SHELLAC At Action Park LP TOUCH & GO 1994 UK orig+foc+inner BIG BLACK-ALBINI
£
22
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29
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Description
U.K. BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS
SO PLEASE DO NOT PAY IMMEDIATELY AFTER WINNING
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BEFORE BIDDING, PLEASE
CAREFULLY READ BELOW THE CORRECT SHIPPING COST!
THESE RATES ARE FOR BOXES UP TO 3 KG (1 to 5 LPs).
The shipping cost from Italy to UK and Europe from 1 up to 5 albums
[it is a question of weight, we have to stay under 3kg] is £13 with DHL courier
[NOT for Norway, Russia, Ukraine, Switzerland, please ask for prices with registered letter]
with a sturdy and well conceived box.
The shipping cost also depends by the exchange euro/pounds.
Still, starting from the 1st of December the Italian Post increased
the price for the international & domestic shipment.
We have done our best to absorb any handling fees in order
to keep all international shipping rates as low as we can
PLEASE ASK FOR ANY INFORMATION
SHELLACStarted in an informal setting between infamous engineer and guitarist
Steve Albini (ex-Just Ducky, Big Black, Rapeman) and drummer Todd Trainer
(ex-Rifle Sport, Brick Layer Cake) in 1992, Shellac came into full formation after
Albini invited bassist Bob Weston (ex-Sorry, Volcano Suns) to move to Chicago,
employing him as an engineer at his studio. A clutch of singles soon appeared
in 1993 and 1994 on Touch & Go and Drag City
"AT ACTION PARK"
1994 LP TOUCH AND GO RECORDS TG141
MADE IN ENGLAND ORIGINAL PRESSING
First pressing released in poly bag with flap and barcoded sticker sealing the flap.
US sticker has barcode and TG141LP. European-distributed copies have LC and EFA numbers
in addition to barcode and catalog number. Record says Made in England on one label,
has label code on the other. THIS ONE WITHOUT POLY BAG & BARCODE STICKER.
GATEFOLD COVER + INNER SLEEVE
HEAVY CARDBOARD COVER (UNIPAK STYLE)
Barcode and Other Identifiers
Barcode: 036172084111
LABEL: TOUCH AND GO - BLACK LABEL w/ARTWORK - SILVER TEXT
Label Code: LC 7861
Catalog on cover: (spine) TG141
Catalog on labels:TG141A / TG141B
Matrix / Runout (Side A, Stamped): TG 141 A-01-01-1 D
(Side A, Etched): "SMOKING IS AS NATURAL AS BREATHING. THEY'VE BEEN DOING IT SINCE BEFORE I WAS BORN..."
Matrix / Runout (Side A, Stamped): TG 141 B-01-01-1 D
(Side B, Etched): "...WHICH IS A SHAME, BECAUSE I COULD HAVE INVENTED IT. - TODD STANFORD TRAINER 1994"
On labels: 200 DPS (degrees/second)
© 1994 Shellac
© & ? 1994 Touch & Go Records.........England
(on Side A only): LC 7861
(on Side B only): Made in England
On Inside Panels: Recorded electrically during March 1994.
Pressed into 165 grams of virgin dye-blackened vinyl.
Shellac record number four.
This uni-pak style album jacket was printed at Fireproof Press, Chicago.
On Back Cover: OMO
tracklisting
Side A: MY BLACK ASS - PULL THE CUP
THE ADMIRAL - CROW - SONG OF THE MINERALS
Side B: A MINUTE - THE IDEA OF NORTH
DOG AND PONY SHOW - BOCHE'S DICK - IL PORNO STAR
grading
RECORD NEAR MINT but (please, read above description)
SLEEVE EX but (please, see pictures and read above description)
Shellac's first three singles (especially Uranus) suggested that Steve Albini was moving into more subtle
and dynamic territory after the musical and lyrical brutality of Big Black and Rapeman, but the group's
first full-length album, At Action Park, proved that the misanthropic noisemaker responsible for Atomizer
and Songs About Fucking was still very much present. "My Black Ass," "Dog and Pony Show," and "Il Porno Star"
revealed Albini was still obsessed with sex, violence, and anti-social behavior, and the hard, metallic guitar
figures of "Pull the Cup" and "Song of the Minerals" were as uncompromisingly abrasive as ever,
with Albini's trademark engineering (dry, stark, and crystal clear) making the rough edges all the more
punishing. But At Action Park does reveal a band more musically intelligent and imaginative than Big Black,
and while it hits a good bit harder than the 7"ers that preceded it, Shellac is still significantly more concerned
with the space between the notes than any of Albini's earlier projects. Just as importantly, in drummer
Todd Trainer and bassist Bob Weston, Albini had found a human rhythm section
that lived up to his exacting specifications...(AllMusic)
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