SOFT MACHINE w/ROBERT WYATT 2d ALBUM RARE ORIG '69 PROBE LP LEE HULKO MASTER N/M
$
56
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Description
WWE CURRENTLY HAVE MORE THAN 1,000 LISTED ITEMS
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· SOFT MACHINE – SOFT MACHINE, VOLUME 2 (THE GROUP'S SECOND STUDIO ALBUM) – ORIGINAL 1969 ABC-PROBE STEREO LP CPLP-4505-S
· ORIGINAL U.S. PRESSING
· ORIGINAL BLACK ABC-PROBE LABEL WITH MULTICOLOR LOGO
· The record has LEE HULKO initials (LH) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) [NOTE: THIS IS NOT A REISSUE WITH A REGULAR, SINGLE-POCKET COVER]
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· THE RECORD HAS A 'STERLING SOUND' ("SS") MARK HAND-ETCHED IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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The first Soft Machine LP usually got the attention, with its movable parts sleeve, as well as the presence of ultra-talented songwriter Kevin Ayers. But musically, Volume Two better conveys the Dada-ist whimsy and powerful avant-rock leanings of the band. Hugh Hopper took over for Ayers on bass, and his fuzz tones and experimental leanings supplanted Ayers' pop emphasis. The creative nucleus behind this most progressive of progressive rock albums, however, is Robert Wyatt. He provides the musical arrangements to Hopper's quirky ideas on the stream-of-consciousness collection of tunes ("Rivmic Melodies") on side one. Unlike the first record, which sounded choppy and often somnolent, this one blends together better, and it has a livelier sound. The addition of session horn players enhanced the Softs' non-guitar lineup, and keyboardist Mike Ratledge, whose musical erudition frequently clashed in the early days with the free-spirited Wyatt, Ayers, and Daevid Allen, lightened his touch here. He even contributes one of the album's highlights with "Pig" ("Virgins are boring/they should be grateful for the things they're ignoring"). But it's Wyatt who lifts this odd musical jewel to its artistic heights. He uses his tender voice like a jazz instrument, scatting (in Spanish!) on "Dada Was Here," and sounding entirely heartfelt in "Have You Ever Bean Green," a brief tribute to the Jimi Hendrix Experience, with whom the Softs toured ("Thank you Noel and Mitch, thank you Jim, for our exposure to the crowd"). Fans of the Canterbury scene will also relish "As Long As He Lies Perfectly Still," a loving tribute to ex-bandmate Ayers. This is the one record that effectively assimilates rock, absurdist humor, jazz, and the avant-garde, and it misses classic status only due to some dissonant instrumentation on side two.
(EXCERPT FROM AN ONLINE REVIEW BY PETER KURTZ, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical or discography information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some ring wear. On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 4 (front side) and 5 (back side).
- Cover shows some light yellowing on both sides, apparently from aging (nothing significant). Yellowing is also noted on the INSIDE gatefold
- Cover has a few tiny wrinkles along the spine
- Cover has a tiny, barely visible cutout hole in one of the corners
- Minor discoloration (color fading) noted on the spine (nothing significant)
- Visible shelf wear noted on the seams
- Cover has all four corners slightly worn (nothing significant)
- A faint water stain affects about 10% of the cover (both front and back); there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the stain is visible
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No writing
- No stamps
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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