEM FOR SALE

I DO NOT USE MISLEADING STOCK PHOTOS

*FREE UK POSTAGE* VIA ROYAL MAIL

OVERSEAS SHIPPING IS VIA ROYAL MAIL TRACKED AND SIGNED AND IS FULLY TRACKED AND WILL REQUIRE A SIGNATURE ON DELIVERY

Recorded at Rockfield Studios, Wales, during June and July 1978.
Vocals recorded at Advision Studios, London.
Mixed at Trident Studios, Soho, London, August 1978.
This album was processed through the Duffoscope!

ADDITIONAL RECORD RELEASE INFORMATION BELOW KINDLY PROVIDED BY DISCOGS

GRADING GUIDE BELOW KINDLY PROVIDED BY RECORD COLLECTOR MAGAZINE

THANKS FOR LOOKING


Hemispheres

Label: Mercury – 9100 059 Format: Vinyl, LP, Album, Gatefold Country: UK Released: 1978 Genre: Rock Style: Hard Rock, Prog Rock

Tracklist

Cygnus X-1 Book II - Hemispheres (18:07) A1 Prelude 4:30 A2 Apollo (Bringer Of Wisdom) / Dionysus (Bringer Of Love) 4:36 A3 Armageddon (The Battle Of Heart And Mind) 2:52 A4 Cygnus (Bringer Of Balance) 5:00 A5 The Sphere (A Kind Of Dream) 1:09 B1 Circumstances 3:42 B2 The Trees 4:46 La Villa Strangiato (An Exercise In Self-Indulgence) (9:36) B3-i Buenos Nochas, Mein Froinds! B3-ii To Sleep, Perchance To Dream... B3-iii Strangiato Theme B3-iv A Lerxst In Wonderland B3-v Monsters! B3-vi The Ghost Of The Aragon B3-vii Danforth And Pape B3-viii The Waltz Of The Shreves B3-ix Never Turn Your Back On A Monster! B3-x Monsters! (Reprise) B3-xi Strangiato Theme (Reprise) B3-xii A Farewell To Things

Companies, etc.

  • Marketed By – Phonogram Ltd. (London)
  • Phonographic Copyright ? – Phonogram Ltd.
  • Copyright © – Phonogram Ltd.
  • Made By – Howards Printers (Slough) Ltd.
  • Pressed By – Phonodisc Ltd.
  • Printed By – Howards Printers (Slough) Ltd.
  • Recorded At – Rockfield Studios
  • Recorded At – Advision Studios
  • Mixed At – Trident Studios
  • Mastered At – Trident Studios
  • Lacquer Cut at – Trident Studios

Credits

  • Acoustic Guitar [6 & 12 String], Electric Guitar [6 & 12 String], Classical Guitar, Synthesizer [Roland Guitar, Taurus Pedals] – Alex Lifeson
  • Art Direction – Bob King (3)
  • Art Direction, Graphics – Hugh Syme
  • Artwork [Concert Visuals] – Nick Prince, Rush
  • Bass Guitar, Synthesizer [Mini-moog, Oberheim Polyphonic, Taurus Pedals], Vocals – Geddy Lee
  • Crew [Concert Sound] – Electrosound (UK)*, National Sound
  • Crew [Driver] – Bruce (The Pin) Aldrich (Howdy Howdy!)*, Jwerg (Ah Think Ah See The Problem!) Hoadley*, Mike (Say Guy!) Morrison*, Tom (Zig-Zag) Whittaker*
  • Crew [Projectionist] – Harry (Keep The Change) Dilman*
  • Drums, Bells [Orchestra], Bell Tree, Timpani, Gong, Cowbell, Percussion [Temple Blocks, Wind Chimes], Cymbal [Crotales] – Neil Peart
  • Engineer [Advision] – Declan O'Doherty
  • Engineer [Assistant, Mix] – John Brand
  • Engineer [Concert Sound], Coordinator [Crew] – Major Ian Grandy*
  • Engineer [Rockfield] – Pat Moran
  • Executive-Producer – Moon Records
  • Lacquer Cut By – SA.* (tracks: B1-B3)
  • Lighting Director, Crew [Roadmaster] – Howard (Herns) Ungerleider*
  • Lighting [Concert] – See Factor
  • Lyrics By – Peart*
  • Management – Ray Danniels, Vic Wilson
  • Management [Agency] – SRO Productions
  • Mastered By – Ray Staff
  • Music By – Lifeson*, Lee*
  • Photography By [Cover] – Yoshi Inouye*
  • Photography By [Inner Sleeve & Poster] – Fin Costello
  • Producer, Arranged By – Rush
  • Producer, Arranged By, Mixed By – Terry Brown
  • Stage Manager – Michael (Lurch) Hirsh*
  • Tape Op [Trident] – Mike Donegani*, Reno Ruocco, Simon Hilliard
  • Technician [Centre Stage] – Larry (Shrav) Allen*
  • Technician [Guitar & Synthesizer Maintenance] – Tony (Jack Secret) Geranois*
  • Technician [Stage Left] – Skip (Slider) Gildersleeve*
  • Technician [Stage Right] – Liam (Leaf) Birt*

