SAVOY BROWN Looking In EX+ 1970 Parrot PAS 71042 1ST PRESS KIM SIMMONDS FOGHAT
$
23
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Description
Vinyl: EX+ Play Graded. Sounds Excellent! Has High Gloss vinyl. Has some marks that don't affect the sound quality. Parrot Labels are Clean and Bright. One of Savoy Brown's most highly regarded albums, the stuff of Legend...In a few short years this bad would transform into American Cross Over darlings, Foghat. But before that they would build their Legend on sides like this one and Street Corner Talkin'. On this set, check out the title song, Gypsy, Money Can't Save Your Soul, Poor Girl...not a bummer in the bunch! Kim Simmonds is the Star, but the whole group shines... allmusic gives it 4 stars!!!
See Review Below!
In the Dead Wax: Matrices, stamped. Complete Dead Wax information cheerfully provided upon request.
Cover: VG+ (see photos) Gatefold. Includes the Company Sleeve. What great sepia portraits in the Gatefold! Front, gatefold and back of cover artwork and text are rich, clear and bright, with some ring and shelf wear. Seams, corners and spine are solid and clean, with minor wear. No splits. No writing. Spine print is crystal clear.
Goldmine Standards. I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it. I wipe the dust off of every cover with clean, unscented baby wipes. I professionally clean the vinyl. (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
U.S. Shipping: $4.99 Media Mail. Tracking included. 50 cents additional shipping per additional item, when the shipment is combined. If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page. Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically. Free domestic shipping if you spend $100 or more!
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
Looking In Review
by Mike DeGagne
Savoy Brown's blues-rock sound takes on a much more defined feel on 1970's Looking In and is one of this band's best efforts. Kim Simmonds is utterly bewildering on guitar, while Lonesome Dave Peverett does a fine job taking over lead singing duties from Chris Youlden who left halfway through the year. But it's the captivating arrangements and alluring ease of the music that makes this a superb listen. The pleading strain transformed through Simmonds' guitar on "Money Can't Save Your Soul" is mud-thick with raw blues, and the comfort of "Sunday Night" is extremely smooth and laid back. "Take It Easy" sounds like it could have been a B.B. King tune as it's doused with relaxed guitar fingering. The entire album is saturated with a simple, British blues sound but the pace and the marbled strands of bubbly instrumental perkiness fill it with life. Even the Yardbirds-flavored "Leaving Again" is appealing with its naïve hooks, capped off with a heart-stopping guitar solo. This album along with Street Corner Talking best exemplify Savoy Brown's tranquilizing style.
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