SIMON & GARFUNKEL SOUNDS/SILENCE RARE SEALED 1966 COLUMBIA STEREO LP+STICKER
$
189
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Description
WE CURRENTLY HAVE NEARLY 300 LISTED ITEMS
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· SIMON AND GARFUNKEL - SOUNDS OF SILENCE - 1966 COLUMBIA STEREO LP CS-9269
· GENUINE U.S. PRESSING
*** STILL SEALED GUARANTEED "360 STEREO" COLUMBIA PRESSING ***
· SECOND VERSION OF THE COVER, WITH SONG TITLES PRINTED ON THE FRONT COVER AND WITH 'TIGER BEAT' MAGAZINE AIRBRUSHED FROM ART GARFUNKEL'S BACK POCKET.
· VERY EARLY PRESSING CIRCA 1968 ON RED & WHITE COLUMBIA “360 STEREO” LABEL
· THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.
· TWO “BREATHE” (AIR) HOLES NOTED ON THE SHRINK WRAP
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· COVER HAS A NIFTY 'HYPE' (ADVERTISEMENT) STICKER STILL AFFIXED TO THE SHRINK WRAP.
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least thick, and 10 being the thickest), we assess the thickness of the vinyl as 7.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Simon & Garfunkel's second album, Sounds of Silence, was recorded 18 months after their debut long-player, Wednesday Morning, 3 AM -- but even though the two albums shared one song (actually, one-and-a-half songs) in common, the sound here seemed a million miles away from the gentle harmonizing and unassuming acoustic accompaniment on the first record. In between, there had been a minor earthquake in the pop/rock world called "folk-rock," which resulted in the transformation of their acoustic rendition of "The Sound of Silence" into a classic of the new genre, complete with jangling electric guitars and an amplified beat that helped carry it to the top of the charts. The duo hastily re-formed, Paul Simon returning from an extended stay in England with a large song bag (part of which he had already committed to vinyl, on his U.K. album The Paul Simon Songbook). Simon & Garfunkel rushed into the studio in the fall of 1965 to come up with a folk-rock album in a hurry: fortunately, they'd already recorded two sides, "Somewhere They Can't Find Me" (actually, Simon's rewrite of their first album‘s title track) and "We've Got a Groovey Thing Goin'," both featuring a band accompaniment. Davy Graham's bluesy "Anji," a rare instrumental outing by Simon, filled another slot, and "Richard Cory" filled another. The latter, Simon's adaptation of poet Edwin Arlington Robinson‘s work, was a sincere effort at relevance -- Richard Cory has every material thing a man could want but still takes his own life, a hint at one aspect of middle-class teenaged angst of the mid-'60s; high school English teachers were still using it to motivate students in the '70s. Though a rushed effort, this was a far stronger album than their debut, mostly thanks to Simon's compositions; indeed, in one fell swoop, the world learned not only of the existence of a superb song-poet in Paul Simon, but, in Simon's harmonizing with Art Garfunkel, the finest singing duo since the Everly Brothers. But it also had flaws, some of which only became fully apparent as their audience matured: the snide, youthful sensibilities of "I Am a Rock" and "Blessed" haven't aged well. And the musical concessions, on those tracks and "Richard Cory," to folk-rock amplification have also worn poorly; even in 1966, the electric guitars, piano, organ, and drums, sounded awkward in context with the duo's singing, like something grafted on, though in fairness, those sounds did sell the album. The parts that work best, "Kathy's Song" and "April Come She Will," two of the most personal songs in Simon's output, were similar to the stripped-down originals Simon had cut solo in England, and among the most affecting (as opposed to affected) folk-style records of their era; similarly, Simon's rendition of the folk-blues instrumental "Anji" is close to composer Davy Graham's original, just recorded hotter, while "Leaves That Are Green" is pleasantly if unobtrusively ornamented with electric harpsichord, rhythm guitar, and bass.
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· THE RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).
(b) The record is believed to come in its original stock inner sleeve.
(c) The record is apparently pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· THE COVER
COVER IS STILL SEALED; HOWEVER, WE ARE UNABLE TO GRADE IT MINT OR NEAR MINT DUE TO MINOR FLAWS LISTED BELOW; WE GRADE THIS COVER AS EXCELLENT OR VG++ (A PIECE OF SHRINK WRAP IS MISSING)
(PLEASE NOTE: THE SHRINK WRAP HAS SEPARATED ALONG ABOUT 20% OF THE OPENING SIDE, BUT THE ALBUM IS STILL VISIBLY SEALED)
The following flaws or imperfections are noted on the cover:
- Cover has a visible "wrinkle"(crease) in one of the corners.
- Cover has some fraying/wear along the lower seam
- Cover has a few tiny wrinkles along the seams (nothing significant)
- Cover shows JUST A HINT of yellowing on both sides, apparently from aging.
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 1 (front side) and 2 (back side).
- Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.
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OUR REFUND POLICY :
WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED ; Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy
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