SEALED LP: AC/DC: BLOW UP YOUR VIDEO
  $   20

 


$ 20 Sold For
Jul 25, 2019 Sold Date
Jun 24, 2019 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

AC/DC: Blow Up Your Video

FACTORY SEALED LP

Format: Sealed LP
Country: U.S.A.
Record Company & Release Number: Atlantic: 7 81828-1
Original release date/year: 1988
Bar Code: 075678181815
Condition of the cover: Some creasing on the cover. It appears that the cover was bent back at the corners which caused the creasing. It is not very noticable on the front of the cover, but it can be seen easier on the back of the cover.\
Condition of the record: Sealed - Assumed Mint
Shipping Weight: 1 pounds, 0 ounces
My inventory number: 208352
Notes: Sticker on the shrink wrap as shown in the photos below.
Please contact me if you have any difficulty viewing the photos.
The Sealed LP shown in the photos is the exact one being sold.
I DO NOT END ANY OF MY AUCTIONS EARLY. PLEASE DON'T ASK (unless you are willing to offer enough to pay off my mortgage. Songs
  • Heatseeker
  • That's the Way I Wanna Rock & Roll
  • Mean Streak
  • Go Zone
  • Kissin' Dynamite
  • Nick of Time
  • Some Sin for Nuthin'
  • Ruff Stuff
  • Two's Up
  • This Means War

Credits
  • George Bodnar: Photography, Original Photography
  • Chuck Cavanagh: Assistant Engineer
  • Chuck Cavanaugh: Assistant Engineer
  • George Chin: Photography
  • Roy Cicala: Special Assistance
  • Alan Di Perna: Liner Notes
  • Mike Fraser: Mastering Supervisor
  • Brian Johnson: Vocals
  • Jean Jacques Lemoine: Assistant Engineer
  • Eddie Malluk: Photography
  • Gered Mankowitz: Photography, Original Photography
  • George Marino: Digital Remastering
  • UE Nastasi: Digital Assembly
  • Al Quaglieri: Mastering Supervisor
  • Tom Swift: Engineer
  • Pierre Terrasson: Photography
  • Harry Vanda: Producer
  • Cliff Williams: Bass, Group Member
  • Simon Wright: Drums, Group Member
  • Angus Young: Guitar
  • George Young: Producer
  • Malcolm Young: Guitar
  • Neil Zlozower: Photography

Album Review
Review by Greg Prato, All Music Guide
  • AC/DC remained a popular concert draw throughout the '80s, although such albums as Flick of the Switch and Fly on the Wall failed to replicate their mass U.S. commercial success of 1980-1981 (Back in Black, For Those About to Rock, a reissue of Dirty Deeds). But the successful soundtrack for Stephen King's lackluster movie Maximum Overdrive, titled Who Made Who, put AC/DC back on the right track commercially. Their first new studio album of all-new material in three years, 1988's Blow Up Your Video turned out to be their most successful album since 1981's For Those About To Rock, even though it was chock full of filler. The driving album opener, "Heatseeker," turned out to be a surprising Top Ten single in the U.K., while the anthemic "That's the Way I Want to Rock n' Roll" proved to be another highlight (video clips were filmed for both songs, as well). But from there on (with the exception of "Kissin' Dynamite" and "This Means War"), it gets pretty unfocused. The album is glutted with such throwaways as "Nick of Time," "Ruff Stuff," and "Two's Up" -- completely missing the point of what made such previous albums as Back in Black so great (they simply did not contain a weak moment). Blow Up Your Video also marked the return of AC/DC's early production team, Harry Vanda and George Young, who man the boards for the first time since 1978's If You Want Blood.

