SICK rare GREEN DAY Tre LIMITED EDITION YELLOW VInyl LP only 1000 Made PUNK
$
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Description
Vinyl Junkies TV's NEW ARRIVALS !!!
Sick RARE ORIG Yellow Vinyl TRE only 1000 made
MINT and UN PLAYED. MIND BLOWING GIFT FOR FAN
YES , it's THAT rare .... see PICS
¡Tré! Review
by Stephen Thomas Erlewine
Arriving earlier than expected but last as planned, Green Day's third album of 2012 concludes their pop-punk trilogy not on a triumphant note but on one of confusion. Green Day's blueprints for 2012 and beyond may have been trashed by Billie Joe Armstrong's unexpected entry into rehab but that doesn't alter the albums themselves, which aren't necessarily a carefully constructed trilogy but rather an outpouring of energy, the group pushing out every completed song it had. ¡Tré!'s two predecessors had clear identities: ¡Uno! was the arena rock record; ¡Dos! was the punk-garage lark. In contrast, ¡Tré! feels like leftovers, the songs that didn't fit either theme, a collection of songs capturing the band at its loosest and poppiest, throwing away tunes without much care. It's hookier and not as ponderous as ¡Uno! but not quite as breakneck as ¡Dos!, never delving into the sleaze of "Fuck Time," never feeling like a last grasp at adolescence the way ¡Dos! did at its best. Instead, ¡Tré! is a morning-after record, sometimes regretful, sometimes unrepentant, divided between unapologetic partying and amends for their wayward ways. On the whole, ¡Tré! winds up on the happier side of the scale: the rhythms are insistent, the hooks immediate, the veneer bright and cheerful, never once regretting the chaos that happened the night before. But underneath this good time is the slight, perhaps unconscious, admission that things cannot continue as they did before. There is not the desperation or the hedonistic pulse that ran through ¡Dos!, but rather a shrugging admission that the time for partying is over. So there's a bittersweet undertow to ¡Tré!, a feeling underscored by Armstrong's rehab: he could no longer continue trying to recapture his youth, but dammit if he doesn't come close to doing so at times throughout ¡Tre!.
Green Day – ¡TRÉ!
Label: Reprise Records – 531978-1 Format: Vinyl, LP, Album, Limited Edition, Yellow Country: US Released: Feb 2013 Genre: Rock Style: Pop Punk A1Brutal Love Horns, Piano, Strings, Vocals [Background] – Tom Kitt Music By – Billie Joe Armstrong, Sam Cooke
4:55 A2
Missing You 3:44 A3
8th Avenue Serenade 2:37 A4
Drama Queen 3:08 A5
X-Kid 3:42 A6
Sex, Drugs & Violence 3:32 B1
A Little Boy Named Train 3:37 B2
Amanda 2:28 B3
Walk Away 3:46 B4
Dirty Rotten Bastards 6:26 B5
99 Revolutions 3:50 B6
The Forgotten Horns, Strings – Tom Kitt 4:59
- Copyright © – Green Daze Music
- Copyright © – Reprise Records
- Copyright © – Wb Music Corp.
- Copyright © – WEA International Inc.
- Exclusive Retailer – Hot Topic
- Manufactured By – Pallas USA
- Mastered At – Sterling Sound
- Mixed At – Mix LA
- Phonographic Copyright ℗ – Reprise Records
- Phonographic Copyright ℗ – WEA International Inc.
- Pressed By – Schallplattenfabrik Pallas GmbH – 26849
- Recorded At – Jingletown Recording
- Recorded At – Ocean Way Recording
- Art Direction, Design – Chris Bilheimer
- Bass, Vocals – Mike Dirnt
- Drums, Percussion – Tre Cool
- Engineer – Chris Dugan
- Engineer [Additional] – Lee Bothwick, Wesley Seidman
- Engineer [Second] – Brad Kobylczak
- Guitar – Jason White (3)
- Guitar, Piano, Vocals, Words By – Billie Joe Armstrong
- Lacquer Cut By – RJ*
- Management – PMM, Inc., Pat Magnarella
- Mastered By – Ted Jensen
- Mixed By – Chris Lord-Alge
- Mixed By [Additional Assistant Mix Engineer] – Andrew Schubert, Brad Townsend
- Mixed By [Assistant Mix Engineer] – Keith Armstrong, Nik Karpen
- Music By – Green Day (tracks: A2-A6, B1-B6)
- Photography By [Band] – Felisha Tolentino
- Photography By [Front & Back Cover] – Tre Cool
- Producer – Green Day, Rob Cavallo
- Production Manager – Cheryl Jenets
- Production Manager [Assistant] – Jamie Neely, Michelle Rogel
- Technician [Drum Tech] – Kenny Butler, Mike "Sack" Fasano*
- Technician [Guitar Tech] – Andrew Hans Buscher*
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