SHIRLEY & LEE LET THE GOOD TIMES ROLL INSANELY RARE ORIG'56 ALADDIN MONO LP NICE

$

402

    
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·       SHIRLEY AND LEE – LET THE GOOD TIMES ROLL - INSANELY RARE  ORIGINAL 1955 ALADDIN MONO LP 807 (THIS IS NOT A 1961 RE-RECORDED COMPILATION ON WARWICK LABEL WITH A COMPLETELY DIFFERENT COVER)

·       ORIGINAL U.S. PRESSING

·       ONE OF THE RAREST RHYTHM & BLUES / EARLY ROCK ALBUMS IN EXISTENCE (GOOD COPIES ARE PRACTIALLY NONEXISTENT)

·       ORIGINAL MAROON (DARK RED), NON-GLOSSY, ALADDIN LABEL WITH SILVER PRINT

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       As far as we know, this album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Shirley and Lee "Let the Good Times Roll" LP Aladdin 807 Mono (1956). The title track is one of the classics from Rock 'n Roll's early days, and the lone album they did for Aladdin is one of the prizes for collectors, particularly if you can locate a copy in this condition.

***

Shirley Goodman and Leonard Lee, born just ten days apart in 1936, scored three massive R&B hits before either one of them were both 20 years old: "Feel So Good," "Let the Good Times Roll," and "I Feel Good" were all written by the talented young couple.

They had one trait in common among their recordings; this New Orleans-based duo almost never sang in harmony, let alone together at all. Their contrasting male-female duet style was later influential on early ska and reggae productions from Jamaica. Shirley & Lee recorded extensively for Eddie Messner and Leo Messner's L.A.-based Aladdin label. The Messners -- along with former NBC radio exec. Lew Chudd's Imperial Records and Art Rupe's Specialty -- seemed to have a knack for signing talent straight out of the Crescent City.

 (EXCERPT FROM AN ONLINE BIO BY  BRYAN THOMAS, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD++ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 2 inches (1 inch = 2.5 centimeters)

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(c)             The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 4

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging  (nothing significant).

-         Cover has a partially split top seam (between 4 and 6 inches  / 10 to 15 centimeters); This split seam was delicately taped by the previous owner with a piece of transparent scotch tape

-        Cover has a completely split bottom seam ; This split seam was delicately taped by the previous owner with a piece of transparent scotch tape

-         Cover has a tape residue (yellowish discoloration from the removed piece of old and aged scotch tape)  (on bottom seam only)

-         The cover has a few tiny scratch marks on the back side (nothing significant)

-         Cover has one corner slightly worn (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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