STEVE MILLER BAND ? BRAVE NEW WORLD ? orig EX/NM 1969 Capitol SF psych ? BEATLES
  $   30

 


$ 30 Sold For
Sep 22, 2014 Sold Date
Sep 5, 2014 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

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Original  US press of their third masterwork, pressed in Hollywood. Ross Blaufarb sums it up exquisitely: For many fans this album launched Miller's most important and musically satisfying era - when he was young and bold enough to take musical and conceptual risks (and some LSD, no doubt) and hadn't yet become a brand of the good-time cruisin' middle class. The songs combine Miller's signature blues influence and distinctive, almost conversational vocal style with a psychedelic hippie sensibility of peace, love, and cosmic adventure. Blues grittiness with soaring triple-tracked harmonies evoking new age hope might seem at odds. But from the eponymous first track's rocket blast-off that segues into futuristic industrial guitar chiming, this album takes you on a challenging interstellar journey with equal parts down-home humor and wistful heaviness. Sadly underrated late drummer, vocalist and contributing songwriter Tim Davis and bassist Lonnie Turner, who also pens the occasional tune, support Miller, along with co-producer Glyn Johns. Legendary session pianist Nicky Hopkins adds his ennobling grand piano accompaniment on "Kow Kow"; Guild 12-string-drenched "Seasons" by Miller and long-time collaborator Ben Sidran evokes a sunlit walk in nature with heartfelt, but un-preachy lyrics about the cycle of life floating above the acoustic guitar wall of sound. "Celebration Song" (by Sidran) and Davis's frantically up-tempo "Can't You Hear Your Daddy's Heartbeat" are the albums most Frisco-sounding tunes. The showstopper is the anti-war anthem "Kow Kow," where Miller's loose guitar intro sounds like he's channeling Jimi Hendrix, his contemporary and better-known psychedelic blues shaman, and displays his knack for finely crafted, layered sounds that build to a climax of inspirational melody and message. The album ties together the space-exploration concept with the moderately commercially successful "Space Cowboy." Miller collaborates with Paul McCartney (credited as Paul Ramon) on the album's closing rocker "My Dark Hour," who provides supporting vocals, brilliant bass runs and a totally original and memorable drum track. The two studio veterans obviously get off goading each other to a musical frenzy and then primal scream to their hearts' content on the fade out. Followers of Miller's long career enjoy the way he keeps re-imagining his riffs and narrative characters, and it all starts here with "My Dark Hour" becoming the foundation for "Fly Like An Eagle." His Gangster of Love persona, introduced on Sailor, trades in his brand-new Cadillac for a spaceship that not only gets him the girl, but also helps him turn the tables on the Man. This is the dawn of a new age, Stevie "Guitar" Miller style. Although not a strict concept album, Brave New World's underlying theme is that time is running out for us to turn on our "love lights" to "get things back together like they were before." Cynics will laugh, but it's true. If there were ever a time for good-hearted people of planet Earth to discover or rediscover this album from the early Steve Miller era, it is now. Brave New World will sober as it delights, a cautionary tale and optimistic tonic "as we fly through space to the brave new world." All aboard?



Artist: THE STEVE MILLER BAND

Title: BRAVE NEW WORLD

Year: 1969

Label: Capitol

Catalog Number: SKAO-184

Mono/Stereo/Quadro: stereo

Country: USA

Dead Wax Numbers: SKAO-1-184-H-3 1 *  /  SKAO-2-184-H-3 1 *  (hand-etched)

Weight: 131 grams

Cover Format: thick gatefold, wrap-around outer slick with paste-on inner panel

Cover Condition: VG+ (sharp, crisp, vivid & tight, beautiful edges, slight corner wear/creasing in a few spots but would be EX if not for mild ring wear)

Vinyl Condition:

EX/NM (perfect gloss, just a handful of light hairlines & faint paper marks but nothing affects play, really couldn't be much nicer)

Label Condition: s1 has a few faint spindle marks, s2 is perfect


We clean every record on a VPI HW-17F using Audio Intelligent Vinyl Solutions multi-step process (every disc goes into a brand-new poly-lined inner sleeve).

Everything is strictly graded using the classic Goldmine Standards that we have been applying since 1983: 

M (rarely ever used unless still sealed)/ NM / EX / VG+ / VG / VG- / G+ / G (please see bottom of auction for specific grading information).








