STEELY DAN Can't Buy A Thrill EX+ Rare 1972 In Shrink Donald Fagen Do It Again
  $   20

 


$ 20 Sold For
Dec 15, 2018 Sold Date
Nov 15, 2018 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Vinyl:  EX+ Play Tested. Sounds Great!  Labels are Clean.   This is the MCA Release of this 1972 Classic!  One of The Dan's Finest Moments!  One of Rolling Stone's 500 Greatest Albums of All Time!!!  allmusic.com gives it 4 1/2 stars!!  The Classic Dan Line-up including Skunk Baxter! 
Cover: EX+  In Shrink!  The shrink has split half way at the top and bottom, easily repaired with tape.  Also has a store sticker on front top left (see photos).  
Goldmine Standards.  I play test every album that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.
See Review Below!

U.S. Shipping:  $4 Media Mail for up to 2 LP's.  Additional LP's .50 (double albums count for 2LP's).  I will only ship to Italy by Registered Mail.  Rest of World, ask for cost of shipping before buying.  I only pass on to you my cost to get it to you.  Similarly, upgrades and insurance can be added on at Buyers' expense.  Feel free to ask any questions and happy shopping !  
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AllMusic Review by Stephen Thomas Erlewine  [-]

Walter Becker and Donald Fagen were remarkable craftsmen from the start, as Steely Dan's debut, Can't Buy a Thrill, illustrates. Each song is tightly constructed, with interlocking chords and gracefully interwoven melodies, buoyed by clever, cryptic lyrics. All of these are hallmarks of Steely Dan's signature sound, but what is most remarkable about the record is the way it differs from their later albums. Of course, one of the most notable differences is the presence of vocalist David Palmer, a professional blue-eyed soul vocalist who oversings the handful of tracks where he takes the lead. Palmer's very presence signals the one major flaw with the album -- in an attempt to appeal to a wide audience, Becker and Fagen tempered their wildest impulses with mainstream pop techniques. Consequently, there are very few of the jazz flourishes that came to distinguish their albums -- the breakthrough single, "Do It Again," does work an impressively tight Latin jazz beat, and "Reelin' in the Years" has jazzy guitar solos and harmonies -- and the production is overly polished, conforming to all the conventions of early-'70s radio. Of course, that gives these decidedly twisted songs a subversive edge, but compositionally, these aren't as innovative as their later work. Even so, the best moments ("Dirty Work," "Kings," "Midnight Cruiser," "Turn That Heartbeat Over Again") are wonderful pop songs that subvert traditional conventions and more than foreshadow the paths Steely Dan would later take.


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