Rahsaan Roland Kirk "Blacknuss" LP VG+ Promo White Label Charles Mingus
$
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Description
Rahsaan Roland Kirk "Blacknuss" LP Atlantic Records SD 1601 (US)
Vinyl is VG+, Jacket is VG+!!
White Label Promo
Track Listing:
A1 Ain't No Sunshine Written-By – Bill Withers 2:26 A2a What's Goin' On Written-By – Cleveland*, Gaye*, Benson* 3:46 A2b Mercy Mercy Me (The Ecology) Written-By – Marvin Gaye A3 Take Me Girl, I'm Ready Written-By – Chris Allen*, Johnny Cameron 2:48 A4 I Love You Yes I Do Written-By – Bristol*, Ware*, Sawyer* 3:19 A5 My Girl Written-By – Ronald White, William Robinson* 3:06 A6 Which Way Is It Going Written-By – Rahsaan Roland Kirk* 2:24 A7 One Nation Written-By, Vocals – Princess Patience Burton 3:40 B1 Never Can Say Goodbye Vocals – Cissy HoustonWritten-By – Clifton Davis 4:00 B2 Old Rugged Cross Arranged By – Rahsaan Roland Kirk*Written-By [Release Credit] – Trad.* 7:14 B3 Make It With You Written-By – David Gates 4:50 B4 Blacknuss Vocals – Cissy HoustonWritten-By – Rahsaan Roland Kirk* 5:13Rahsaan Roland Kirk (August 7, 1935 – December 5, 1977) was an American jazz multi-instrumentalist who played tenor saxophone, flute and many other instruments. He was renowned for his onstage vitality, during which virtuoso improvisation was accompanied by comic banter, political ranting, and the ability to play several instruments simultaneously.
Kirk was born Ronald Theodore Kirk in Columbus, Ohio, where he lived in a neighborhood known as Flytown. He felt compelled by a dream to transpose two letters in his first name to make Roland. He became blind at an early age as a result of poor medical treatment. In 1970, Kirk added "Rahsaan" to his name after hearing it in a dream.
Preferring to lead his own bands, Kirk rarely performed as a sideman, although he did record with arranger Quincy Jones and drummer Roy Haynes and had notable stints with bassist Charles Mingus. One of his best-known recorded performances is the lead flute and solo on Jones' "Soul Bossa Nova", a 1964 hit song re-popularized in the Austin Powers films (Jones 1964; McLeod et al. 1997).
His playing was generally rooted in soul jazz or hard bop, but Kirk's knowledge of jazz history allowed him to draw from many elements of the music's past, from ragtime to swing and free jazz. Kirk also absorbed classical influences, and his artistry reflected elements of pop music by composers such as Smokey Robinson and Burt Bacharach, as well asDuke Ellington, John Coltrane and other jazz musicians. The live album Bright Moments (1973) is an example of one of his shows. His main instrument was the tenor saxophone, supplemented by other saxes, and contrasted with the lighter sound of the flute. At times he would play a number of these horns at once, harmonizing with himself, or sustain a note for lengthy durations by using circular breathing, or play the rare, seldom heard nose flute. A number of his instruments were exotic or homemade, but even while playing two or three saxophones at once, the music was intricate, powerful jazz with a strong feel for the blues.
Kirk was politically outspoken. During his concerts, between songs he often talked about topical issues, including black history and the civil rights movement. His monologues were often laced with satire and absurdist humor. According to comedian Jay Leno, when Leno toured with Kirk as Kirk's opening act, Kirk would introduce him by saying, "I want to introduce a young brother who knows the black experience and knows all about the white devils .... Please welcome Jay Leno!"
In 1975, Kirk suffered a major stroke which led to partial paralysis of one side of his body. However, he continued to perform and record, modifying his instruments to enable him to play with one arm. At a live performance at Ronnie Scott's Jazz Club in London he even managed to play two instruments, and carried on to tour internationally and even appear on television.
He died from a second stroke in 1977 after performing in the Frangipani Room of the Indiana University Student Union in Bloomington, Indiana.
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