RUSH - POWER WINDOWS. 12" VINYL LP RECORD ALBUM. 1985 VERTIGO VERH 31. NEAR MINT
£
23
$
30
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Description
RUSH
POWER WINDOWS
12" STEREO VINYL LP RECORD ALBUM
ORIGINAL FIRST UK PRESSING 1985 RELEASE ON VERTIGO RECORDS
COMPLETE WITH ORIGINAL PRINTED INNER SLEEVE
VINYL IN NEAR MINT CONDITION
COVER IN EXCELLENT++ CONDITION
VERTIGO RECORDS
VERH 31
1985
FROM MY OWN ERSONAL COLLECTION PURCHASED BY ME ON ORIGINAL RELEASE IN 1985
ALL RECORDS ARE SHIPPED IN A PROTECTIVE PVC SLEEVE AND SECURELY PACKAGED
THE PICTURES SHOWN IN THE LISTING ARE OF THE ACTUAL ITEM FOR SALEI DO NOT USE MISLEADING STOCK PHOTOS
*FREE UK POSTAGE*
OVERSEAS SHIPPING IS VIA ROYAL MAIL TRACKED AND SIGNED AND IS FULLY TRACKED AND WILL REQUIRE A SIGNATURE ON DELIVERY
ADDITIONAL RECORD RELEASE INFORMATION BELOW KINDLY PROVIDED BY DISCOGS
GRADING GUIDE BELOW KINDLY PROVIDED BY RECORD COLLECTOR MAGAZINE
THANKS FOR LOOKING
Power Windows
Label: Vertigo – VERH 31 Format: Vinyl, LP, Album Country: UK Released: 1985 Genre: Rock Style: Hard Rock, Prog RockTracklist
A1 The Big Money 5:36 A2 Grand Designs 5:05 A3 Manhattan Project 5:05 A4 Marathon 5:10 B1 Territories 6:19 B2 Middletown Dreams 5:17 B3 Emotion Detector 5:10 B4 Mystic Rhythms 6:08Companies, etc.
- Published By – Copyright Control
- Phonographic Copyright ? – PolyGram Records, Inc.
- Copyright © – Phonogram Ltd.
- Pressed By – PRS Ltd.
- Recorded At – The Manor
- Recorded At – AIR Studios, Montserrat
- Recorded At – Sarm East Studios
- Recorded At – Abbey Road Studios
- Recorded At – Angel Studios
- Mixed At – Sarm East Studios
- Mastered At – Masterdisk
- Lacquer Cut at – Tape One
- Lacquer Cut at – Masterdisk
Credits
- Arranged By [Choir], Conductor [Choir] – Andrew Jackman*
- Arranged By [Strings], Conductor [Strings] – Anne Dudley
- Art Direction, Graphics, Painting [Cover] – Hugh Syme
- Bass, Synthesizer, Synthesizer [Bass Pedals], Vocals – Geddy Lee
- Drums, Percussion, Percussion [Electronic] – Neil Peart
- Electric Guitar, Acoustic Guitar – Alex Lifeson
- Engineer – Jimbo "James" Barton*
- Engineer [Pre-Production] – Mr. Head*
- Executive-Producer – Liam Birt, Moon Records, Val Azzoli
- Keyboards [Additional], Programmed By [Synthesizer] – Andy Richards
- Lacquer Cut By – BilBo (3)
- Lyrics By – N. Peart*
- Management – Ray Danniels
- Management [Agency] – SRO Management, Inc.
- Mastered By – Bob Ludwig
- Music By – A. Lifeson*, G. Lee*
- Photography By – Dimo Safari
- Producer, Arranged By – Peter Collins, Rush
- Programmed By [Synthesizer] – Jim Burgess (2)
- Recorded By [Assitsted, Air Studios] – Matt Butler
- Recorded By [Assitsted, Sarm] – Dave Meegan, Heff Moraes, Paul Wright
- Recorded By [Assitsted, The Manor] – Steve Chase*
Notes
Strings recorded at Abbey RoadChoir recorded at Angel Studios
Original sound recording made by Polygram Records Inc. (New York)
The company name used on this release "PolyGram Records Inc. (New York)" refers to PolyGram Records, Inc..
Barcode and Other Identifiers
- Barcode: 0 42282 60981 6
- Matrix / Runout (Side A runout, stamped/etched, 422-826098-1-AS-INT2 etched, variant 1): VERH31 A//2?130 11 5 MASTERDISK 422-826098-1-AS-INT2
- Matrix / Runout (Side B runout, stamped/etched, BILBO TAPEONE etched, variant 1): VERH31 B//4?420 T 11 5 BILBO TAPEONE
- Matrix / Runout (Side A runout, stamped/etched, 422-826098-1-AS-INT2 etched, variant 2): VERH31 A//2?130 11 5 MASTERDISK 422-826098-1-AS-I 422-826098-1-AS-INT2
- Matrix / Runout (Side B runout, stamped/etched, BILBO TAPE ONE etched, variant 2): VERH31 B//4?420 T 11 2 BILBO TAPEONE
- Matrix / Runout (Side A runout, stamped/etched, 422-826098-1-AS-INT1 etched, variant 3): VERH31A//1?130 11 5 MASTERDISK 422-826098-1-AS-INT1
- Matrix / Runout (Side B runout, stamped, variant 3): VERH31 B//4?420 T 11 1
"MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."
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