SCARCE WERNER KAEGI SWISS EXPERIMENTAL ELECTROACOUSTIC CONCRETE ELECTRONIC LP

	€		300
	$		349

V/A - MUSIQUES ELECTRO-ACOUSTIQUES ET INSTRUMENTS - LP - CTS 44 - Switzerland - 1971

with WERNER KAEGI / ANDRE ZUMBACH / ERIC GAUDIBERT / BERNARD SCHULE

Yes, here it is! 

A once in a lifetime chance to get this gemm of swiss experimental electronic music history. 

Privately issued by the romandic guild of swiss composers "Communauté du Travail" in very limited quantities.

Rare rare rare! 

My second copy in 25 years!

Priced accordingly for this almost pristine copy.

Description

Side A:

André Zumbach - Cris (for recitative voice, flute, percussion and magnetic tape)

Theatrical instrumental and concrete piece with sound-poetry ("Cris" means "Shouts"). 

An expressive work that differs from the others recorded on this LP for its more conventional facture.

(See the other experimental Lp of Zumbach I have soon for sale in my list)

Werner Kaegi – Kyoto (for instruments and magnetic tape)

One of the very few Werner Kaegi recording on vinyl. 

"Kyoto" is a wild musique concrète opus with spectral moments reminding of the best Iancu Dumitrescu or Gérard Grisey works. 

Both instrumental and electronic parts dialogue with intense dynamics and an great variety of sound textures. 

The aggressive movement of the first part dissolves in a quiet and hypnagogic electronic soundscape. 

Stunning!

Side B:

Eric Gaudibert – Solstice (for piano and magnetic tape)

Very deep electronic sounds are underlaying suspended amplified and prepared piano attacks that at times seem uncontrolled and salvage to eventually be tamed and organized in a beautiful harmonic part of maximalist piano convulsion that ends in a mere suspended coda. 

The only Eric Gaudibert tape music ever released on vinyl. 

Waouh!

Bernard Schule – Géometrie animée (for pre-recorded harp, percussion and magnetic tape)

Again here a challenging mixed work of electronically transformed instrumental sounds and tape. 

The percussions melt into electronic flocks of titillating drops while the pre-recorded harp sounds tend to thicken the veil of their acousmatic source. 

Top Top Top!!!

Relates to : Bernard Parmegiani / Pierre Henry / François Bayle / Jean-Claude Eloy / Douglas Lilburn / John Rimmer / 

Ross Harris / Fylkingen / Ina-Grm / Mauricio Kagel / Karlheinz Stockhausen 

Record : NM- (looks unplayed but Side B shows very few traces from inner cover)

Cover : NM

[I'll be selling more experimental  / avant-garde / sound-poetry / post-punk / DIY / electronic / musique concrete records in the following weeks]

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GRADING :

M (MINT)

Sealed, never played, new in its original packaging.

NM (NEAR MINT)

Almost perfect copy, never or very rarely played. At worst, one or two surface marks, generally insignificant and due to inner sleeve. This the highest grade for an unsealed record.

EX (EXCELLENT)

Very clean copy, some insignificant surfaces marks (hairlines). This record has been rarely played, on good equipment and treated with care. The cover has very minor flaws: a name or discrete initials, low wear corners, very slight ringwear.

VG + + (VERY GOOD + +)

More surface marks.Minor flaws or cover wear, minor edge wear. This is generally the grade given to a 20 to 50 years old record with a "normal" life, treated with care, but listened and handled regularly by his former owner.

VG + (VERY GOOD +)

Has been played a lot, shows multiple slight surface marks (hairlines) generating background noise between songs but no jump or skips. Cover shows important signs of age and storage (slice corners worn, name, date, dedication, tears, etc. ...). Generally, this record was one of the favorites among previous owner discotheque , went from hand to hand, had to animate some parties and bears the scars of a busy life.

VG (VERY GOOD)

The record is very worn, has been played a lot, shows important scratches that are creating permanent background noises but do not skip or jump. Still listenable (especially at high volume for big sound). The cover is well worn, torn important corner and edge wear, significant traces of marker pen or ... well, the previous grade but more accentuated.

G (GOOD)

Has been played to the hilt (but still playable on some titles), many scratches, crackles a lot while playing, may have jumps or sticks. The cover is very damaged. This record must be very rare to be proposed on sale !

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FRAIS D'EXPÉDITIONS / SHIPPING RATES : 

Pour la France en colissimo :

1 LP : 6,40 € 

1 Gatefold LP : 7,85 €

1LP Double : 7,85 €

2 à 3 LP : 7,85 € 

4 à 8 LP : 8,90 € 

1 à 8 SP/EP : 6,40 €

Pour l’Europe (Union Européenne et Suisse) en courrier international

1 LP : 7,50 € 

1 LP Gatefold : 11,50 €

1 double LP : 11,50 €

2 à 3 LP :11,5 € 

4 à 8 LP : 14,80 € 

1 à 3 SP/EP : 4,95 € 

4 à 8 SP/EP : 7,50 € 

A partir de 9 LP pour l’Europe envoi uniquement en colissimo international.

Pour le reste du monde ( USA / ASIA / AUSTRALIA / AFRICA and outside the European community ) en courrier prioritaire international 

1 LP : 8,85 € 

1 lp Gatefold : 13,22 €

1 double LP : 13,22 €

2 à 3 LP : 13,22 € 

4 à 8 LP : 19,90 € 

1 à 3 SP/EP : 6,80€ 

4 à 8 SP/EP : 8,85 €