SUN SUN BABAE- CONJUNTO CASINO (FAZ, ESPÍ...) PANART#LP-2109 (1960) BLACK LABEL
$
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Conjunto Casino – Sun,Sun, Babae
Label: Panart – L.P. 2109
Format: Vinyl, LP, Album, High Fidelity
Country: US
Released: 1960
Genre:Latin
Style: Guaguancó, Guaracha, Mambo
A1 Sun Sun Babae
A2 Junto A Un Cañaberal
A3 Mi Bambalaye
A4 No Se Porque No Me Quieres
A5 Barin Bareta
A6 Rumba A La Vida
B1 Amor Antillano
B2 Guarachita
B3 Si Me Pudieras Querer
B4 Somos Diferentes
B5 Serenata A La Luz De Luna
B6 Los Cinco Sentidos
Record Company – Panart Recording Corp
Although no date, or Panart Recording Corp
This was/is the 1st US original early 1960's (1960-1961) pressing of the 1957 Cuban original release on the Panart Records label.
Vinyl weighs over 180 grams. Heavy Vinyl, deep groove
Matrix / Runout (Hand Etched -Cara A): LP-2109A 1
Matrix / Runout (Hand Etched- Cara B): LP-2109B 1
PANART
Thanks to Julia Sabat (Ramon Sabat’s,PANART Owner wife), who sent the master copies from Havana to New York, around 80% of Panart's catalogue was "saved" before the government took over the company. Julia and her daughters then left Havana shortly after the Revolution, while Ramón remained in Cuba in charge of the company. Finally, in 1961, they managed to get Ramón out of Cuba In 1961, its studios were seized by Fidel Castro's communist regime and the label was nationalized,. He and his wife established themselves in Miami (Hialeah). Julia started working in a record factory in Hialeah with Ramón's brother, Galo. Together they issued 1950s recordings made in Cuba on various imprints, including Adria Records and Puchito Records, all manufactured in Hialeah.
After establishing a subsidiary (Panart Recording Corporation) in New York in 1952, the same year it pressed its first LPs, Panart was pressing half a million records a year, 20% of which was exported outside of Cuba (over 50% by 1959). Its dominance over the jukebox business in Cuba and the strategic (geographical) advantage over its main competitor, RCA Victor, explain part of Panart's success. Moreover, Panart was able to secure contracts with some of the most popular and innovative musicians and groups in the country, from Conjunto Casino to Julio Gutiérrez and Cachao.
Besides having to compete with major American record labels, primarily RCA Victor (or its subsidiary, Discuba, between 1959 and 1961), and to a lesser extent, Capitol, Panart had to compete with numerous independent Cuban records labels that were established during the 1950s following the success of Sabat's company. These Cuban labels include Puchito, Kubaney, Suaritos, Gema and Maype amongst others…
LP: MOSTLY VG++ NO SKIPS...MINIMAL CLICKS ALMOST VG+ ON ONLE A FEW TRACKS
LABELS : NM!
COVER: BACK: VG- NO SPLITS! TAPE PARTIALLY CAREFULLY REMOVED....MARKS!
COVER FRONT: CLOSE TO VG+ NO SPLITS
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