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 For all locations, double LPs count as 2 records, triple sets count as 3 and so on.  We are always happy to combine shipping, but regardless of how many LPs you hope to acquire, please complete your payment no later than 7 days after your last winning auction ends (of course exceptions can always be made, please contact us anytime).  If you are combining items please wait for us to send our personal invoice with the combined shipping amount.

Each (non-sealed) record is removed from its cover before shipping, and both are inserted into a new 3 mm sleeve before they are secured, with bubble wrap if necessary, in the highest-quality cruciform LP mailer.  No time or effort is spared to insure that your disc, cover and inner sleeve / inserts all arrive in exactly the same condition as they were listed.

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We visually grade all records using the classic Goldmine Standard, to which we have added EX (as have many others), but we do not use any other variant from the classic scale.  No NM- or EX+ (which are both EX), EX- VG+++ or Near Excellent (which are all VG+), or any such other nebulous grades here!  We feel that nearly every collector will be more than pleased with anything listed EX or above in our auctions; they will all be top-shelf, archive quality items which will play M- throughout.  A VG+ record will truly satisfy all but the most critical curator.  On the very rare occasion we actually grade an opened LP as straight MINT, we can guarantee you’ll never find a nicer copy anywhere!

We will play-grade any LP if there is any reason to do so; any questionable mark, scuff or noteworthy artifact of any kind will be sampled to determine its true significance (which may obviously impact the grade ).  We will also gladly play-grade anything upon request; if you are curious about the actual pressing characteristics or any have other questions about its actual performance please feel free to ask.

MINT :  Absolutely perfect.

This record looks like it has just left the plant, with no flaws whatsoever.  It appears unhandled and unplayed, with no marks of any sort.  Usually only sealed or (sometimes) unplayed LPs will warrant this grade.

The cover does not appear to have had a record inside it; there is no wear or distraction of any kind.

 NM : Virtually flawless, top copy.

The record is virtually identical to the moment it was opened, but may have a few faint paper, packaging or pressing scuffs which will produce no sound whatsoever and are very hard to see without critical inspection.  It was very carefully handled and played, likely only once or twice.

The cover is as close to perfect as can be expected given its age.  There may be minor impressions due to the outer edge of the vinyl (no ring wear), the lightest possible corner bumps, or a few tiny laminate creases (mainly on imports), but no wear or whitening of any kind whatsoever.

EX : A beautiful specimen, which will please most critical collectors and not need to be upgraded.

The record has no scratches or significant blemishes, and will play NM throughout.  It retains 100% of the gloss, sheen and luster, but may have a handful of faint superficial scuffs, hairlines or light spindle marks which will not produce any sound whatsoever.

The cover is nearly perfect.  There may be the absolute faintest suggestion of ring wear or possibly a light touch of dulling on the corners (nothing wrinkled or obtrusive in any way), but no notable seam or spine wear, writing or sign of tape anywhere.

 VG+ : Plays perfectly nearly all of the time, with only a few minor distractions.

The record still retains nearly all of the gloss, sheen and luster, but there may be a handful of inaudible superficial marks or scuffs, a mild scattering of light hairlines (which would only be faintly audible between tracks or in some very quiet passages), or a few stray marks which may mildly sound for a few revolutions. Each flaw is very minor, barely noticeable to the naked eye, and will not detract from the enjoyment in any way.

The cover is still very clean and crisp, but may look slightly more aged and have a few minor flaws such as small unobtrusive writing, minor wear to the seams and spine (no splits), slightly worn corners, very light ring wear or minor creasing.  No flaw is at all distracting in and of itself.

 VG : A nice play copy, which will perform without much significant distraction.

The record appears well played, but still has the majority of the luster.  It will not have been abused, though there will be some audible sound defects which will not overpower the dynamics of the music, such as mild surface noise in the quietest sections, a handful of stray isolated pops and clicks (which are brief and occasional), or possibly some very mild groove wear; still no skips, repeats, or anything deep or seriously pronounced.  It will play through quite nicely most of the time, with very minimal distraction.

The cover looks somewhat used and shows some mild wear.  There may be some minor seam splitting, ring wear (which still doesn’t overwhelm the cover), discreet writing (not large magic marker), or mild yellowing due to air contaminants. It is still nice, just a few notable flaws away from VG+.

We will never sell anything less than VG, so the rest of the scale is unnecessary.  We absolutely detest groove wear, so we will almost never list anything lacking the overwhelming majority of the luster, sheen and gloss.  Anything of significance will always be noted. 


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