Notes

Recorded at Rockfield Studios, Wales, during June and July 1978.
Vocals recorded at Advision Studios, London.
Mixed at Trident Studios, Soho, London, August 1978.
This album was processed through the Duffoscope!

The wonderful persons list: Austen Fagen, Abe Schon, The UFO's, the Max Websters, the Pat Travers Band, the Monks, Bert the driver, Fin Costello, Ruke Bernstein, Joe Bombase, Young Ward, Jerry Mickelson, Arny Granat, Bubble and Squeak, all at SRO, and all at Rockfield, Advision and Trident.

Includes a glossy gatefold poster insert featuring (left to right) Alex, Neil and Geddy

Barcode and Other Identifiers

  • Matrix / Runout (Side A label): 9100 059 A
  • Matrix / Runout (Side B label): 9100 059 B
  • Matrix / Runout (Variant 1: side A stamped): 9100059 1Y//1 T 11 6
  • Matrix / Runout (Variant 1: side B stamped): 9100059 2Y//1 T 11 5
  • Matrix / Runout (Variant 1: side B etched): SA.TRIDENT
  • Matrix / Runout (Variant 2: side A stamped): 9100059 1Y//1 T 1 2 2 2
  • Matrix / Runout (Variant 2: side B stamped): 9100059 2//1 T 1 2 4 2
  • Matrix / Runout (Variant 2: side B etched): SA. TRIDENT
  • Matrix / Runout (Variant 3: side A stamped): 9100059 1Y//1 T 1 2
  • Matrix / Runout (Variant 3: side B stamped): 9100059 2//1 T 1 1 14
  • Matrix / Runout (Variant 3: side B etched): SA. STOP TRIDENT + CRUISE
  • Matrix / Runout (Variant 4: side A stamped): 9100059 1Y//1 T 11 11
  • Matrix / Runout (Variant 4: side B stamped): 9100059 2Y//1 T 1 2 4
  • Matrix / Runout (Variant 4: side B etched): S.A. TRIDENT
  • Matrix / Runout (Variant 5: side A stamped): 9100059 1Y//1 T 1 2 2 9
  • Matrix / Runout (Variant 5: side B stamped): 9100059 2Y//1 T 1 2 2 3
  • Matrix / Runout (Variant 5: side B etched): SA. TRIDENT
  • Matrix / Runout (Variant 6: side A stamped): 9100059 1Y//1 T 12 2
  • Matrix / Runout (Variant 6: side B stamped): 9100059 2Y//1 T 11 1 3
  • Matrix / Runout (Variant 6: side B etched): SA. TRIDENT
  • Matrix / Runout (Variant 7: side A Stamped): 9100059 1Y//1 T 11 1
  • Matrix / Runout (Variant 7: side B Stamped): 9100059 2Y//1 T 11 1 6
  • Matrix / Runout (Variant 7: side B etched): SA TRIDENT
  • Matrix / Runout (Variant 8: side A Stamped): 9100059 1?//1 T 11 11
  • Matrix / Runout (Variant 8: side B Stamped): 9100059 2?//1 T 1 2 1
  • Matrix / Runout (Variant 8: side B etched): SA. TRIDENT
  • Matrix / Runout (Variant 9: side A stamped): 9100059 1?//1 T 11 14
  • Matrix / Runout (Variant 9: side B stamped exc. S.A., TRIDENT etched): 9100059 2?//1 T 1 2 17 S.A. TRIDENT

 



    "MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

    EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

    VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

    GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

    FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

    POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

    BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."


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