Richard Strauss: Salome/ Behrens/ Karajan 1978 2 LP Box Set

$

19

Richard Strauss: Salome/ Behrens/ Karajan

Label:
Angel SBLX-3848
Format:
2xLP Box Set, Vinyl
Country:
US
Released:
1978
Genre:
Classical
Style:
Opera

Tracklist

     Salome Op. 54

A     Szenen 1, 2 Und 3 (1. Teil)    
B     Szene 3 (Schluß) Und Szene 4 (1. Teil)    
C     Szene 4 (2. Teil)    
D     Szene 4 (Schluß)

Credits

    Alto Vocals [Page Der Herodias / Page Of Herodias] – Heljä Angervo (tracks: A)
    Baritone Vocals [Fünfter Jude / Fifth Jew] – Erich Kunz (tracks: B, C)
    Baritone Vocals [Jochanaan / Jokanaan] – José van Dam (tracks: A to C)
    Bass Vocals [Ein Cappadocher / A Cappadocian] – Helge von Bömches (tracks: A)
    Bass Vocals [Erster Nazarener / First Nazarene] – Jules Bastin (tracks: B)
    Bass Vocals [Erster Soldat / First Soldier] – Gerd Nienstedt (tracks: B)
    Bass Vocals [Zweiter Soldat / Second Soldier] – Kurt Rydl (tracks: A)
    Composed By – Richard Strauss
    Conductor – Herbert von Karajan
    Engineer – Jimmy Lock
    Libretto By – Hedwig Lachmann
    Mezzo-soprano Vocals [Herodias] – Agnes Baltsa (tracks: B to D)
    Orchestra – Wiener Philharmoniker
    Producer – Michel Glotz
    Soprano Vocals [Salome] – Hildegard Behrens
    Tenor Vocals [Dritter Jude / Third Jew] – Martin Vantin (tracks: B, C)
    Tenor Vocals [Ein Sklave / A Slave] – Horst Nitsche (tracks: A)
    Tenor Vocals [Erster Jude / First Jew] – Heinz Zednik (tracks: B, C)
    Tenor Vocals [Herodes / Herod] – Karl-Walter Böhm (tracks: B to D)
    Tenor Vocals [Narraboth] – Wies?aw Ochman (tracks: A, B)
    Tenor Vocals [Vierter Jude / Fourth Jew] – Gerhard Unger (tracks: B, C)
    Tenor Vocals [Zweiter Jude / Second Jew] – David Knutson (2) (tracks: B, C)
    Tenor Vocals [Zweiter Nazarener / Second Nazarene] – Dieter Ellenbeck (tracks: B)

Notes

Gesamtaufnahme / Complete Opera
Uraufführung am 9. Dezember 1905 in Dresden / First performance: Dresden, 9th December 1905

? 1978 EMI Records Ltd.

Recorded in Austria

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General standards For Record Grading

(M) Mint Record still shrink wrapped, new copy of a record.

(NM) Near Mint Almost perfect record that has usually only
been played 1-3 times, in "like new" condition, no visual defects.

(NM-/ EX+) Almost near mint, maybe a few very light marks but
nearly perfect.

(VG+/ EX) Very Good Plus / Excellent Record
will show minor signs that it was played but otherwise handled by a
previous owner who took good care of it. Record surface may show
light scuffs or very light scratches that don't affect one's listening
experiences. Slight warps that do not affect the sound are "OK".

The label may have some ring wear or discoloration, but it should
be barely noticeable. The center hole will not have been misshapen
by repeated play. Picture sleeves will have some slight wear, lightly
turned up corners, or a slight seam split.

An LP cover may have slight signs of wear also and may be marred by a
cut-out hole, indentation or corner indicating it was taken out of print
and sold at a discount. In general, if not for a couple things wrong with
it, this would be Near Mint.

All but the most mint-crazy collectors will find a Very Good Plus (VG+)
record highly acceptable.

(VG) Very Good Record has more wear than VG+ with some
more surface noise, light pops, scuffs or light scratches. Generally
still a great playing copy, no skips. Jacket may have more shelf wear,
a little writing, sticker residue, punch out/cut out holes or corners.

(VG-) Very Good- Record has noticeable groove wear, discoloration,
surface noise, louder pops, marks & scratches/ scuffs but still a decent playing copy, no skips. Cover may has heavier shelf wear, more discoloration and split seams.

(G/ G+) Good/ Good Plus Record still plays without skipping
but has considerable amounts of groove wear, discoloration, surface noise, scuffs, and/or scratches.  Sleeve has a lot of wear and some defects such
as split seams, heavy creasing, writing, marks, sticker residue, etc...

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