STEVE PICCOLO - DOMESTIC EXILE 82 x LOUNGE LIZARDS NYC POST PUNK DIY ART ROCK LP

$

32

STEVE PICCOLO – Domestic Exile. Mental Experience MENT 029. Spanish release, distributed by Guerssen. NEW VINYL RECORD ALBUM. Originally issued in 1982. This first time reissue remastered edition issued in 2019. Comes sealed in a clear poly resealable outer sleeve, as shipped by the label. Includes an insert with lyrics and detailed liner notes by Steve Piccolo. MUSICIANS:  Steve Piccolo (vocals, guitar, bass guitar, contrabass, percussion), Evan Luri (keyboards), and G. Lindahl (synthesizers).

 

TRACKS:

 

SIDE ONE:

 

01)    The Bell

02)    Young And Ambitious

03)    Fast Life

04)    Modern Man

05)    Businessman’s Lament

06)    Bleecker Street

 

SIDE TWO:

 

07)    My Face

08)    Stray Man

09)    Superior Genes

10)    Talk To Me

11)    I Don’t Want To Join A Cult

12)    Apologia

 

DESCRIPTION:

 

Debut album from 1982 by former Lounge Lizards bass player & founding member Steve Piccolo, featuring bandmate Evan Lurie plus G. Lidahl. A hidden gem of minimalist beauty, mixing a post-punk/DIY/lo-fi aesthetic with art-rock & spoken poetry. Steve Piccolo has been actively performing since the mid-1970s in music, theater, performance art, sound installations, and video and film soundtracks. In 1979 he started with the Lurie brothers “fake jazz” / No Wave band Lounge Lizards. Domestic Exile was recorded one year after the seminal Lounge Lizards debut, at a time when Steve was living a kinda schizophrenic existence:  working on Wall Street by day and going to clubs and art spaces almost every evening (he was one of the artists filmed for the No Wave documentary 135 Grand Street New York 1979). Early on, he was influenced by Mose Allison, Tom Lehrer, Randy Newman and “people who put thoughtful witty lyrics onto rather standard pop music”. In just two weeks, Steve wrote the collection of songs which would form Domestic Exile. Somebody described them as “Neurotic City Folklore” -  as the lyrics dealt with living in NYC, urban angst, isolation, yuppies, nuclear paranoia…Titles like Young And Ambitious, Modern Man, Businessman's Lament, Bleecker Street, Superior Genes… The idea was to use these songs for a sort of “side project”, originally conceived more like a soundtrack for performance art and less like a band. The recording took place at the ZBS Foundation in New York, engineered by Bob Bielecki (a collaborator of Laurie Anderson and La Monte Young). Steve sang, played electric guitar, bass / double bass and percussion. He was joined by Lounge Lizards bandmate Evan Lurie on Farfisa keyboard (the same one he used on the first Lounge Lizards album) and G. Lindahl on synth. After Domestic Exile was finished, Steve played the tapes to some record labels in New York and although one of the tracks, the catchy I Don’t Want To Join A Cult, was an underground hit in Manhattan - even Debbie Harry (Blondie) wanted to do a cover version - no one expressed interest in releasing the album. Soon after, Steve went to Italy and Domestic Exile was finally released on a local label, housed in a cover very similar to the first Lounge Lizards album. The result was a minimalist art-rock masterpiece which could be described as a lo-fi version of John Cale’s Music For A New Society. The influences and inspirations draw from the NYC Factory/Loft avant art/music scene. Worthy of your further investigation.

THIS ITEM IS NEW AND UNPLAYED. Used items will include condition details for the cover, disc, inserts, etc.

 

NOTE TO POTENTIAL BUYERS:  If the jacket or disc (unless sealed) is punched, marked, or cut in any manner, denoting a promotional/review copy, I will state that as part of the item description. Also if an issue is a "music club" edition, that will be noted in the item description.

 

If you have any questions or if you have additional information, especially corrections, to the description, please e-mail me. I particularly enjoy when an artist, band member, or someone who has personal background knowledge of a particular album/artist and offers their insight/information of that recording, which I will include with the description for future listings of that release. As a collector of many years, part of the hobby side for me is to learn about the background of the artists and music that I collect. Hopefully, sharing some of this information in my descriptions will help educate and enhance your listening experience.     

All LPs are removed from their jackets and placed outside of the jacket for shipping. If an album comes sealed (and will be noted as such in the above description), it will be shipped whole unless you request that I open it up to place the disc outside of the jacket for shipping. Both jacket and disc are placed inside of an outer plastic sleeve before packing for shipping. I use professional corrugated record mailers.

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TERMS AND ABBREVIATIONS:

 

SS or SLD:  Still Sealed or Sealed (or some variation of sealed depending on how many characters I have left in the title line). This item is new and unplayed. Also appears in the listing description as Sealed LP or Factory Sealed LP.

 

NEW LP:  This item is new and unplayed, but was received from a supplier without being shrink wrapped or cellophane wrapped; more common on imports but also many of the smaller independent US labels do not seal their LPs. These items are placed inside of a clear poly outer sleeve upon their receipt by me

 

GFC:  Gate fold cover.

 

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#'D:  Numbered edition. I will include the number of this item if it is visible to me.

 

CV:  Colored vinyl.

 

S/T:  Self-titled.

 

RE:  Reissue

 

OOP:  Out Of Print.

 

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