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Rocks the House [Bonus Tracks] by Etta James.

Tracks:
Something's Got a Hold on Me
Baby What You Wat Me to Do
What'd I Say
Money (That's What I Want)
Seven Day Fool
Sweet Little Angel
Ooh Poo Pah Doo
Woke Up This Morning
Ain't That Lovin' You Baby
All I Could Do Is Cry
I Just Want to Make Love to You

Performer Notes: ROCKS THE HOUSE is the only live recording from Etta James' Chess recording career (late 1950s to mid 1960s).
Personnel: Etta James (vocals); David Walker (guitar); Gavrell Cooper (tenor saxophone); Vonzell Cooper (organ); Marion Wright (bass); Freeman Brown, Richard Waters (drums).
Recorded live at The New Era Club, Nashville, Tennessee on September 27 and 28, 1963. Originally released on Argo (4032). Includes liner notes by Ralph Bass and by Don Snowden.
Digitally remastered by Paul Elmore (MCA Studios, North Hollywood, California).
Though the studio albums Etta James made for Chess in the 1960s usually had the blues singer surrounded by lush production and string-heavy arrangements, this live date finds her performing with only a rhythm section, organist, guitarist, and tenor saxophonist. The singer seems to respond to both the stripped-down setting and the enthusiastic audience with noticeable abandon. In fact, James the classy balladeer, a role she sometimes plays on her studio albums, is nowhere to be found on this blazing set. The only time the band slows down is on the tearjerker story-song "All I Could Do Is Cry" (though what the tune lacks in tempo it makes up for in emotional intensity).
The rest of the set is straight-edged blues and R&B, including covers of some hits of the day, like "Money (That's What I Want)" and Ray Charles' "What'd I Say." Jimmy Reed's "Baby What You Want Me to Do" (on which James does a growling, harmonica-imitating vocal solo) steps up the blues quotient, as does the band's finale of Willie Dixon's "I Just Want to Make Love to You," with James' gospel-drenched pipes wailing all the while. Etta James Rocks the House indeed. ~ Rovi Staff

Professional Reviews: Musician (4/93, pp.93-94) - "...Etta James tears up a Nashville joint circa 1963 with a mix of hits and covers ranging from Ray Charles to Robert Nighthawk..."

Format: Vinyl (1 Disc)

Country: USA

Studio/Live: Live

Release Date: 26 August, 2014

Label: Jackpot Records

Dimensions: 30.5 x 30.5 x 0.3 centimeters (0.34 kg)

• Personnel: Etta James (vocals); David Walker (guitar); Gavrell Cooper (tenor saxophone); Vonzell Cooper (organ); Marion Wright (bass); Freeman Brown, Richard Waters (drums).
  
• Recorded live at The New Era Club, Nashville, Tennessee on September 27 and 28, 1963. Originally released on Argo (4032). Includes liner notes by Ralph Bass and by Don Snowden.
  
• Digitally remastered by Paul Elmore (MCA Studios, North Hollywood, California).
  
• Though the studio albums Etta James made for Chess in the 1960s usually had the blues singer surrounded by lush production and string-heavy arrangements, this live date finds her performing with only a rhythm section, organist, guitarist, and tenor saxophonist. The singer seems to respond to both the stripped-down setting and the enthusiastic audience with noticeable abandon. In fact, James the classy balladeer, a role she sometimes plays on her studio albums, is nowhere to be found on this blazing set. The only time the band slows down is on the tearjerker story-song "All I Could Do Is Cry" (though what the tune lacks in tempo it makes up for in emotional intensity).
  
• The rest of the set is straight-edged blues and R&B, including covers of some hits of the day, like "Money (That's What I Want)" and Ray Charles' "What'd I Say." Jimmy Reed's "Baby What You Want Me to Do" (on which James does a growling, harmonica-imitating vocal solo) steps up the blues quotient, as does the band's finale of Willie Dixon's "I Just Want to Make Love to You," with James' gospel-drenched pipes wailing all the while. Etta James Rocks the House indeed. ~ Rovi Staff

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