SANDRA PHILLIPS Too Many People In One Bed PRODUCED BY SWAMP DOGG & HER ONLY LP
  $   40

 


$ 40 Sold For
Dec 31, 2017 Sold Date
Dec 3, 2017 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

SANDRA PHILLIPS Too Many People In One Bed PRODUCED BY SWAMP DOGG & HER ONLY LP






A MINT MINUS LP ON ALIVE 0150-1

FROM 1970 AND STILL WITH SHRINK WRAP OVER COVER!

COVER STICKER BY SWAMP DOGG SAYS SHE IS EXCITING, EMOTIONAL, COLORFUL, GROOVY, FUNKY, VIVACIOUS, LOVABLE AND ELECTRIC!

PRESSED ON HEAVYWEIGHT VINYL FOR 1970

PRODUCED BY SWAMP DOGG WHEN SHE WAS ONLY 24 YEARS OLD!

TRACKS AS SHOWN ON THE LABEL PHOTOS

BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
Though Sandra Phillips was a decent soul singer, her sole LP is as notable for the contributions of Swamp Dogg -- who produced the album, and wrote or co-wrote all but one of the 12 tracks -- as it is for Phillips herself. Swamp Dogg was reserving his more unusual and distinctive compositions and arrangements for his own releases, but this is still a fairly strong Southern soul record, if a little modestly so. As the title implies, some of the tunes are more forthright about squabbles over romantic partners than was the norm in soul and pop music at the beginning of the 1970s, especially on "To the Other Woman (I'm the Other Woman)" (a song more renowned to soul fans in the version sung by Doris Duke). Phillips might have missed out on a potential hit on what's apparently the original version of "She Didn't Know (She Kept on Talking)," which Dee Dee Warwick had a Top Ten R&B hit with in 1970. The more risqué elements of the lyrics aren't too obvious without paying close attention, however, and some of the songs are pretty typical, straightforward, energetic period soul numbers. Phillips has a clear, strong voice, and the production has commendably brassy arrangements with a touch of gospel. Overall, however, it (like some other Swamp Dogg productions from the era) falls into the category of a record that's decent without being close to qualifying as a worldbeater.

COVER STOCK STILL WITH WHAT APPEARS TO BE THE ORIGINAL SHRINK WRAP INTACT. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

VIRGIN SPINDLE HOLE. THE HIGH LUSTER VINYL
BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW. UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION A FEW LIGHT SURFACE RUB MARKS AND OR PAPER SLEEVE STORAGE IMPRESSIONS.

⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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