Biography
AC/DC biography by Stephen Thomas Erlewine, All Music Guide
  • AC/DC's mammoth power chord roar became one of the most influential hard rock sounds of the '70s. In its own way, it was a reaction against the pompous art rock and lumbering arena rock of the early '70s. AC/DC's rock was minimalist -- no matter how huge and bludgeoning their guitar chords were, there was a clear sense of space and restraint. Combined with Bon Scott's larynx-shredding vocals, the band spawned countless imitators over the next two decades and enjoyed commercial success well into the 2000s.
  • AC/DC were formed in 1973 in Australia by guitarist Malcolm Young after his previous band, the Velvet Underground, collapsed (Young's band has no relation to the seminal American group). With his younger brother Angus serving as lead guitarist, the band played some gigs around Sydney. Angus was only 15 years old at the time and his sister suggested that he should wear his school uniform on-stage; the look became the band's visual trademark. While still in Sydney, the original lineup featuring singer Dave Evans cut a single called "Can I Sit Next to You," with ex-Easybeats Harry Vanda and George Young (Malcolm and Angus' older brother) producing.
  • The band moved to Melbourne the following year, where drummer Phil Rudd (formerly of the Coloured Balls) and bassist Mark Evans joined the lineup. The band's chauffeur, Bon Scott, became the lead vocalist when singer Dave Evans refused to go on-stage. Previously, Scott had been vocalist for the Australian prog rock bands Fraternity and the Valentines. More importantly, he helped cement the group's image as brutes -- he had several convictions on minor criminal offenses and was rejected by the Australian Army for being "socially maladjusted." And AC/DC were socially maladjusted. Throughout their career they favored crude double entendres and violent imagery, all spiked with a mischievous sense of fun.
  • The group released two albums -- High Voltage and TNT -- in Australia in 1974 and 1975. Material from the two records comprised the 1976 release High Voltage in the U.S. and U.K.; the group also toured both countries. Dirty Deeds Done Dirt Cheap followed at the end of the year. Mark Evans left the band at the beginning of 1977, with Cliff Williams taking his place. In the fall of 1977, AC/DC released Let There Be Rock, which became their first album to chart in the U.S. Powerage, released in spring of 1978, expanded their audience even further, thanks in no small part to their dynamic live shows (which were captured on 1978's live If You Want Blood You've Got It). What really broke the doors down for the band was the following year's Highway to Hell, which hit number 17 in the U.S. and number eight in the U.K., becoming the group's first million-seller.
  • AC/DC's train was derailed when Bon Scott died on February 20, 1980. The official coroner's report stated he had "drunk himself to death." In March, the band replaced Scott with Brian Johnson. The following month, the band recorded Back in Black, which would prove to be its biggest album, selling over ten million copies in the U.S. alone. For the next few years, the band was one of the largest rock bands in the world, with For Those About to Rock We Salute You topping the charts in the U.S. In 1982, Rudd left the band; he was replaced by Simon Wright.
  • After 1983's Flick of the Switch, AC/DC's commercial standing began to slip, and they weren't able to reverse their slide until 1990's The Razor's Edge, which spawned the hit "Thunderstruck." While not the commercial powerhouse they were during the late '70s and early '80s, the 1990s saw AC/DC maintain their status as a top international concert draw. In the fall of 1995, their 16th album, Ballbreaker, was released. Produced by Rick Rubin, the album received some of the most positive reviews of AC/DC's career; it also entered the American charts at number four and sold over a million copies in its first six months of release. Stiff Upper Lip followed in early 2000 with similar results. The group signed a multi-album deal with Sony the following year that resulted in a slew of reissues and DVDs, and they returned to the studio in 2008 for Black Ice, an all-new collection of songs that was followed by the group's first world tour since 2001. Two years later, the band's music was featured heavily in the action movie Iron Man 2, and a best-of compilation was released in conjunction with the film under the title AC/DC: Iron Man 2.


  • All Sealed LPs are being sold as collector's items and cannot be returned due to manufacturer's defects. It may be almost impossible to replace many of the sealed albums that I am selling.
  • All pictures are of the exact Sealed LP being sold.
  • Please avoid questions on the last day of the auction. I might not have enough time to give you an answer before the auction ends.
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  • Since I obtain my Sealed LPs from a few different sources, if I am ever suspicious if it was factory sealed, I will specify it in the Notes section above.
  • All album reviews, credits and artist biographies are from All Music Guide. If you haven't been to their web site, you have to check it out. It's one of the most comprehensive music references on the internet. In some cases, credits may include reissue (CD) information. Obviously any credits referenced to CDs might not apply to this Sealed LP.

Shipping and pick-up


Your Sealed LP(s) will be shipped within 2 business days after I receive your cleared payment. When possible, if payments are made by 2 PM Eastern time, I will try to send your package the same day if my local Post Office is open.

I photograph all packages before taking them to the Post Office to confirm their condition prior to being handed over to the Post Office. Damage to your package after being handed over to the postal system will not be my responsibility. If you are concerned about damage during shipping, consider upgrading to Priority Mail. It includes free insurance.

If you have ANY special shipping requirements (extra padding, oversized boxes, etc., you must let me know BEFORE making your payment. The pre-calculated cost of your shipping is based my standard packaging (new boxes, padded envelopes, etc.).

WITHIN U.S.A.

  • The default shipping is Media Mail. You can opt to pay extra for for Priority Mail if you choose.
  • Priority Mail  is faster and includes free insurance.
  • Pick-up is fine with me, but be prepared to pay by cash. E-mail me to setup a time and place that is convenient for the both of us.

OUTSIDE U.S.A.

  • International Shipping is calculated by the weight of your package.
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I collect Grand Funk Railroad's music and memorabilia. If you think you might have something to trade for this item, let me know well before the auction ends. I normally do not end an auction early, but I will make an exception if we can work out some sort of trade for something that I can add to my Grand Funk collection.
If you also collect Grand Funk, let me know if you have anything that you might want to sell or trade. I am always looking to add something new to my collection.


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