STEVE REICH MAXFIELD OLIVEROS ELECTRONIC MUSIC 1967 Odyssey Original US Press LP
$
24
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Description
STEVE REICH RICHARD MAXFIELD PAULINE OLIVEROS NEW SOUNDS IN ELECTRONIC MUSIC 1967 Odyssey Records US LP 32 16 0160 Electronic
New Sounds in Electronic Music is a landmark 1967 release documenting early American experimental and electronic composition. Issued on Odyssey Records, the album features three pivotal figures whose work helped define minimalist and electronic music in the United States.
Steve Reich is represented by the groundbreaking tape piece “Come Out,” a foundational work in phase shifting and minimalism. Richard Maxfield contributes Night Music, reflecting the academic electronic tradition of the period, while Pauline Oliveros’ I of IV explores extended sound, duration, and spatial awareness. Together, these works capture a crucial moment in post-war experimental music.
This is an original US Odyssey Records pressing with clean vinyl and a well-preserved jacket. A core title for collectors of minimalist, avant-garde, and electronic music.
PRESSING DETAILS
Country: US
Year: 1967
Label: Odyssey Records
Catalog Number: 32 16 0160
Pressing Type: Original US pressing
Matrix / Runout: Odyssey-stamped matrices, US manufacture
CONDITION
Vinyl: NM ~ Clean and glossy. Minimal hairlines & handling marks. No audible clicks, pops or surface noise. Plays Clean.
Cover: NM ~ clean and sharp with minimal shelf wear. Strong spine and edges. Excellent overall presentation.
Inner Sleeve: EX ~ original Odyssey inner sleeve present with light handling wear only.
Inserts / Extras: None
ITEM SPECIFICS
Artist: Steve Reich / Richard Maxfield / Pauline Oliveros
Title: New Sounds in Electronic Music
Format: LP
Release Year: 1967
Label: Odyssey Records
Catalog Number: 32 16 0160
Country: US
Genre: Electronic
Style: Experimental, Minimalism, Avant-Garde
Speed: 33 RPM
Record Size: 12”
SHIPPING & VINTAGE DISCLAIMER
Ships within 3 business days. Vinyl packed outside jacket in protective sleeve and shipped securely in a proper LP mailer.
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