SOFT MACHINE SOFTS VERY RARE STILL SEALED ORIGINAL '76 UK HARVEST LP BEAUTIFUL
$
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Description
WE CURRENTLY HAVE MORE THAN 600 LISTED ITEMS
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· SOFT MACHINE - SOFTS– RARE ORIGINAL BRITISH PRESSING - ORIGINAL 1976 HARVEST RECORDS (UK) STEREO LP SHSP-4056
· ORIGINAL U.K. PRESSING
*** VERY RARE STILL SEALED GUARANTEED ORIGINAL U.K. PRESSING (NOTE: THE ALBUM WAS APPARENTLY SEALED BY THE AMERICAN DISTRIBUTOR AS AN IMPORT FROM GREAT BRITAIN***
THIS ITEM COMES FROM THE INCREDIBLE, SINGLE-OWNER COLLECTION WE ACQUIRED A WHILE AGO, IN WHICH ITEMS ORIGINALLY BOUGHT BY THE OWNER FROM THE MID-'60s to THE MID-'70s WERE KEPT STILL SEALED IN A NEAR-LABORATORY, TIME-CAPSULE CONDITIONS AND IN PRACTICALLY CLIMATE- AND HUMIDITY- CONTROLLED ENVIRONMENT. CONDITIONS OF SOME OF THESE ITEMS RANGE FROM IMPECCABLE TO TRULY UNBELIEVABLE. SOME OF THESE BEAUTIFUL MUSEUM PIECES LOOKED SO PERFECT THAT WE HAD TO REINSPECT AND RE-EXAMINE THEM A FEW TIMES TO MAKE SURE THEY ARE NOT RECENT REISSUES (REST ASSURED THEY ARE NOT -- THESE ARE ALL 40-50 YEAR OLD STILL SEALED ORIGINAL FIRST PRESSINGS AS YOU MAY NEVER FIND AGAIN!!)
· GUARANTEED ORIGINAL YELLOW HARVEST LABEL WITH GREEN ROGER DEAN-DESIGNED “AMOEBA” LOGO
· THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.
· TWO “BREATHE” (AIR) HOLES NOTED ON THE SHRINK WRAP
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.K.PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THIN CARDBOARD COVER (EUROPEAN STYLE)
· ORIGINAL LAMINATED COVER
· THICK, HEAVY VINYL PRESSING
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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At this point in the band's history, Soft Machine might be considered an example of Theseus' paradox, akin to the original axe that George Washington used to cut down the cherry tree -- original except that the head had been replaced three times and the handle twice. On Softs, Mike Ratledge, the only remaining original bandmember present on Bundles, the group's preceding Harvest LP, was relegated to guest status, contributing synthesizer to only two tracks, "Song of Aeolus" and "Ban-Ban Caliban." Otherwise, keyboard duties now fell completely to Karl Jenkins, who joined the band prior to the recording of Six and had gradually taken over the conceptual reins as the Softs finished their tenure with Columbia and moved over to Harvest. On Softs more than ever before, Soft Machine was Jenkins' band; he composed fully seven of the LP's 11 tracks, making the album a vehicle for his own artistic conception. And yet, as Soft Machine albums go, this one is just fine, thank you. Jenkins had always put his own personal stamp on the material he wrote for the band, but he also retained elements of a Soft Machine style that emerged around the time Ratledge began penning LP side-long opuses on Third: a marriage of modalism and minimalism with simple but memorable themes in layered counterpoint and an occasional backdrop of rippling, echoey overdubbed electric keyboards, giving the music a trippy, trance-inducing quality. Nimble keyboard and reed solos were also an important element of the Soft Machine sound, although, as the band entered its Harvest fusion period, they tended to take a back seat to the work of fleet-fingered electric guitarists, first Allan Holdsworth on Bundles and then John Etheridge here.
With Etheridge proving that Holdsworth wasn't England's only blindingly fast fusion guitar riff-meister, and with new saxophonist Alan Wakeman being a somewhat heftier reedman than Jenkins, the Softs lineup was plenty strong enough in the soloing department, so Jenkins could concentrate on overdubbing an arsenal of keyboards to give the music its overall structure and mood. Meanwhile, the Roy Babbington (bass) and John Marshall (drums) rhythm-section team, intact since Seven, was as fine as ever, kicking the band into overdrive at the drop of a hi-hat. While Softs has plenty to satisfy the Canterbury and jazz-rock fusion fan, another stylistic element -- new age -- can be heard blowing in with the synthesized wind and strings of the slow and lovely "Song of Aeolus." A precarious balance is usually maintained and the music keeps its footing in jazz-rock, although Softs certainly has more polish than grit. Moments of subtlety and understatement, like the pastoral soprano saxophone and acoustic guitar duet of the opening "Aubade" and Etheridge's folk-jazz duet with himself on the album-closing "Etka," are balanced by passages of high drama, or perhaps grandiosity -- so many layers of guitars and keyboards are piled onto the closing of "The Tale of Taliesin" (imagine the Beatles' "I Want You [She's So Heavy]" coda performed by Philip Glass) that one is tempted to shout, "Enough already!" But when the band gets it right -- the careful buildup and breakdown of lovely themes on "Out of Season" and the ethnic fusion-tinged groove of "Ban-Ban Caliban," for example -- Softs soars. The LP is accessible and engaging enough to have broad appeal, and challenging enough to be worthy of the name Soft Machine. [Some decent selections from Softs can also be heard on Tales of Taliesin: The EMI Years Anthology 1975-1981, which also includes selections from Bundles, Alive & Well: Recorded in Paris, and Land of Cockayne.]
(EXCERPT FROM AN ONLINE REVIEW BY DAVE LYNCH, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical or discography information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).
(b) The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The record is believed to comes in its original “Made in England” stock inner sleeve.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER (THIS IS THE ORIGINAL, LAMINATED, GLOSSY COVER):
COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP
The following flaws or imperfections are noted on the cover:
- Cover has a slight warp along the opening side (two right corners)(nothing significant); this will have absolutely no effect on the record and .will self-correct once the shrink wrap has been removed and record properly stored for a period of time.
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No yellowing from aging
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.
INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.
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OUR REFUND POLICY :
WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 14 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy
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